Hundreds of years ago, a man-made disaster stripped the world of its colour (I’m Canadian, so this’ll be a thing) and mutated the nature of humanity. In this monochromatic existence, people like Avidia are hunting down the last scraps of colour. But when he stumbles upon an unusual young woman, Avidia may have found something even rarer, plus all the attention that goes along with it…
In their notes, KENT mentions that this was first released in an earlier incarnation as an American-style comic and you can easily see the influence. The best way to describe the series is superhero noir, with Avidia firmly in the ‘man of action’ camp and, for the most part, it works.
Large chunks of this feel like a comic book written by a manga artist and I mean that in the best sense. The sense of action and heft is good, the use of shadow befits the setting and the colour is used very sparingly.
The two tone printing that they use for surprise splashes of beautiful neon blues is a gimmick, but it’s a solid one (oddly enough it was less impressive to me because I’d kind of seen this done already in the yuri title If You Could See Love to excellent effect, which is pretty much guaranteed to be the only point of commonality between the two series).
Keeping it (mostly) restricted to Avidia’s gun was a smart touch, as it gives him an extra cool factor and unique little hero thing, even though they smartly build in some issues with it that keep it from being a total deus ex machina when the palette hits the fan.
The world-building is pretty fun, giving the manga an excuse to look like, well, manga, and not needing the reader to try and figure out how anything would actually look. It’s right there on the page.
With the city split into an upper crust and lower crust section connected by a heavily regulated bridge, it’s welcome that the series dives right into that for one of its major set pieces that provides a welcome dollop of solid action amidst its snitches and crooks and flapping trench coats.
Now, the heart of this story is a kidnapping and the big reveal of the young woman in question would land a lot harder if they didn’t spoil it right on the cover of the damn volume. Still, she and Avidia have a strong dynamic forming and it’s nice to see a shonen heroine not portrayed as a sex object from the get-go (although they sure get her in glasses pretty fast).
The evil organization behind it all might as well be a church, in keeping with the usual rules, but so far they’re more string-pulling and weird and their worship of colour is interesting. I also like how the head evil guy pulls off the very wrongheaded ‘you amuse me so I will let you live’, but it is clear that at that moment, at least, our heroes definitely owe their continued existence to that bit of gratitude (excellent cutaway during that last fight).
I mean, it still has the typical genre flaws. While it does do a better than average job getting its rules and such in place and playing by them, it isn’t afraid to pull something out of its butt just to get away with something in the narrative like, say, a giant clamp out of nowhere.
The monstrous enemies that show up at the end are a cut above the usual villainous stock, but they are still the most obvious escalation ever (the gun stuff does nearly make up for this) and all that.
And, yeah, the colour stuff is neat, but there’s not a heck of a lot you haven’t seen before. I think it’s a fun ride, and no mistake, with some great ideas and cute toys in its bag, but it doesn’t break the mold quite as much as you’d expect.
3.5 stars - rounded up for being thoroughly entertaining. A neat homage to American comics and a little technical pizazz make for a pretty enjoyable ride and one that’s worth a look.