Janie Chang is a bestselling author of historical fiction. Her books are often inspired by tales of ancestors who encountered dragons, ghosts, and immortals as well as family stories about life in China in the years before the Second World War. Her novels, THREE SOULS and DRAGON SPRINGS ROAD were nominated for the International Dublin Literary Award. DRAGON SPRINGS ROAD was a Canadian national bestseller. Her third novel THE LIBRARY OF LEGENDS was a Canadian national bestseller and a Book of the Month Club selection. THE PORCELAIN MOON is set in WWI France and brings to readers the forgotten history of the 140,000 Chinese workers sent to the Western Front. THE PHOENIX CROWN, a novel co-authored with Kate Quinn, released in February 2024. THE FOURTH PRINCESS, releasing in February 2026, is her first Gothic novel.
Born in Taiwan, Janie has lived in the Philippines, Iran, Thailand, and New Zealand. She now lives on the Sunshine Coast of beautiful British Columbia, Canada with her husband and Minnie, a rescue cat who thinks the staff could do better.
This is my first time reading a novel written by Janie Chang so I am glad that I took the chance to pick up this arc and give it a read. I will say that 2026 is becoming a very good year when it comes to fiction. This novel is set in China in the year 1911 a couple of years before the start of the Great War. This haunting story tells the journey of two women from very different backgrounds who start to experience some hauntings of not only the house itself but also from their own past.
One of the women is Lisan a chinese girl who is estatic when she is offered a job as a secretary to American Caroline who is the new mistress of Lennox House. However, shorly after moving in she starts experiencing horrible nightmares she hasn't had since childhood. Meanwhile wealthy American Caroline has issues of her own. Her husband is away and she is unware of when he is coming back. Worst of all someone who knows a great deal about her past is trying to extort her.
Will Lisan and Caroline be able to overcome the obstacles that threaten their sanity or will it come crumbling down upon them. You do not want to miss this intriguing story!
Thank you to Netgalley for giving me the opportunity to read this! All opinions are of my own.
The Fourth Princess is the fourth Janie Chang novel I’ve read and while I liked this one quite a bit, my favorite of hers is still The Porcelain Moon from 2023. Just like she does in her most recent few novels, Chang takes a little known aspect of Chinese history and presents a compelling, captivating story involving multiple female protagonists, usually one being Chinese and the other not. For me, this sets up an interesting “East meets West” dynamic where, due to the story being told through two diametrically different perspectives, provides a more nuanced lens through which we can better understand the historical and cultural elements that Chang usually incorporates in her novels. In this instance, the two protagonists are Liu Lisan, an educated Chinese woman with a mysterious past, and wealthy American heiress Caroline Stanton, who lives with her millionaire husband Thomas at Lennox Manor, a once-grand mansion on an isolated stretch of land in the International Settlement area of 1911 Shanghai. The paths of these two women cross when Caroline hires Lisan as her secretary to help her navigate the cultural and language differences as she settles into her new life in China. But soon, both women find themselves caught up in the mysteries of their pasts, which come back to haunt them in unexpected ways. Heightening the sense of unease for both women are the dark secrets held by the Manor itself, with its outward grandeur masking a crumbling and dilapidated façade where the ghostly presence of its previous occupants continues to linger. As various secrets come to light and the pasts of both women are slowly unraveled, connections are revealed that not only put both women in danger, but also threaten to upend their lives.
In her Author’s Note, Chang mentions her love of the gothic genre as inspiration for deciding to write a gothic novel of her own, but also one that blends historical elements and aspects of her own Chinese cultural heritage. As such, in a departure from her previous novels, Chang had to hold back on the “history” aspect and instead lean more into “atmosphere” in order to bring out the “gothic” effect of the story. In this regard, I feel that Chang succeeded, as she did a good job overall incorporating the gothic trope of the mysterious and haunted old mansion, making Lennox Manor a “character” in itself. With that said however, having read my fair share of gothic novels in the past (and having studied the genre recently), I couldn’t help feeling that some of the gothic elements here were a bit too heavy-handed and deliberate to the point that some of the descriptions – especially related to the Manor and what the characters experience there -- felt a little out of place in a few spots. While this did have the effect of ratcheting up the tension, it also came across a bit forced and unnatural. Also, on a personal level, I would’ve preferred more focus on Lisan’s story line, as I found her backstory more intriguing, but that could be because I’m more of a fan of the historical than the gothic (though given the novel’s title, I have to admit to being a little surprised that Caroline’s story arc seemed to overshadow Lisan’s somewhat).
Minor flaws aside, I definitely enjoyed this one. Having read Chang’s last four novels, I feel that her writing and storytelling skills continue to get better and better with each book -- though of course, I still prefer her historical novels because I love the way she brings lesser known Chinese history and culture to light. I can’t wait to see what Chang has in store for us next!
3.75 stars "A haunting Gothic novel set in 1911 China. Two young women living in a crumbling, once-grand Shanghai mansion face danger as secrets of their pasts come to light, even as the mansion’s own secret threatens the present."
Lisan becomes the secretary to a wealthy American woman, Caroline and her new husband Thomas Stanton. Lisan and Caroline immediately like one another. They both were orphans although Lisan has been well taken care of by Master Liu, the only father she's known. Caroline has money of her own and she is afraid Mason, Thomas's drunk uncle, will try to get his hands on as he is a failed businessman.
