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Refractions: A Journey of Faith, Art, and Culture
A collection of essays, thoughts, and prayers from award-winning artist Makoto Fujimura, Refractions brings people of all backgrounds together in conversation and meditation on culture, art, and humanity.
176 pages, Paperback
First published February 1, 2009
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1474 people want to read
About the author
Makoto Fujimura
48 books329 followersMakoto Fujimura, recently appointed Director of Fuller's Brehm Center, is an artist, writer, and speaker who is recognized worldwide as a cultural shaper. A Presidential appointee to the National Council on the Arts from 2003-2009, Fujimura served as an international advocate for the arts, speaking with decision makers and advising governmental policies on the arts. In 2014, the American Academy of Religion, named Makoto Fujimura as its ’2014 Religion and the Arts’ award recipient. This award is presented annually to an artist, performer, critic, curator, or scholar who has made a significant contribution to the understanding of the relations among the arts and the religions, both for the academy and for a broader public. Previous recipients of the award include Meredith Monk, Holland Carter, Gary Snyder, Betye & Alison Saar and Bill Viola.
Fujimura’s work is represented by Artrue International and has been exhibited at galleries around the world, including Dillon Gallery in New York, Sato Museum in Tokyo, The Contemporary Museum of Tokyo, Tokyo National University of Fine Arts Museum, Bentley Gallery in Arizona, Gallery Exit and Oxford House at Taikoo Place in Hong Kong, and Vienna’s Belvedere Museum. He is one of the first artists to paint live on stage at New York City’s legendary Carnegie Hall as part of an ongoing collaboration with composer and percussionist Susie Ibarra.
A popular speaker, he has lectured at numerous conferences, universities and museums, including the Aspen Institute, Yale and Princeton Universities, Sato Museum and the Phoenix Art Museum. Fujimura founded the International Arts Movement in 1992, a non-profit whose “Encounter” conferences have featured cultural catalysts such as Dr. Elaine Scarry, Dennis Donoghue, Billy Collins, Dana Gioia, Calvin DeWitt and Miroslav Volf.
Fujimura’s second book, Refractions: A Journey of Faith, Art and Culture, is a collection of essays bringing together people of all backgrounds in a conversation and meditation on culture, art, and humanity. In celebration of the 400th Anniversary of the King James Bible, Crossway Publishing commissioned and published The Four Holy Gospels, featuring Fujimura’s illuminations of the sacred texts.
In 2011 the Fujimura Institute was established and launched the Four Qu4rtets, a collaboration between Fujimura, painter Bruce Herman, Duke theologian/pianist Jeremy Begbie, and Yale composer Christopher Theofanidis, based on T.S. Eliot’s Four Quartets. The exhibition will travel to Baylor, Duke, and Yale Universities, Gordon College and other institutions around the globe.
Bucknell University honored him with the Outstanding Alumni Award in 2012.
He is a recipient of four Doctor of Arts Honorary Degrees; from Belhaven University in 2011, Biola University in 2012, Cairn University in 2014 and Roanoke College , in February 2015.
Fujimura’s work is represented by Artrue International and has been exhibited at galleries around the world, including Dillon Gallery in New York, Sato Museum in Tokyo, The Contemporary Museum of Tokyo, Tokyo National University of Fine Arts Museum, Bentley Gallery in Arizona, Gallery Exit and Oxford House at Taikoo Place in Hong Kong, and Vienna’s Belvedere Museum. He is one of the first artists to paint live on stage at New York City’s legendary Carnegie Hall as part of an ongoing collaboration with composer and percussionist Susie Ibarra.
A popular speaker, he has lectured at numerous conferences, universities and museums, including the Aspen Institute, Yale and Princeton Universities, Sato Museum and the Phoenix Art Museum. Fujimura founded the International Arts Movement in 1992, a non-profit whose “Encounter” conferences have featured cultural catalysts such as Dr. Elaine Scarry, Dennis Donoghue, Billy Collins, Dana Gioia, Calvin DeWitt and Miroslav Volf.
