As with all the D.M Rhode stories, this book is everythign about the characters and low in worldbuilding and non-existent in anything that you can describe as progression fantasy. The character grow in emotional bounds, not in skills]; the stats don't matter and everything else is so generic as to be almost placeholders for the actual world/city/races etc...
But what it got is hearth. This is a hopeful story. If Reborn as a knight is about forgiveness, depression and motivation, about what it means to be empty, then this story is about living again, about healing from trauma and the small steps in recovering a routine, making friends, having a life.
The rest? The gods, the smithing, the politics? They honestly are window dressing, barely there and explored in the most cursory manner possible. You don't even need to remember like 99% of any of this plots, because they really don't matter. The other 1% will be repeated by the narrator.
But it can make you cry. It is raw when it needs to be raw and thoughtful in the right beats. If I hadn't read Reborn as a black Knight, I would have given this a better score, but everythign that this story is trying to do, it was done far better in (at least) the first novel, such as:
* Introspection of loss.
* Recreation of familial links.
*Lack of direction and how to forge it again.
*Repetition of a phrase of idea as a clear plot point weaved through the narrative into a satisfying conclusion.
*Depression.
In the end, is a good story, but its terrible as anything that has to do with progression fantasy or anythign really about fantasy, D&D inspired or power fantasy. But if you feel like you are in a slump after reading the same stories of this genre over and over again, this is a great palate cleanser.
But get the audiobook. Holly Jackson as the owl god is pure gold.