After moving in to Lennox Manor for her job, Lisan is plagued with nightmares and eerie visions of a woman in red outside on the grounds. The manor is crumbling and inhabited by a ghost that speaks to Lisan. It seems to be its own character, wanting something from her. To complicate matters, Masako Kyo visits the manner with outlandish allegations.
I enjoyed this book full of secret identities, a handsome gardener, Chinese history and Gothic vibes. I recommend this for those who enjoy historical fiction with a little mystery and myth.
Many thanks to NetGalley, UpLit Reads, William Morrow and Janie Chang for the gifted advance reader's copy and finished copy. All opinions are my own.
Fourth Princess is a lovely combination of historical fiction, what Janie Chang is know for, and gothic mystery. The reveals caught me by surprise in two instances (while three others were what I expected). This is, however, a good enough ratio (without having anything too convenient happen) that I can say it was an enjoyable story overall. My favourite points are, of course, the most gothic ones. I loved the mansion and its atmosphere, our ghost, and learning more about Chinese superstition. I know the Chinese tend to be very superstitious and Chang certainly portrays that here; as well as shares tidbits of culture including wards to deter the bad and how much ‘evil’ a Chinese household staff can endure before heading for the hills.
A stand out moment for me is the diary entries of our absent, but still close to the narrative, Rosaline. It’s impressive that the diary entries give enough sense of our missing woman that I felt she was a character all on her own; even though we never actually interact with her. I also adored the many languages, and mixture of Western influence on China during this time period which Rosaline seems to embody (as does the crazy Princess). Although, it reminded me how much I hate that Western culture is always so pushy about its ‘ways’ and so disrespectful of others. I try to take solace as a Canadian (Chang is also Canadian) that we embrace many cultures here; but I know we are also suppressing so much more than we should.
I was glad to get a brief overview of the politics of the day. While on one hand it might have been nice to gain a better understand of the political chaos; I’m also glad not to as it was complex and I felt I got just enough to feel the anxiety of our characters living on the cusp of a great change. If you are interested in the intricacy of the politics as the last Emperor falls you may be disappointed as this story mostly revolves around the mansion mystery and our characters personal experiences.
Overall I feel this is a solid mixture of historical fiction (with many facts throughout as Chang always has) and a flavour for the gothic. It’s not quite at the same gothic level as Silvia Moreno-Garcia but it was just enough gothic atmosphere to keep me going. It helps I was pleasantly surprised at the complexity of the ending reveals. I will confess, I might give this only four stars if not for adoring Chang and having met her whilst in the midst of reading this book. There is always something a bit special about hearing the author talk, in person, about what inspired their book and why they chose the people and topic they did.
All caveats aside, you won’t go wrong with this read if you want some gothic mystery threaded with the clash of Chinese and Western culture of the day. And be sure to savour the diary entries as they truly speak out from the page in a captivating way.
I really enjoy Chang's books, and this one was such a treat to read. Transportive and a true homage to gothic novels! My appreciation for its contours is strong after reading Lady Audley's Secret. I liked the main character and the twists (even if I guessed most, though not all, of them! I've read too many books to be surprised!). The Library of Legends is still my favorite of Chang's, but she is a must-read author for me. I can count on her for a good, memorable, interesting story.
Content warnings: the usual gothic suspects but nothing described in too much detail
The Fourth Princess I was very excited for, it was blurbed as a “gothic novel of old Shanghai” so I couldn’t wait to get to this new historical fiction release. But it ended up just being okay for me, I expected a bit more and wanted it to lean into the gothic vibes a little harder than it ever does.
This takes place in 1911, we follow Lisan who is hired as a secretary to Caroline, a wealthy American who is the new mistress of Lennox Manor in Shanghai. Lisan was adopted when she was young and was taken care of but never felt treated fully as family, but not quite the staff either. She ends up finding a diary in the home she’s working in and things unfold as she starts to see/hear things about owners, former residents, the woman she’s working for now, etc.
Definitely a slower story and the twists when they did come were predictable, I found the start of the story and some of the characters interesting, but then the ending was lackluster too. I could definitely see how classic gothic stories have inspired the author as she mentions in her author’s note at the end. The writing was good so I would read more from this author in the future, this one was just lacking overall for me.
Slooowwwwww burn leading to a stellar set of predictable twists that ultimately fell just a bit flat, The Fourth Princess kept me turning pages just to see what was coming, but then when all the excitement happened, it felt rushed and underwhelming. Worth a read, but I would’ve loved more.
I like to thank the publisher and NetGalley for allowing me a read.
This was my first book by this author (I was familiar with her) and I really enjoyed it. I love Chinese culture, so having a Gothic(!) taking place in China is lovely. And, during a time where Europeans were making establishments along the river in various cities, allowing the Western style mansions to come into play.
I liked that you had two narratives you were following - the rich, American female and the orphan Chinese girl. Their paths cross when our Chinese female goes to work for the rich American. But strange things are happening in both of their lives which allows both narratives' villains to overlap. I had suspected about the fourth princess, but the other reveal had me surprised too.
I'll rate it down because I felt that the ending was anti-climatic for one of the females. I also felt Yao was set up to be a love interest but didn't do jack diddly. So don't expect a real romance with him and our Chinese female lead.
All in all, entertaining and I was happy I read it. A fine Gothic addition.