Fujimura’s second book, Refractions: A Journey of Faith, Art and Culture, is a collection of essays bringing together people of all backgrounds in a conversation and meditation on culture, art, and humanity. In celebration of the 400th Anniversary of the King James Bible, Crossway Publishing commissioned and published The Four Holy Gospels, featuring Fujimura’s illuminations of the sacred texts.
In 2011 the Fujimura Institute was established and launched the Four Qu4rtets, a collaboration between Fujimura, painter Bruce Herman, Duke theologian/pianist Jeremy Begbie, and Yale composer Christopher Theofanidis, based on T.S. Eliot’s Four Quartets. The exhibition will travel to Baylor, Duke, and Yale Universities, Gordon College and other institutions around the globe.
Bucknell University honored him with the Outstanding Alumni Award in 2012.
He is a recipient of four Doctor of Arts Honorary Degrees; from Belhaven University in 2011, Biola University in 2012, Cairn University in 2014 and Roanoke College , in February 2015.
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Displaying 1 - 20 of 57 reviews
August 18, 2020
#20for2020reads Book of Essays
#theliterarylifepodcast
I finished this book with tears in my eyes. The last few chapters touched my deeply as a mother, from Jane Jacobs' fight for 'neighborhood' to Chrisy De'on Miller's anguished lament for her lost soldier son, Adam. Rachael weeping for her children, the basis of much that we call art.
I was also blown away by Fujimura's concept of understanding as illustrated in his chapter on The Last Supper by Da Vinci. Understanding is literally standing under. To learn and create we must all begin from a place of humility. I will be sharing one final commonplace quote from this lovely book on the next episode of The Literary Life Podcast.
#theliterarylifepodcast
I finished this book with tears in my eyes. The last few chapters touched my deeply as a mother, from Jane Jacobs' fight for 'neighborhood' to Chrisy De'on Miller's anguished lament for her lost soldier son, Adam. Rachael weeping for her children, the basis of much that we call art.
I was also blown away by Fujimura's concept of understanding as illustrated in his chapter on The Last Supper by Da Vinci. Understanding is literally standing under. To learn and create we must all begin from a place of humility. I will be sharing one final commonplace quote from this lovely book on the next episode of The Literary Life Podcast.
June 22, 2020
I really loved this. I set it as my "Sunday book" that I saved and savored on the Lord's Day. I'm glad I did so.
Makoto Fujimura has written a brilliant book of essays about the intersection of faith art and culture (no commas, on purpose). These essays begin with September 11 and finalize with considering the published writings of those who experienced the Iraq and Afghan war(s) in the aftermath of those attacks.
At first, while I enjoyed each individual essay, I didn't have the view of how everything fitted together. The second to the last essay, on his experience viewing Leonardo's The Last Supper in Milan, provided the key,
He also, in that same essay, says
Every essay is Fujimura seeking the light on the shards of what was shattered. The light of Christ glints, refracted, on angles of broken glass. He helps to give us eyes to see Christ in dance and music, architecture and wrapped buildings, art of our day and days past. To see the light glinting in Japanese culture, China, and the US. The shards are small and large, flat, and angled, imprecisely sized and fitted together. They aren't polished gemstones cut just so to reflect light perfectly. Our world post 9/11 ... post WW1 ... post the Fall ... is more like shattered glass that the refractions go every which way and the light that can be seen is not always clear or straight on - but we must move and look to find it. Fujimura shows us how to do so: to sit under and receive.
By doing so he helps us appreciate what artists do even when it isn't Christ they're trying to promote, even when he isn't purposely the center holding things together.
Highly recommended. I think it's my favorite book of the year so far.
Makoto Fujimura has written a brilliant book of essays about the intersection of faith art and culture (no commas, on purpose). These essays begin with September 11 and finalize with considering the published writings of those who experienced the Iraq and Afghan war(s) in the aftermath of those attacks.
