HOAX is a conceptual body of poetry, a tome of disparate but interwoven lyric fragments, sigils, concrete poems, incantations, evocations, objects etc… HOAX, in theory, includes NOCT: The Threshold of Madness (The Atlas Review, 2019), a poetic chronicle of identity-disrepair erased of a popular how-to guide in “black magic.” The piece forms a series incantations centered on anti-queer, anti-black formulations in the source text and features vectorized sample of over two-hundred pages of encoded erasure.