Very enjoyable book. I love historical mystery and this book fits me very well. Set in 1920’s China, there is both a Chinese and an American woman whose stories are intertwined. It did not make the ending too easy to guess, and also evoked a gothic style similar to “Rebecca.” There was not too much actual history in the novel, which was unfortunate because I love reading about historical events. The author wrote that she had another version that included more history, but the book then lost its slightly spooky tone. This is the only book by Jamie Chang that I’ve read- well, there was the co-authored book by her and Kate Quinn. I enjoyed her writing style and plotting, and would definitely recommend this for anyone interested in historical fiction with a bit of a spooky twist. Thanks to the publisher and NetGalley for the ARC.
Thank you @uplitreads and William Morrow for providing me with an advanced reader's copy.
The story takes place in Shanghai in the 1910s, a fascinating and layered period in China’s history when foreign influence and cultural tensions shaped daily life. The setting alone makes this novel compelling, but it’s the characters and gothic atmosphere that truly make it unforgettable.
Lisan, an orphan taken in by Master Liu, has been given shelter and an education — yet she has never felt she truly belongs. When she finishes school and longs to continue her studies, she’s denied that opportunity. Determined to build a future for herself, she seeks employment and ultimately finds work with a foreign family on the outskirts of Shanghai.
Caroline Stanton is newly married and adjusting to life in a city far from her New York roots. The sole survivor of a devastating train crash that killed her entire family, she marries Thomas — the man who rescued her — and follows him to Shanghai, where he plans to invest in the railway industry. As they settle into his uncle’s home, secrets begin to surface and the city itself feels heavy with history and mystery.
The novel is filled with layered secrets, unexpected turns, and a slow-building tension that kept me completely engaged. The gothic tone is beautifully executed — eerie, atmospheric, and quietly unsettling, with whispers of ghosts, hidden truths, and murder threading through the story.
“An atmospheric, gothic masterpiece that lingers long after the final page — haunting, immersive, and utterly unforgettable.”
I was deeply invested in both Lisan and Caroline and found myself thinking about this book long after I finished it. It also left me wanting to learn more about Shanghai in the early 1900s — always the mark of strong historical fiction. This was my first book by this author, and it certainly won’t be my last.
*Thank you to Uplit Reads for including me on this tour!
Promises, once-grand, upended…
1911 Shanghai. Americans Caroline and Thomas are the new residents of Lennox Manor. Uncle Mason is involved in a railway venture and wants Thomas to be his business partner. He also lives at Lennox Manor.
Orphaned Lisan Liu has just been hired as a secretary by the new mistress of the manor. She has an unknown-to-her secret, mysterious past.
Both women navigate secrets and danger. Blackmail, hidden identities, iffy business deals, and MURDER are part of the deception.
“Appearances can be deceptive and true character is often hidden.”
THOUGHTS:
*Clash between tradition and modernness. I liked reading about the Chinese culture/beliefs.
*Vivid descriptions. Especially the description of the decaying manor. The manor was like another character.
*The deception was a “persistent pattern of behavior.” Many methods used to manipulate perceptions.
*Don’t skip the author’s note. Fascinating & informative.
*I read/enjoyed The Porcelain Moon by this author. I also have the book The Phoenix Crown but have not read it yet.
Ultimately, I was disappointed in this book. I enjoyed Lisan's character; I enjoyed Caroline Stanton's character (until I didn't). And I enjoyed the storyline focused on Lisan, her guardian, her background and the Chinese superstitions and beliefs. What I didn't enjoy was the mystery and drama involving the Stanton family. Yes, they were all intertwined, but it quickly became more of a distraction than a necessary part of the story. I really enjoy this author, and I wanted another "Three Souls." So some of my disappointment may be coming from too high of expectations. Because this is not a BAD book. It's just less than I wanted from this author.
Thanks to the publisher and Netgalley for an advance copy of this book in exchange for an honest review.
Atmospheric, terrific mystery, blend of gothic horror, historical depth, and mystery
Set in 1911 Shanghai, this atmospheric gothic mystery unfolds inside a crumbling, haunted mansion with a tragic past. Caroline Stratton and her Chinese secretary, Lisan Liu, both arrive at Lennox Manor carrying secrets of their own, and as their histories unravel, the house’s dark legacy refuses to stay buried.
I loved the blend of gothic tension, Chinese folklore, and historical depth. The ghostly elements add just enough chill without being gory or overly scary. Perfect if you want eerie vibes without full horror. The slow-burn pacing builds beautifully, with a couple of well-timed twists that keep the story moving.
Final Verdict: 👍 Slow-burn tension. Gothic intrigue. Rich folklore and history. A beautifully layered historical mystery.
A haunting tale set in a world filled with family secrets and deceit, set in 1911 Shanghai. The Fourth Princess is a tale rooted in the traditional sense of the gothic novel, filled with eeriness, secrets, and a wonderfully depicted decaying mansion, but in a nontraditional setting, which I loved, and I learnt a lot regarding this era of Chinese history. Paced well, there was a thrilling level of suspense throughout. I highly recommend reading the author's notes at the end, because they really do add an extra level to the novel.
Thank you to NetGalley and William Morrow for providing me with an eArc in exchange for an honest review.
In Janie Chang style, The Fourth Princess lets readers explore the mystery and ambience of a long ago time. I liked the setting of Shanghai because it was on the edge of change and I visited there 15 years ago and walked along the Bund. I was happy with how Lisan’s story unfolds and is resolved. I looked at the pictures on Chang’s website about the inspiration for the mansion. One of the main characters turned out to be a horrible person and I was waiting in vain for that person to receive their comeuppance. It’s called a gothic story but I didn’t get that ambience from the book. Thanks NetGalley, Edelweiss, William Morrow, and Uplitreads for both hard and digital copies.