At first, while I enjoyed each individual essay, I didn't have the view of how everything fitted together. The second to the last essay, on his experience viewing Leonardo's The Last Supper in Milan, provided the key,
As an artist, I naturally try to identify the source of light in a painting because I know that artists often use light to reveal what they want the viewer to see. When looking at this painting, it would be easy to assume that the light is coming from behind, from the windows through which we see a Renaissance landscape. But the source of light in this painting is actually in the face of Jesus reflecting on all of the disciples but Jesus, who is underpainted with black and denied a brightened countenance. (pg 149, emphasis mine)
He also, in that same essay, says
To Leonardo, such a foundation was immediately accessible. In order to paint as he did, he had to be convinced of a center that holds.
So who is at the center? Where does the vanishing point end?
It ends on the forehead of the Savior. (p 155, emphasis mine)
Every essay is Fujimura seeking the light on the shards of what was shattered. The light of Christ glints, refracted, on angles of broken glass. He helps to give us eyes to see Christ in dance and music, architecture and wrapped buildings, art of our day and days past. To see the light glinting in Japanese culture, China, and the US. The shards are small and large, flat, and angled, imprecisely sized and fitted together. They aren't polished gemstones cut just so to reflect light perfectly. Our world post 9/11 ... post WW1 ... post the Fall ... is more like shattered glass that the refractions go every which way and the light that can be seen is not always clear or straight on - but we must move and look to find it. Fujimura shows us how to do so: to sit under and receive.
By doing so he helps us appreciate what artists do even when it isn't Christ they're trying to promote, even when he isn't purposely the center holding things together.
Art is an inherently hopeful act, an act that echoes the creativity of the Creator. (p 69)
Highly recommended. I think it's my favorite book of the year so far.
May 4, 2015
A quote from Makoto Fujimura:
"Beauty often resides in the peripheries of our lives."
This was a meditative book written by an artist whose studio was just blocks away from the twin towers that were toppled during the 9/11 attack. The trauma of that event could have discouraged any sensitive soul from persevering in the work, but the hideous destruction served in this case to solidify and fan the flames of the higher call to create.
Makoto Fujimura is unabashedly Christian in his view of culture, but has unique cross cultural contacts and perspectives. The chapters are self contained and often touch on art forms outside of his own expertise. I found his meditations to be thought provoking, elegant, and lovely. This is a book to read slowly and to savor. You will have news eyes to see beauty, while not negating the sacrifice that was required to bring it forth.
"Beauty often resides in the peripheries of our lives."
This was a meditative book written by an artist whose studio was just blocks away from the twin towers that were toppled during the 9/11 attack. The trauma of that event could have discouraged any sensitive soul from persevering in the work, but the hideous destruction served in this case to solidify and fan the flames of the higher call to create.
Makoto Fujimura is unabashedly Christian in his view of culture, but has unique cross cultural contacts and perspectives. The chapters are self contained and often touch on art forms outside of his own expertise. I found his meditations to be thought provoking, elegant, and lovely. This is a book to read slowly and to savor. You will have news eyes to see beauty, while not negating the sacrifice that was required to bring it forth.
May 17, 2016
A lovely collection of short essays (reworked from blog posts) and art. Lots of food for thought on art, culture, parenting, living in the city and faith. (8/10)
May 25, 2022
How can a professional artist show you our Savior? In Refractions, Makoto Fujimura takes you on a journey of faith, art, and culture.
Sharpen Your Gaze
Presented as a collection of essays, thoughts, and prayers, this book is a work of art. Fujimura writes well, with a meditative tone infused with promise. As an artist, he does not write as if his readers are dull. Instead, he causes you to sharpen your gaze as you study art and the world.
Published in 2009, many of his essays are reflections of his time in NYC with the backdrop of 9/11. With war and a worldwide pandemic in our present-day, Fujimura’s words are poignant and prophetic. Trauma and struggle are prevalent themes, but you still get a sense of beauty and purpose.
