The trilogy concludes. Overall, I enjoyed this series. It felt like an elaborate thought experiment about sex and relationships and contains a lot of interesting, thought-provoking insights about these characters in particular and people in general. This is erotica that’s about the “why” as well as the “how,” and I know it will stick with me for a long time. I recommend this series, and the issues I have with book three are outweighed by the positives of books one and two.
My favorite theme in this book was the necessity – and difficulty – of not being ruled by your emotions when you’re in a scene, especially if you’re the one deciding how the scene will go. Mini gives a great speech about this, and it clarified for me why many of the Zee/Trinket scenes in the first two books felt uncomfortable for me: because both characters (especially Zee) were trying to deal with emotional issues through sex and use sex to solve their relationship problems. Their inability to be honest with each other meant they were just acting out their insecurities and frustrations through sex instead of connecting with each other. Honesty, forgiveness, and deciding how strongly to hold onto the past were key themes in this book and were handled well, though not as deftly as the themes raised in book one.
That being said, this was by far the weakest book in the trilogy for me. The pacing issues that became apparent in The Guilty Canvas are even more prominent here; a major development in the plot doesn’t occur until around 60%, and it changes things up enough that the resulting character development for all three characters could (and should) have taken up an entire book at least, but instead it’s crammed into the last 10-15% of the trilogy. Instead of learning how the characters are affected via the astute, nuanced character observations of the first book, here things are addressed mostly via monologues and long expository passages telling us, vaguely, how things changed over time (including seemingly in periods of time beyond the book’s end). There simply isn’t enough time for the reader to sit with these developments and adjust their perception of the characters.
I had also been hoping since the end of book one that we’d get more insight into Zee and Mini, and while we do get some, it’s nowhere near as detailed as what we know about Trinket. Which is maybe fair, since Trinket is our POV character after all, but it was still disappointing that at the end of the series, my mental pictures of Zee and Mini have as many blank spaces in them as details. I chalk this up to the pacing issues, too, because the major developments in the story came too late for there to be adequate time to also develop Zee and Mini as characters in their own right, beyond what they tell us about Trinket. And for a series that’s mostly about Trinket, he’s a surprisingly passive participant in the last third of this book, making his arc end on an anti-climactic note. The dynamic between the three characters just did not work for me in the end. Mini in particular changed so much as a character in order to facilitate the ending, and in a way that didn’t feel organic. As for Zee, I was hoping to find a reason to like him by the end, but he’s still the same petty, unkind person motivated mostly by a desire for self-aggrandizement and dominance as he was in the beginning and I don’t understand his appeal. At least with Mini there’s a detectable undercurrent of caring about Trinket; with Zee, I never felt the same thing, despite his various romantic pronouncements.
Finally, a few minor plot threads started in previous books were left unaddressed. These were minor threads so it’s not a big deal in the grand scheme of things, but they stood out to me enough at their introduction that I came up with various theories about them, so it was jarring to reach the end and realize they were never going to be resolved. On a related note, I frankly don’t understand why either of the two named side characters were in these books at all.