This was my first novel by Chang, but certainly will not be my last. The writing style was smooth and lushly descriptive for story telling. I was transported to 1911 Shanghai with every page. Visualizing myself in the draughty, crumbling mansion alongside the characters. This was a striking balance of historical fiction, paired with enough gothic thriller that it kept me hooked, surprise after surprise arrived. None of them anticipated. I enjoyed this and was sad to see it end. Chang did an excellent job of tying it up nicely for the readers. 5 ⭐️
3.5 stars This book is successful in evoking Gothic themes and setting. The plot moves fast and keeps the reader invested. It was definitely interesting and worth a read. I am interested in reading more Janie Chang books in the future, as this was my first. My visualization of The Fourth Princess was shaped by Republican Era Chinese dramas, which I have recently been in the mood for. However, this book takes place just before the Republic Era, but I imagine there would be some visual similarities.
"China stands on the edge and any small nudge could tip it in any direction. Any one person, any one incident."
This novel is a quick, approachable historical fiction that’s easy to slip into—and just as easy to finish. Its fast pacing comes largely from the book’s surface-level exploration of its themes and a plot that unfolds in a very straightforward, often predictable way.
The story follows two women whose lives gradually become intertwined: Lisan, a Chinese woman orphaned at a young age and raised under the patronage of a wealthy man, and Caroline, a white American woman newly arrived in Shanghai with her husband. Lisan is hired as Caroline’s secretary, though their relationship slowly evolves into something more personal and emotionally layered than a simple employer–employee dynamic. Through their connection, we’re introduced to early 1900s Shanghai—specifically the affluent, European-influenced social circles—and to the long, shadowed history of the manor where they reside. Both women begin to uncover truths about their pasts alongside the secrets embedded in the house itself.
While the setting and premise are intriguing, the execution leaves much to be desired. The novel flirts with light gothic elements, but the atmosphere never fully deepens into true mystery or suspense. One of the biggest drawbacks is how predictable the story is; many major plot points are easy to spot early on, which dulls the emotional impact and sense of discovery. Because of the writing style and the relatively gentle handling of complex themes, the book often feels like it might be better suited to a young adult audience rather than adult historical fiction.
That said, The Fourth Princess works well as a palate cleanser between heavier reads. It was a welcome breather after something more dense and demanding (Babel for me), and it doesn’t require much mental effort to get through. Overall, it’s a pleasant but unremarkable novel—comforting and accessible, but unlikely to linger long after the final page.
I think maybe I read too many mysteries because I suspected right away that Caroline wasn’t who she pretended to be as soon as I read about the train accident and how she met her husband.
3.5 ⭐️ liked the gothic element especially in reference to how different cultures deal with death and ghosts. Once again loved the author’s note at the end of the book.
I am an enthusiastic reader of all of JANIE CHANG'S prior novels making her a FAVORITE, Author of mine. Her foray into crafting a GOTHIC novel succeeded in my humble opinion with her newest novel, called, "THE FOURTH PRINCESS," which I enjoyed Janie Chang's descriptive prose. She has written a very descriptive, atmospheric novel that has the Mansion that needs much repair called, "Lennox Manor," a character in its own right. Thomas and Caroline Stanton have arrived in Shanghai, in 1911, him a successful, businessman who has already made a fortune in Silver Mines, who has come to Shanghai to add to his fortune involving expanding his opportunities in the railroad industry. His Wife Caroline is an heiress from New York who had been orphaned but has her own fortune. The American couple have been motivated to be in Shanghai in large part due to Mason Burnett who is Thomas Stanton's only living relative who happens to be an Uncle who is the brother of Thomas Stanton's deceased mother.
Mason Burnett had a son named Charles who his father Mason had originally purchased the dilapidated mansion for his son Charles whose wife Rosalie Mason never approved of who left behind a diary that Lisan who is like Caroline an orphan. Lisan is Chinese who was well educated, and attended a great school who has no memories of how she became an orphan. She was taken in by Master Lui who did grant Lisan a superior education that allowed her to be fluent both in the language of Chinese, but significant to this story very fluent also in English. Lisan wanted to further her education in going to College, but was unable to due to her benefactor, and the man who took her in at an early age is Master Lui. Master Lui who didn't encourage Lisan, but one step further he denied her the option of furthering her education which was sad since she was a bright young woman who was now nineteen years old who she was unable to fulfill her wishes since Master Lui didn't allow her the opportunity to further her education. Since Lisan was dependent upon Master Lui's approval of going to College, it gave me the impression why Lisan was motivated to apply for the job as Caroline Stanton's secretary to earn her own money as a step towards independence. Lisan needed Mr. Lui's permission since the job required her to move into the creepy Lennox Mannor when Caroline Stanton chose Lisan for her secretary, since she saw Lisan's value in her ability to be fluent in English in addition to her native Chinese. Mr. Lui did agree who had also had an interesting background to me as a side character who was an affluent Chinese, businessman in Shanghai. He had a hobby of collecting American automobiles, and was also interested in Chinese plants, and trees with a natural talent with nurturing his collection towards his impact with restoring their health that also was fascinating. Caroline Stanton, whose husband Thomas who was Mason's nephew was living in the Mansion, had questionable ownership to Lennox Manor, the five acre Mansion that was expertly described by Janie Chang's talent in her vivid imagination did a masterful job of her detailed prose made this out of the way location adds to the Gothic atmosphere. It was vivid in my mind how this large Mansion was both Eastern, and Western cultural design in architecture had in Caroline;s mind wondering if she would be the one whose personal inheritance seemed concerned with its crumbling, stature needed significant repairs learns that Mason, is not the owner but is leasing it. Therefore she learns that Mason isn't able to leave it to her husband like originally is why they moved to Shanghai. Her hiring Lisan as her secretary would help Caroline navigate Shanghai's culture. As an American heiress with her own fortune is a Socialite whose husband is trying to find investors to help facilitate his venture in the railroad enterprise it falls to Caroline to entertain the Shanghai investors her husband is navigating to raise funds for his new venture in the railroad.