Focus on Our Creator
What I most appreciated was how Fujimura was able to speak on a spiritual level regarding art and the creative process. He makes Bible verses sing, and he shows us the world through a Biblical lens. There is wisdom and curiosity as he examines and exposits modern culture.
It was a joy to read about Fujimura’s own Japanese culture, his creative process, and how he views his own art. To see his faith be such an integral part of his work is inspiring. Not only will you come away appreciating art itself, but you will come away focused and more in love with our Creator, who continues to paint his beautiful story of redemption for the world to see.
I received a media copy of Refractions and this is my honest review.
Sharpen Your Gaze
Presented as a collection of essays, thoughts, and prayers, this book is a work of art. Fujimura writes well, with a meditative tone infused with promise. As an artist, he does not write as if his readers are dull. Instead, he causes you to sharpen your gaze as you study art and the world.
Published in 2009, many of his essays are reflections of his time in NYC with the backdrop of 9/11. With war and a worldwide pandemic in our present-day, Fujimura’s words are poignant and prophetic. Trauma and struggle are prevalent themes, but you still get a sense of beauty and purpose.
Focus on Our Creator
What I most appreciated was how Fujimura was able to speak on a spiritual level regarding art and the creative process. He makes Bible verses sing, and he shows us the world through a Biblical lens. There is wisdom and curiosity as he examines and exposits modern culture.
It was a joy to read about Fujimura’s own Japanese culture, his creative process, and how he views his own art. To see his faith be such an integral part of his work is inspiring. Not only will you come away appreciating art itself, but you will come away focused and more in love with our Creator, who continues to paint his beautiful story of redemption for the world to see.
I received a media copy of Refractions and this is my honest review.
March 5, 2013
This is a nice read for artists or anyone interested in the arts or how creativity can impact culture. The book is a series of short nonfiction pieces on different topics. Depending upon your stage in life, this book may have a more (or less) powerful impact on you, and each chapter may have a different level of impact because each is unique. The author makes some wonderful points and brings perspective to some of life's most painful moments and how art can be a part of the healing process.
February 26, 2013
A personal memoir (written as blog posts and later compiled) in which he reflects on an artist's calling in our current culture/world. Inspiring, reaffirming, helpful, and thought-provoking. Would recommend for "broken, brutally honest, creative ... canaries in the cultural mines" -- one of many ways he referred to "artists" in this book. :)
December 10, 2017
Fujimura's books have changed my life, and were it not for his calm comprehension and reflection, I would have totally lost my mind this year. His understanding of art and the global cultural need is unprecedented--at least from my perspective. I am very grateful for his work and I hope some day I can tell him that in person.
September 7, 2009
What a thoughtful book. I'm currently reading a chapter of Romans and a chapter of this book each morning. As Paul lays out justification by faith, it's a nice contrast to read Mako's reflective book on art and faith and the revelation of God that is all around us if we take time to notice.
February 29, 2016
Very good. I knew, from other articles he has written elsewhere, that I was not going to agree with everything he had to say, but I am grateful for the things he has to say that are biblical and relevant.
December 14, 2017
The reader's first impression of this book will certainly come from its presentation. The publisher (NavPress) spared no thought in creating a beautiful over sized quality paperback with color reproductions of the author's and other artist's work. I was drawn first to thumb through the book, taking glimpses or tastes of the book before ever sitting down to read it.
Fujimura is an American artist using Japanese-style painting, honored in Japan and the US. In 1992 he was the youngest artist to have a piece acquired by the Museum of Contemporary Art in Tokyo. The subtitle of his book is "A Journey of Faith, Art, and Culture." A better word would be journal rather than journey as the relatively short meditations reflect a personal thought process rather than a thorough treatment. This qualifier in no way discounts the value of the book, but it would more accurately reflect what it is.
