I received an arc via Netgalley. The Mother is on sale May, 2023.
The Mother is #2 in the Good Lands series, I have not read the first part.
The story is preceded by Robert Browning's poem My Last Duchess, in which a Duke diatribes on the disgraceful behavior of his Dutchess, he claims she flirted with everyone and did not appreciate his “gift of a nine-hundred-years- old name.”
I think I misunderstood the blurb of the story, because I had a different expectation of the story beforehand.
Because women's autonomy was threatened in an alternate world, I mistakenly assumed a (dystopian) mix between The Handmaid's Tale & Dr Who, but that turned out not to be the case in the end.
The story takes place in an alternative world, where the Holy Roman Empire still exists (i.e. Germany is not yet unified), and where Latin is still the language of communication in large parts of Europe.
I personally found that a bit confusing, even when I read fantasy or sci fi, I want to know a bit about where I am and in which time period. It seems as if the author wanted to add bits and pieces from different times: there is the familiar red telephone booth in Dickensian London, yet all kinds of gadgets seem to be widely available. This alternative world is a patriarchal world, women must give birth to sons, barren wives are beheaded. Women are not allowed to have a phone, a home, and are not allowed to work. They are tagged with a so-called Wifelock.
Marie has been married for many years, but does not bear sons. She is not happy and decides to flee by staging her death. She thinks her mother is still alive and has to get to Zeebrugge illegally, where she thinks a sister Emma must also live.
From the moment Marie is in the Low Countries, the story loses momentum, and becomes a rather simple chase across an alternate Europe. There was a bit too much telling. Via dialogues, the author gives flashbacks and additional information: ‘Women are considered commodities and investments, and dressed up like little dolls.'
Through dialogues between Emma and Marie, we get an insight into the world the two ladies live in, however, this does make the dialogues somewhat unnatural, and more or less a mere means to tell more about how and where they live.
I occasionally got the idea that the novel is aimed more at YA readers, and I personally think that the abbreviation FFC doesn’t work for (European) readers. There was a ‘Freie Stadt Frankfurt’, yet FFC can mean so many things, I’d personally skip abbreviations with an ambiguous meaning from any text.
Some aspects are dwelled on too long, others are reported too casually (people suddenly dropping dead. Why?) The story is not balanced throughout, there is too much drama, repetition and focus on silly details, information on other aspects is sometimes missing…
Like I said, I admired parts of the worldbuilding, but I also felt that the writer could have gotten more out of it, as the idea mainly focuses on the position of women. Instead of deepening that, the story merely revolves around a chase, getting caught, with a rather unsatisfactory ending. In my opinion, the story could have been more feminist or reactionary, and I think that the women could have taken a more rigorous stand against the men, instead of fleeing from an unwanted situation.
I now get the impression that I am to witness the squabbling between the sisters, fleeing across an alternate Europe, from their fate that very many women suffer even today.
Finally, there is something of freedom gained at the end, but not because of their own statement/rebellion, but rather because of a family secret that does unravel quite suddenly.
I did find the focus on Church Law and quoting whole books of the Bible a bit odd, and not quite fitting into the story, I get the impression that the writer wants to flaunt her knowledge on certain subjects. At times, there was too much telling and some of the actions came across as too elaborate. ( three pages on how to remove a WifeChip, two more pages on a mindfulness exercise, and too much focus on their terrible fate).
In the end, it was not about (a mother) at all, but more about primogeniture, entailment and the social status of women. Her judgment on her own sex is quite harsh, if Austen had merely portrayed the heroines in her novels as mere broodmares, I seriously wonder if Mr Darcy or a Mr Knightley would have enjoyed any fame at all…..
I find the concept very original, and the execution at times certainly fascinating, but overall I felt much more could have been had from the story; because, at times, I got the feeling that the writer wants to focus on too many themes, which made the story as a whole a bit weak.
Had this not been a review copy, I would probably have got off in Strasbourg.
2.7 - 3 stars.
I would like to thank Netgalley and the publisher for this review copy. I leave this review voluntarily.