The Mansion is drafty with the windows allowing in the cold weather makes the rooms drafty, but being 1911, in Shanghai the huge mansion along with several other luxuries is equipped with a ballroom. While Caroline plans this large party is out with Lisan getting fitted in her luxurious gown, she sends Lisan back without her when she learns that Mason has misled his nephew about his ownership of the Manor. Lisan keeps seeing a woman dressed in red in flashes, but finds Rosalie's diary. which Lisan, and Rosalie diary is slowly revealed to the reader interspersed throughout this wonderful Gothic, historical novel that was such a slow burn for the first half. It still was a page turning intriguing narrative that because of a suicide that pertained to either Mason's son, Charles and his wife who Charles loved but Mason never approved of which I already stipulated above. The large staff believes the house is haunted by Ghosts since the suicide that took place. Could the woman in red who Lisan have seen flashes of Rosalie? Her nightmares are returning with a frequency that both women's character narratives, made this a captivating, and deeply immersive reading experience.
I really enjoyed this treasure of a precious gem stone that Janie Chang's clever imagination wrote such beautiful prose in her Vibrant colors describing the two lemon trees, that included descriptions of Yao's superior gardening skills that brightened up the Mansion with Orchids, and floral arrangements that was so vivid in her attention to detail I could easily envision the imagery of the different kinds of potted flower arrangements and their scent. I appreciated how precise, and talented JANIE CHANG'S command of language that I could picture the multiple spectrum of color that adorned Caroline's green gown, and the surprise entrance of Princess Masako Kyo's grand entrance with her red cloak, that underneath she wore a Blue Kimono shimmering with Purple, and Silver Irises. Her escort was an unwelcome sight of Andrew Grey who while Thomas and Caroline Stanton stood at the bottom of the stairs greeting guests the delicate Princess's androgynous beauty from Peking at the sight of Andrew Gray Caroline's breath clawed at her throat had her struggling to hold her welcoming smile. She didn't know his name, or where she knew him from, but they'd met before, and it had not been a pleasant encounter. Mason introduces Andrew Grey as the architect. He remembered her maiden name as Vessey, and that he remembered meeting her and that she was related to the Dominics of New York. He said they met at one of the Dominics' parties, very briefly. Caroline thought his words managed to sound like a threat. Thomas said that he didn't know Caroline, and Andrew met before. She said that she didn't remember since she met so many different people at all the parties that the Dominics' threw so many parties that she didn't remember meeting him since she never enjoyed all the parties they had which she never enjoyed, and how she always left as soon as it was decent to do so. She wished she could return to her room, and plead a headache, but she had to learn what Grey remembered, what he might do or say. She took a deep breath, straightened her shoulders, forced yet another smile to her lips, and with her hand tucked in the crook of Thomas's elbow, entered the ballroom upstairs on the third floor.
Lisan's duties were to help check coats as the guests arrived and she noticed Caroline's look of distress from across the room. Her last duty was to help the band pack up after all the guests arrived and see that they packed up their instruments and see them up the service staircase with their instruments to the ballroom and her duties were to be done when the Beautiful Princess tapped her on the shoulder when Kyo asked Lisan who she was and Lisan said she was Lui Lisan, Mrs. Stanton's secretary. The Princess, Kyo said that Lisan looked familiar and asked Lisan if she always lived in Shanghai? After much intense scrutiny by the false Princess, Lisan answered her saying living in Shanghai was all she remembered. The false Princess said that she looks exactly like someone very special she knew years ago in Peking. Lisan said she has never been to Peking, and if she may attend to some other duties that were for Mrs. Stanton. Lisan wished she hadn't hung around the foyer to which the Princess said Miss Lui don't disappear because she wished to speak with Lisan in private with an unmistakable air of command in her voice that the false Princess Kyo left Lisan and me the reader feeling Excitement. Her final task was something the assistant cook could have done and once again my senses were assaulted in the very best possible way as Lisan entered the hothouse where Lisan offered to do the task since it was a chance to see Yao the expert Gardener who had turned the tangled mess into "grouped potted plants neatly on the brick floor, creating islands of greenery like a series of flower beds. Bamboo trellises held up climbing Vines, and palm trees in huge tubs added height and interest to the look of an indoor garden. Pots of Orchids hung along bamboo poles fixed to brackets, and a table at one end held more Orchids. Several Gardenia shrubs bloomed on a brick platform at the center of the hothouse, along with large pots of the Ginger Lilies that Caroline admired so much." Lisan found Yao in the utility area of the hothouse.