The backdrop of these reflections is Ground Zero where the artist lives. This is the reflective mirror by which these chapters are written. Art as a means of peacemaking is a major theme though any creative reader will find some thing to mull over. Not to be read quickly, the book invites time and reflection, a soaking in of the reality of the presence and importance of art in our daily living. For the Christian this book will open eyes to the gracious gift of creativity which needs to be recognized and valued in the church. A creative artistic interpretation of da Vinci's Last Supper toward the end of the book was riveting and thought provoking. "The greatest message imbedded in the painting--that Judas, the seed of betrayal, is in all of us (153)."
During the '80's Fujimura experienced a "transfer of allegiance from Art to Christ which he recounts in "River Grace." Tasting this book draws me to search out his memoir as well.
Great quotes:
"What makes us truly human may not be how fast we are able to accomplish a task but what we experience fully, carefully, and quietly in the process (27)."
"My art reaches for the heavenly reality via earthly materials (28)."
"All of earth is 'ground zero' in that our failures and conflicts invade every aspect of our experience, leaving scars (61)."
"Art is an inherently hopeful act, an act that echoes the creativity of the Creator (69)."
"We need more creative visionaries who would dare even to plant seedlings in stone that will mature into trees whose roots will crack open the rock, as if it were a mere egg, spilling its shalom dirt into the hearts of a city (127)."
Fujimura is an American artist using Japanese-style painting, honored in Japan and the US. In 1992 he was the youngest artist to have a piece acquired by the Museum of Contemporary Art in Tokyo. The subtitle of his book is "A Journey of Faith, Art, and Culture." A better word would be journal rather than journey as the relatively short meditations reflect a personal thought process rather than a thorough treatment. This qualifier in no way discounts the value of the book, but it would more accurately reflect what it is.
The backdrop of these reflections is Ground Zero where the artist lives. This is the reflective mirror by which these chapters are written. Art as a means of peacemaking is a major theme though any creative reader will find some thing to mull over. Not to be read quickly, the book invites time and reflection, a soaking in of the reality of the presence and importance of art in our daily living. For the Christian this book will open eyes to the gracious gift of creativity which needs to be recognized and valued in the church. A creative artistic interpretation of da Vinci's Last Supper toward the end of the book was riveting and thought provoking. "The greatest message imbedded in the painting--that Judas, the seed of betrayal, is in all of us (153)."
During the '80's Fujimura experienced a "transfer of allegiance from Art to Christ which he recounts in "River Grace." Tasting this book draws me to search out his memoir as well.
Great quotes:
"What makes us truly human may not be how fast we are able to accomplish a task but what we experience fully, carefully, and quietly in the process (27)."
"My art reaches for the heavenly reality via earthly materials (28)."
"All of earth is 'ground zero' in that our failures and conflicts invade every aspect of our experience, leaving scars (61)."
"Art is an inherently hopeful act, an act that echoes the creativity of the Creator (69)."
"We need more creative visionaries who would dare even to plant seedlings in stone that will mature into trees whose roots will crack open the rock, as if it were a mere egg, spilling its shalom dirt into the hearts of a city (127)."
September 9, 2018
This book is a collection of essays from visual artist Makoto Fujimura. They were originally published as a series of blog posts and in various print and on-line publications. As a Japanese-American, a Christian, an artist and a survivor of the 9/11 attacks (his family lived a few blocks from Ground Zero), Fujimura's topics include art, faith, culture, violent conflict in our world and more.
I enjoyed this book. Fujimura has a gentle and humble writing style that takes a meandering path through his topics, gently resting on one idea before purposefully moving on to the next. The unhurried nature of his rhythms is refreshing. Reading this book, I could imagine what a delightful, thoughtful conversation one might have with this man over tea or coffee. The inclusion of color plates of some of his artwork and photos enhances the intimate quality of the reflections.
