The Eisner-nominated series collected at last! In the second Hawaiian Dick collection, it's gangsters, guns and ghosts as Byrd is caught between warring gangs in a beautiful Hawaiian bay turned red with blood.
B. Clay Moore has written comic books for virtually every major publisher, including Image Comics, Marvel Comics, DC Comics, WildStorm, Oni Press, Valiant Comics, Aftershock Comics, DSTLRY and Ignition Press.
Upcoming projects including LAST FLIGHT OUT OF WICHITA, from DSTLRY Media in 2025, in collaboration with Mack Chater. This is the first of two books from Moore and Chater, who combine to work under the Dead Echo Press imprint. Following that will be BLOODLAND.
Hollywood has spent a lot of money optioning Moore's work.
A bunch of mobsters are trying to open a hotel in Hawaii and some strange things are happening. The Italians think the Irish are sabotaging them and vice versa. So the mobsters hire Byrd to find out what's going on. Hawaiian ghost make another appearance. Byrd at least attempts to do some detective work in this one.
I thought this story was tighter and better written than volume one. The art has improved as well.
Re-read from 2006 Hawaiian Dick: The Last Resort is a fun, fast, and rather uneven read albeit with cool, watercolor art by Steven Griffin.
Clay Moore sets up a decent, if ordinary, story about rival gangs - the Italian and the Irish - estabilishing underground casinos in their resorts across the street from each other. Ghosts of Hawaiian ancestors, apparently unhappy with the construction on their once-upon-a-time sacred lands, get involved and have no problem in killing the living. But Byrd, Kahami, and Mo Kalama all get involved... and the caper wraps up rather suddenly.
Fun action but with a lot of unused story potential.
***Review is for the first 4 volumes of the series, read in one sitting***
A nice combination of post-war period detective story and island supernaturalism. A bit choppy with the backstories and stingy with the explanations, but still a good time.
I love comics. I like trying to share that love of comics as well. So when I get a chance to gift a comic to someone, I jump at the chance. That being said, there are a lot of people in my life who don't read comics and most will never read any superhero comic I give them. It's why I love comics like this and make a point to add them to my collection. It's a clear, well told, story that is a visual delight. It is also the type of comic that can open up someone's understanding of comics, the variety of stories they can tell, and perhaps persuade them to read more.
This volume of Hawaiian Dick was a lot shorter than I was expecting, but I really enjoyed it. It certainly helps to have read the first volume, but you don't HAVE to do that by any means. It helps, but it works as a perfect stand alone. Moore and Griffin make a great team and pick up right were they left off from the first volume. From what I understand, this comic had a terrible track record as far as being on time, so I'm kind of glad I found it in TPB format. That being said, if I come across any issues in a dollar or quarter bin, I'll be busting a rescue mission.
Great art, and a fun, quick read, with some decent laughs. Most definitely for anyone who enjoys Hawaii 5-0.
This series is a good idea done in by its execution, and annoyingly backed up by bonus materials that sometimes run as long as the main story. Hawaiian Dick is in love with itself as a premise, but the art rarely serves the narrative well, and the writing’s strange jog into supernatural territory never quite distract us from how soft-boiled this noir really is. Alas.
I agree with some of the other reviews. This book has really beautiful, inspired artwork. It's a really refreshing style to combine the feel-good, tropical look of Hawaiian tackiness while juxtaposing it with the standard contrasting, angular, and purposefully ugly style of dark crime. The control of the loose style this artist demonstrates in this book is spectacular. I picked this book up because of the art.
I'm a bit let down by the story. It's pretty shallow and typical for a crime plot. The characters don't flesh out, there isn't really a sense of time or atmosphere, and the pace is pretty uniform. The phantom subplot is interesting, and the dialogue is clever. That's it. There is also just too much sitting around and doing nothing. The artist really brings a tonne to the table to uplift this story to be something satisfactory, and I find it unfortunate that the writing doesn't complement the art.
I was hovering here between 3 and 4 stars. This title felt like it was coasting a bit after the excellence that was the first collection. I still find Byrd and friends charming, and can't help but love the time and place that the book is set in. And the art choices are excellent, both the inks and the colors and the overall production work of the book. The quality of writing, art and the inclusion of lots of interesting back matter elevate what ends up being an average story. That earns it the extra star.
If you like the first volume, give this one a try. It feels like spending time with people you love, even if not much happens.
Awesome second trade from one of my favorite crime drama comics! I picked this up at a local comic convention last week, and finally got a chance to read it today. You really don't see too many comics with this tropical setting or with a paranormal slant nowadays, both set this book apart from almost every other crime book on the market right now. Yeah this has mob bosses fighting and stuff blowing up, but it also has ghosts attacking people which is awesome.
I actually enjoyed this volume more than the first, and can't wait for more.
The art-style this trade I enjoyed more then the prior trade, though the story felt a bit lacking.
Maybe it's me but you can almost feel as though Moore hates writing the true-crime type stuff and just wants to go whole hog into the supernatural stuff. I honestly would prefer he delve into the supernatural stuff more as I think he can work it better having a 3/4s supernatural, 1/4s true-crime story then the other way around.
This trade, again, is loaded with extras at the end
The art on this book is beautiful. I liked the story but thought it didn't flow as smoothly toward the end. The supernatural aspect of the book felt like kind of a crutch to get the heroes out of some jams at times. Overall I found the characters appealing and as said before, the art is absolutely gourgeous.