"Enclosed by trellis vines of jasmine and bougainvillea, the space was hidden and almost invisible to the casual visitor unless one made an effort to look behind the vines." Such sensual writing these descriptions were easily some of the most visual enticing scenes that I could imagine how the fragrance of the overpowering scent of the Pink Jasmine, and the gardenias are just so easily to admire Janie Chang's prose inside that How I was transported right beside Lisan as she tells Yao about the Princess comments about how Lisan reminded her of someone very special made me forget I was reading a haunted, Gothic otherwise drafty, chilling, tale about Chinese folklore that was the spectacular accomplishment of one of my Favorite Authors who succeeded in what she set out to do in her Author's Note. Magical in scope how she wrote such an absorbing reading experience with this highly exceeding my expectations how the storytelling was nothing short of amazing. In the very beginning how the isolated size of a Mansion, and all it entailed in its many splendid amenities would have easily attracted me to move there just like Caroline, and Thomas from America. That I easily was swept away by the taste of the Marigold petals that were being snipped in an enamel bowl to be spread on top of the dainty desserts scattered across as fragments of edible color for the guests at the ballroom party.
Lisan who I liked very much is feeling as if she is going mad. She is professional. and over qualified to be only Heiress Caroline Stanton's secretary. Mason Burnett's son Charles had committed suicide because his wife Rosalie ran off, and he couldn't live without her. Upon Lisan's entry to the house she sees a vision of a woman in a red dress in the window. "Come Find Me." Lisan brings Rosalie's portrait to hang in her bedroom from the attic that she can see Rosalie gazing at her. She is translating Rosalie's diary from French to English that tells her story. Lisan can't stop having nightmares which she feels compelled to be pulled into Lennox Manor. It's her experience that she has no memories other than being rescued by Master Lui, who everything about her past is not what it seems. Repressed memories. Both Caroline and Lisan have secrets.
JANIE CHANG has a fantastic Author's Note, for "THE FOURTH PRINCESS," easily a Five Star Plus Gothic Novel. There are two women's narratives that are Caroline Stanton, and her over qualified Secretary the Chinese girl Liu Lisan. The wonderful Lennox Manor is introduced in the first page describing the architecture being a mixture of a blend of Eastern, and Western blend that the isolated, Country Estate Mansion full of staff that are superstitious, plenty of Chinese folklore, . Deeply Atmospheric, great character development that you'll find realistic, and a suspenseful plot that will intrigue with terrific descriptions. I LOVED THIS! The characters have layers with a two separate set of narratives of both women that is not predictable that's really unputdownable & UNFORGETTABLE! This Atmospheric Gothic novel has solidified the Author, Janie Chang is a favorite Storyteller. I will be recommending this to everyone. This deserves to reach as wide of an audience as possible. 1911, Shanghai comes alive as does this whole story. A haunted mansion that a suicide has a mysterious plot that is BRILLIANT & STUNNING!
Publication Date: February 10, 2026
Thank you to Net Galley, Janie Chang, and William Morrow for generously providing me with my SPECTACULAR ARC in exchange for a fair and honest review. All opinions are my own. as always.
Very well written. Shanghai, 1911. Lisan Liu is hired as secretary to wealthy American Caroline Stanton, mistress of Lennox Manor . With a. dark past due to a previous owner’s suicide, and Lisan starts having nightmares of a woman in red. Caroline has secrets she can’t afford to have exposed. Then Lisan’s future is upended when she learns the truth about her past, and why her identity has been hidden all these years.
3.5⭐️ This is a story of two women. Both with a mysterious past. Liyan doesn't remember her childhood while Caroline is desperate to bury hers. As they come together under the roof of the Lennox Mansion they both have a purpose. For Caroline she wants to continue to live a prosperous life, support her wealthy husband, ingrain herself in Shanghai society and desperately hang onto her own money. For Liyan, orphaned and unsure of her place, she wants independence and the ability to decide her own future. Both women hold tightly to their secrets while the house is trying to shake them loose. This story has lots of twists and turns and you find yourself changing allegiances frequently. The house is it’s own characters with its morbid history, crumbing infrastructure and resident ghost who wants their story to be revealed. The tone of the book does a great job on switching between a more naive and immature voice of Liyan to a steadfast, cultured and desperate voice of Caroline. You find yourself really becoming a part of her character's storyline. A great mystery with a spooky element
Well-written historical fiction immerses us in the past as surely as a movie might pictorially show us a scene. In THE FOURTH PRINCESS, Janie Chang takes us to China in 1911, where we learn about the Boxer Rebellion and the endangered Imperial dynasty.
The action is set in Shanghai, and the story is cleverly told through two points of view. Liu Lisan (first names are second in China) is an orphan taken in by a wealthy bachelor from a very important family. She was educated at private schools but wants to make her own way in the world. Caroline Stanton is a newly arrived wealthy American who wants to hire a secretary to help her with her social obligations. Instead of bringing on an American, she decides that a Chinese secretary might be more useful.
Lisan is thrilled when Mrs. Stanton hires her. Caroline seems kind and down-to-earth, and she appreciates Lisan's intelligence and knowledge of Shanghai businesses. Lisan knows the best tailors, patisseries and florists. Her penmanship is exquisite, and she is polite and discreet. Caroline's husband came to Shanghai to be with his uncle, Mason. Together they plan on investing in Chinese railroads. While Thomas Stanton is a millionaire in his own right, Caroline brought her immense fortune into the marriage.