Nonetheless, I have to confess that I expected something more. I am not quite sure what. Perhaps I was simply put off by how much of the book deals with his experience of New York City (and the world) after 9/11. My own experience of that event was so different that I found it hard to relate. And I suspected in reading his responses to that ugly historical moment that he and I would probably have different political points of view as well. Or perhaps I anticipated more pithy, crystalline lessons in each of the essays. That's an unfair demand, to be sure, and it doesn't suit Fujimura's style at all. He's not trying to write a book on how to be a faithful artist in the 21st century (although he touches on this theme). But his essays tend to move from specific moments into more diffuse generalizations or abstractions. And I think I wasn't prepared for that; I was expecting something more concrete, I guess.
Still, this book engages some interesting topics and is well written and nicely put together. A reader interested in any of the subjects Fujimura writes about may find this well worth their time.
I enjoyed this book. Fujimura has a gentle and humble writing style that takes a meandering path through his topics, gently resting on one idea before purposefully moving on to the next. The unhurried nature of his rhythms is refreshing. Reading this book, I could imagine what a delightful, thoughtful conversation one might have with this man over tea or coffee. The inclusion of color plates of some of his artwork and photos enhances the intimate quality of the reflections.
Nonetheless, I have to confess that I expected something more. I am not quite sure what. Perhaps I was simply put off by how much of the book deals with his experience of New York City (and the world) after 9/11. My own experience of that event was so different that I found it hard to relate. And I suspected in reading his responses to that ugly historical moment that he and I would probably have different political points of view as well. Or perhaps I anticipated more pithy, crystalline lessons in each of the essays. That's an unfair demand, to be sure, and it doesn't suit Fujimura's style at all. He's not trying to write a book on how to be a faithful artist in the 21st century (although he touches on this theme). But his essays tend to move from specific moments into more diffuse generalizations or abstractions. And I think I wasn't prepared for that; I was expecting something more concrete, I guess.
Still, this book engages some interesting topics and is well written and nicely put together. A reader interested in any of the subjects Fujimura writes about may find this well worth their time.
January 18, 2024
Much like Fujimura's art on Kumohada paper, every essay in this book is pure gold.
Some standouts:
"Optimal Foraging Theory" because he talks about the presumed-extinct ivory-billed woodpecker and visiting Tyson Co. (asking, "can a CEO of a major company be a Christian?") in Springdale, AR. I thought I remembered Fujimura speaking at a JBU chapel, and this essay is the proof. It must have been in the spring of 2005.
"Fallen Towers and the Art of Tea"--like many of the essays in the book, here MF wrestles with the aftermath of 9/11, but where it shines for me is his discussion of the 1500s Daitoku-ji Temple in Kyoto and famed tea master Sen no Rikyu. FIVE of his seven disciples were Christians, and observing the communion service inspired the master's "vision for tea," "redefining art as process driven" (p. 52). His tea ceremony apparently challenged the powers that be, and eventually Rikyu was forced to commit suicide by that arch-enemy of Christianity, Shogun Hideyoshi.
"Come and See: Leonardo da Vinci's Philip in The Last Supper"--I've always been overwhelmed by "The Last Supper" painting, and here Fujimura makes brilliant sense of it, with his focus on da Vinci's portrayal of the "psychology of betrayal" (p.149). Phillip's body is not taller than the others but instead is twisted in his innocent shock at Jesus' revelation of a betrayer in their midst, drawing the viewer's eye to him first, while Judas' face is dark, the only one of the disciples not lit by the light coming from the face of Christ. Especially of note: the differences in standing UNDER the actual painting rather than seeing a reproduction of it in a book. Fujimura follows CS Lewis here in noting that art must be "received" rather than used for it to add to the viewer's life.
Some standouts:
"Optimal Foraging Theory" because he talks about the presumed-extinct ivory-billed woodpecker and visiting Tyson Co. (asking, "can a CEO of a major company be a Christian?") in Springdale, AR. I thought I remembered Fujimura speaking at a JBU chapel, and this essay is the proof. It must have been in the spring of 2005.
