I've just finished the first volume of *Roshidere* (or *Alya Sometimes hides her Feelings in Russian*) and I have to say, I really enjoyed it. One thing that stood out to me right away is how much more depth the characters have compared to the anime, with the narration helping to introduce the world more clearly from the beginning. For instance, in the anime, I was confused for a while about the exact relationship between Yuki and Masachika—they were initially introduced as childhood friends and then as siblings who don't live together. The book does a much better job of laying this out from the start, establishing that Masachika has a sister, that they don't live together because their parents are divorced, and that Masachika disappointed his family in some way in the past. Later on, Yuki fills this gap, and it becomes clear that she's taken over Masachika's obligations at their family estate, which is why she keeps visiting him and leaves all her nerdy stuff at his place. This also makes the "childhood friends" dynamic make more sense because they haven’t lived together for so long that their relationship feels less sibling-like now. It also explains why Yuki feels the need to visit Masachika regularly, allowing her to drop her lady-like persona and embrace her otaku side.
Masachika's backstory, especially his connection to his Russian friend, also became much clearer to me. On one hand, we learn that, thanks to his grandfather’s fascination with Russia, Masachika has been learning Russian professionally since childhood, so his knowledge isn’t just based on fragmented conversations with his childhood friend. On the other hand, it's made clear that Masachika doesn’t remember her face or voice—something that makes the "not-so-secret" mystery more plausible. Just like in the anime, the book heavily implies that his old friend was Masha, but because he lacks any memory of her, this version feels more believable and doesn’t require her appearance to have changed completely, as it did in the anime. Masha's suspicion is also cleverly dismissed when she tries speaking to him in Russian and he pretends not to understand—so Alya doesn’t find out the truth—which makes Masha believe she's mistaken. I found it easy to follow the story and chronology, and the way information and exposition were distributed felt very natural and well-paced throughout the volume.
What I liked most about the book, though, was Masachika's characterization. In the anime, it almost feels like the story is told from Alya’s perspective, even though we see the thoughts of both characters. Here, we get a deeper look into how Masachika views himself. His reluctance to join the student council again largely stems from his lack of self-confidence and his inferiority complex, which the book conveys really well. Since he constantly compares himself to Alya, Yuki, and Touya, he doesn’t feel worthy of standing alongside these hardworking people. Alya describes Masachika as someone who doesn’t shine himself but instead supports others from the shadows. Masachika, on the other hand, sees that kind of brightness in Alya. After Touya persuades him—using his own story of joining the student council just to get closer to a girl—that it’s okay to join for selfish reasons, Masachika finally decides he wants to be the one to help Alya shine and run for student council president alongside her.
The book also makes it much clearer how much Masachika already feels for Alya. He’s constantly thinking about her, is just as flustered by her actions as she is by his (though he hides it better), and frequently describes how attractive he finds her. At the end, when they walk side by side, it’s even directly stated that he feels the same way about her as he did for his old childhood friend, whose feelings he identified as love. You can also clearly see how differently he interacts with the people around him: he’s more reserved with Touya because he looks up to him, he’s rougher and more direct with Yuki, showing their sibling dynamic, while he’s playful and teasing with Alya, engaging in affectionate banter. Alya is the person who drives him forward, always pointing out his flaws without sugarcoating them, while still meeting him on equal terms rather than looking down on him like others do—making him want to spend more time with and support her. I didn’t notice this versatility in his character as much in the anime, partly because his thoughts and feelings weren’t explored as deeply and partly because his reactions to the stimuli around him were less pronounced visually. I definitely like him more here and think he makes for a very solid protagonist.
Alya's story is also quite touching, and even though it’s largely the same as in the anime, the narration gives us a clearer view of how she sees the people around her. Starting from her negative experience in elementary school, where her classmates didn’t put any effort into their group project, she became more and more focused on herself. On the surface, this just made her prefer doing things alone and unable to rely on others or give up control. But deeper down, it shaped her entire character, causing her to view others as less hardworking and less ambitious, and eventually as inferior. While she tried to hide this arrogance behind politeness, she ultimately couldn’t build empathy for others—like when she couldn’t mediate the dispute between the baseball and football clubs because she simply didn’t understand people well enough to grasp their deeper needs. This is what makes her dynamic with Masachika so interesting: on one hand, he symbolizes everything she despises because he’s lazy and inattentive in school, embodying the kind of self-inflicted complacency that infuriates her. On the other hand, he’s also a kind of safe zone for her since he’s the only person she doesn’t see as competition, which allows her to emotionally relax and let down her guard around him. Alya’s confidence in this is also bolstered not just by Masachika's laziness but by his actions at the school festival, where he managed to motivate the group around him to work. She understands that Masachika isn’t someone like her, who stays up late working hard, but someone who cleverly manipulates people so he doesn’t have to exert himself—something also evident in the aforementioned club dispute, where he quickly identified the football club president as the key to resolving the conflict. This quality of Masachika, doing just enough but no more, always being there when truly needed without pursuing a goal just for its own sake, fascinates her—and allows her to express her many suppressed feelings in Russian, leading her to develop genuine feelings for him, appreciating the ease and comfort he brings. This bond is especially touching near the end, when Alya realizes her lack of empathy has left her alone and she pleads for help in Russian, only for Masachika, who understands not just her words but the feelings behind them, to come to her aid—prompting her to confess her love in Russian in a rush of emotion. The dynamic between them is incredibly beautiful, and the way they influence each other makes their relationship deeply meaningful.
Before I wrap up, I want to mention a few formal aspects because I think the writing style is well done quite well. It’s always lively, dynamically shifting between narration and dialogue without getting lost in lengthy explanations or aimless banter. Most of the time, the dialogues build up to a humorous punchline, with each snippet of conversation leading toward it like a thread. As a reader, you feel directly involved in the action without any essential information being withheld that would make it hard to follow. Additionally, the writing is very humorous, with characters being dissed in eloquent language (for example, describing fetching a book from his locker as a "cognitive mammoth task" for Masachika) or feelings and events being described metaphorically (like Alya's gaze "freezing the air in the room"). The volume also handles flashbacks well, keeping them distinct from the main plot while smoothly integrating them afterward. There was only one odd moment where it suddenly shifted to first-person narration from Masachika's perspective within a chapter, only to switch back in the next passage as he described his past with the Russian girl—which could have been done just as well in third person, like Alya's sections, so I didn’t understand the reason to change the focal point there. Otherwise, though, it was an excellently written book, with great characterization and a very engaging story progression. I can definitely see myself enjoying the next books even more than the anime, but we'll see when they come out and I get to read them—something I'm now definitely planning to do.