What we learn is that there are questions about both Caroline's and Lisan's backgrounds. While Lisan's narrative describes her strange, realistic nightmares, Caroline's is not as open and above board, although that is not clear at the start. Both women have been lied to, but their reactions when they learn about the mendacity could not be more opposite.
THE FOURTH PRINCESS is described as gothic, and there is indeed an entity that seems to be haunting the mansion where Lisan works. Although it's not difficult to guess its identity, that doesn't detract at all from the mystery of the message that it’s trying to communicate. Only Lisan sees the spirit, and only she hears its cryptic message. Chang makes clear from the start who is not to be trusted. That's why when she turns the tables and we see that we were led astray, we are taken by surprise and shocked.
What I loved most about this book is the way that I felt immersed in Shanghai as it was over a century ago. I was lucky enough to have visited Shanghai, so I could picture the European buildings on the Bund and imagine how Shanghai has changed since the setting of the novel. It's also fascinating to see the old names for cities like Peking and Soochow (Beijing and Suzhou) as they would have been used during that time.
I enjoyed the two female protagonists and the expert manner in which Chang depicted their personalities and their struggles to take control of their lives at a time when women were very limited in what they could do. And while American women had much more freedom than their Chinese counterparts, Caroline's money was still controlled by her husband. Lisan's life was completely taken over by her guardian. Although he was generous and kind, she lived in a gilded cage, only able to spread her wings if he gave permission.
Because the characters and their situations are so compelling, the pages practically turn themselves. Take a trip into the past and halfway across the world, and enjoy the mystery regarding the truth about Lisan and Caroline. You won't regret it.
The Fourth Princess is a tale of secrets and deceptions, lies and loves with a bit of superstition and mystery thrown in, all of which make for a very entertaining, enthralling read. Set in Shanghai’s International Settlement a decade after the Boxer Rebellions and before WW1, the story follows two very different young women as they navigate society and prejudices.
Lisan Liu is an orphan. She remembers very little of her life before she lived with her guardian, Mr. Liu who raised her and ensured she was well educate and would have what she needed to make her way in the world.Her world until the time the story begins was very shelter. But Lisa wants more, and she accepts a position as personal assistant to Caroline Stanton, another young woman just a bit older than Lisan, who has moved to Shanghai with her businessman husband. Life in the international community of Shanghai is complex and full of traps and pitfalls, particularly o the social side where high society has brought with it all the constraints and prejudices that flourished in their home countries. It’s a lucky break for both Lisan and Caroline. In addition to be very good at her job, Lisan can help Caroline navigate the mores and superstitions of Chinese life. And Caroline can open doors for Lisan that no one else can, perhaps other than her secretive guardian Mr. Liu. It is among this complex background that Lisan and Caroline find themselves.
Caroline is newly married to (and very much in love with)her new husband Thomas, a business man. They live in Lenox Manor with Thomas’s uncle and business partner Mason. But the very building itself is hiding al sorts of secrets. Lisan has nightmares of a young woman pleading to be found. When she leaves Lenox Manor, she feels a compulsion to return. Caroline has discovered Uncle Mason is not what he seems, and Caroline herself has secrets.
I a HUGE Janie Chang fan, and the Fourth Princess grabbed me from the beginning and didn’t let go. The characters are so well crafted, the mysteries complex, it’s hard to figure out what’s real and what’s out. The story is fleshed out by Mr. Liu and young man named Yao, along with some others I won't go into, but who add depth and suspense. This is one of those stories where the pieces come together for you until almost the very end. If you like Janie Chang’s books, you won’t want to miss this one! It’s a 10 star read!
Many thanks to NetGalley and Harper Collins Canada for an advance readers’ copy of this novel.
I’ve enjoyed a number of Canadian author Janie Chang’s novels, but this is her best yet. The setting is turn of the century Shanghai, 1911 specifically. It is a precarious ‘time in between’ for China, undergoing sociocultural turmoil as the traditional modes of governance are out of step with the modern industrial society that is steadily developing. I know the history of this period in China only in its bare outlines, and Chang does a remarkable job in filling in what readers need to know without the excess of information that too often bogs down historical fiction. There’s a fine line between too much and not enough; the author explains her struggle in this regard in her note at the end. I think she has found just the right measure.
The main female characters represent the transition in terms of culture and race. Lisan Liu is a young orphan, allegedly found wandering the streets alone as a child abandoned during the upheavals of the Boxer revolution. Adopted, raised, and protected by a respected scholar from an important and wealthy family that straddles old and new, she was sent to the best girls’ academy in Shanghai. But her unknown parentage, looked upon suspiciously in Asian culture, prevented her fitting in with her peers. Knowing that she was unlikely to make a good marriage match, she took secretarial courses to prepare her to work for her living. No sooner is Lisan hired by the wealthy American heiress Caroline Stanton and goes to live in the decrepit remains of a once stately mansion than she begins to be haunted by nightly sounds and apparitions. And then the young bridegroom gets sicker and sicker.
The mystery at the story’s centre is about identity. Who are Lisan and Caroline, beneath the careful cover story that they live behind. Lisan wants to know the truth of her birth and who ‘created’ her and why. Caroline, self-created, is anxious to prevent others from finding her out. Who is the mournful ghost and why can she not find peace?
With its enticing notes of gothic mystery, this is one of those ‘unputdownable’ books. I was drawn in to both women’s stories and the wider historical and familial context that shaped them, not entirely as they would have chosen for themselves. Weaving history, legend, and folklore into the narrative throughout, Chang has produced an atmosphere and entirely enticing story.