"Fallen Towers and the Art of Tea"--like many of the essays in the book, here MF wrestles with the aftermath of 9/11, but where it shines for me is his discussion of the 1500s Daitoku-ji Temple in Kyoto and famed tea master Sen no Rikyu. FIVE of his seven disciples were Christians, and observing the communion service inspired the master's "vision for tea," "redefining art as process driven" (p. 52). His tea ceremony apparently challenged the powers that be, and eventually Rikyu was forced to commit suicide by that arch-enemy of Christianity, Shogun Hideyoshi.
"Come and See: Leonardo da Vinci's Philip in The Last Supper"--I've always been overwhelmed by "The Last Supper" painting, and here Fujimura makes brilliant sense of it, with his focus on da Vinci's portrayal of the "psychology of betrayal" (p.149). Phillip's body is not taller than the others but instead is twisted in his innocent shock at Jesus' revelation of a betrayer in their midst, drawing the viewer's eye to him first, while Judas' face is dark, the only one of the disciples not lit by the light coming from the face of Christ. Especially of note: the differences in standing UNDER the actual painting rather than seeing a reproduction of it in a book. Fujimura follows CS Lewis here in noting that art must be "received" rather than used for it to add to the viewer's life.
August 29, 2019
First off, the literal book is exquisite. Beautiful paper, illustrations, incredible design.
These are a series of short essays that cover a variety of topics, but mostly about art and how art can have the power to help save and redeem our culture.
He makes many lovely points, he quotes great sources, and reading his essays give me hope for Christianity and art.
He embraces Christianity in a way that speaks to me: through love, patience, understanding of others, and respect for pluralism. He is able to see the beautiful in the broken. THIS is kind of Christianity that we need today.
These are a series of short essays that cover a variety of topics, but mostly about art and how art can have the power to help save and redeem our culture.
He makes many lovely points, he quotes great sources, and reading his essays give me hope for Christianity and art.
He embraces Christianity in a way that speaks to me: through love, patience, understanding of others, and respect for pluralism. He is able to see the beautiful in the broken. THIS is kind of Christianity that we need today.
April 11, 2019
I found this book in the “FREE” bin at the public library. What a find! I read one of Fujimura’s books last year (based off of a review I read on a blog) and enjoyed the book. I figured I would like this one too.
Refractions is a memoir (really a collection of blog posts and essays). Most of it is concerned with New York City immediately following 9/11. Fujimura deals with faith, art, culture, politics, violence, education, and various other social issues.
If for some reason I ever teach a humanities class at a Christian institution, I’ll use this as an introductory text!
Refractions is a memoir (really a collection of blog posts and essays). Most of it is concerned with New York City immediately following 9/11. Fujimura deals with faith, art, culture, politics, violence, education, and various other social issues.
If for some reason I ever teach a humanities class at a Christian institution, I’ll use this as an introductory text!
September 10, 2020
Makoto Fujimura is a breath of fresh air wherever he goes in the world and this collection of essays is no different. Beginning with his experience living a few blocks from the towers that fell on September 11 and including his trips to his beloved, yet scarred Japan, Mako Fujimura’s words and perspective in these essays are another gift. This is the kind of book I’ll keep handy to read and re-read as an encouragement to see and make beauty rather than despair at the world’s turbulence and chaos.
May 16, 2018
This is a series of essays written by artist Makoto Fujimura that he wrote in wake of the September 11 attacks. The essays look at life, art, trying to navigate a world that is no longer safe and culture.
June 11, 2018
A powerful collection of essays wrestling with what it means to be an artist in today's culture and the redemptive power of art as a way to steward culture in a fallen world. Highly recommended for any artist searching for a deeper understanding - and theology - of creative work.
September 21, 2019
A very contemplative collage of vignettes concerning the relationship between the arts and the Christian faith. Makoto Fujimura is no stranger to both, and this book is a great resource to anyone who wants to go deeper with the relationship between these two subjects.
May 4, 2020
A book equally beautiful in writing and design. I don't necessarily hold to everything Makoto Fujimura does, but I do admire his vision for the meeting of faith, art, and culture; and these essays are the sort I would like to be capable of writing someday.
Displaying 1 - 20 of 57 reviews