I will start this review by mentioning that I'm in my Xianxia/ Wuxia/ Costume Chinese drama era. It's probably one of the reasons why this book landed for me.
The Fourth Princess is my first book by Janie Chang. The premise, when I first came across it in December 2025, instantly intrigued me. The tag line " A gothic novel of Old Shanghai" reeled me in, as did the fact that this is potentially an own voices novel.
The book carries strong vibes of Rebecca with heavy hints of Anastasia. There's psychological tension, political intrigue, and secrets simmering under surface - that's a lot of narrative weight for one book to carry. However, the writing, the moody, atmospheric, heart-pounding, cannot-put-this-down writing is what saved the book for me. Once I started, I couldn't stop reading, even though I knew where it was going, even though I guessed the most of the secrets early on, I JUST HAD TO WATCH IT UNFOLD.
Let's talk about the characters. Lisan and Caroline are our mains. It's so refreshing to read a gothic tale where the women characters are not cookie cutters. There's nuance. Lisan was naive but not so that it made me want to slap her. Caroline had my sympathy, until she didn't. Then there are the other characters, the American expats. Full of colonial arrogance cloaked in wannabe civility. Really, the white ppl arrogance when living in Asian countries shouldn't anger me anymore. But it does. But the book doesn't shy away from criticising the Chinese either. They are no victims waiting to be saved.
I'm amazed by the amount of research Chang did for this book and very appreciative that she did not turn it into a historical lecture. Even more amazed to learn that the Manchu clan did not practice foot binding for noble women.
The long and short of it is, The Fourth Princess is a well-written gothic tale. I was fully invested, but I could guess the secrets early, some revelations felt a bit convenient, and the ending was… a little meh; not quite hitting the gothic tension I crave. Having said that, I haven’t been this satisfied with a book written in English in a very long time. I shall be reading more of Janie Chang. Yes, I will.
Are you looking for a stunning novel imbued with Chinese culture, female resilience, Gothic atmosphere, and a ghost? This is the book for you!
The Fourth Princess by Janie Chang is a gothic novel that takes place in 1911 Shanghai, China. Lisan was found as an orphan and taken in by a guardian. Though she was given a good education, she does not have the family or genealogy to be successful. She takes a job as a social secretary for Caroline Stanton, a wealthy American woman who has just arrived in Shanghai. They live in a mansion which has fallen into disrepair after the previous owner committed suicide. While living there, Lisan begins to have visions of a woman in red. Who is she? Meanwhile, Caroline and Lisan collaborate to throw a party to welcome the Stantons to Shanghai society. The party is attended by two people who claim to know secrets that threaten Caroline and Lisan’s lives as they know it. Neither is who they say they are.
The Fourth Princess was fascinating in its description of China in the 1910’s. Prior to reading this novel, I was completely ignorant about the Boxer Rebellion or the Chinese Revolution of 1911. So, obviously, I dove head-first into a research rabbit hole. My favorite aspect was learning about traditional Chinese mythology and cultural beliefs. The lack of fengshui caused strife with the Manor’s household staff which was an education AND conveyed a deep sense of dread to the reader. The writing beautifully conveys the environment. I could easily visualize the color of the jade, the cool texture of the silk, and the smell of the jasmine. This book was an entire experience!
Ultimately, The Fourth Princess makes clear that the strife of women desiring to operate with independence transcends race, location, culture, and time period. I was enthralled with Lisan and Caroline and their quests for autonomy. Read this one, historical fiction or gothic fiction lovers!
A haunting, gothic novel that transports you to 1911 Shanghai, China 🇨🇳
Thanks William Morrow Books for the ARC via NetGalley!
Synopsis-
Lisan Liu is looking forward to working for the wealthy American lady Caroline Stanton, the new mistress of Lennox Manor on the outskirts of Shanghai’s foreign settlement. While Caroline is ready to step into her new life with her husband, business mogul Thomas, the only apparent hurdles seem to be the manor’s dark past and an unwelcome guest at the party who claims to know her secrets.
Review-
Lisan is plagued by nightmares and begins to feel increasingly unsettled as the days go by. When strange incidents occur, tragedy strikes the opulent house and its residents - Lisan can only question her sanity, even as Caroline battles her own private struggles.
First of all, I want to applaud @janiechang33’s exquisite prose in this novel. Her writing does full justice to the gothic mood, creating an eerie, foreboding atmosphere. Her evocation of the era is spot on, with rich descriptions of the splendour and grandeur of the mansion quietly masking its dilapidation and slow deterioration. Chang’s detailing of the house, fashion and zeitgeist of China, the aromatic food, along with the political and civil unrest of a country on the brink of revolution, truly transports us to this time.
These elements interwoven with the manor’s disturbing past, the dual POVs of Caroline and Lisan, the servants’ rumours of the house being haunted, steadily build intrigue and suspense around both the mansion’s history and the characters’ backstories. I especially loved how the author portrays Lisan’s fragile mental state, using hallucinations and manic visions to heighten the ominous atmosphere.
Though the title hints at a major revelation and some twists may feel familiar to seasoned gothic readers, this is one of those stories that grips you with an ironclad hold and refuses to let go until the very end.
I’m glad I read this for #ReadingTheWorld2026. It’s definitely a book worth curling up with on a cold winter night.