This is a staggering collection of poems from British-Nigerian poet, Theresa Lola. They show
a power, a profundity, and a depth of insight into the human spirit way beyond her years. In
an array of undaunted, resolute recollections and documentations of the disintegration of, first
the mind, then the body, Lola manages to lead us through her grandfather’s dissolution with
grace, bravery and humility.
The collection begins with the weighty, harsh reality of life: "As my new-born brother was
crowned with a name / my grandfather’s brain began to forget his." Lola’s ability to confront
the realities befalling her and her family with slick, contemporary expression ("your
grandfather’s memory folder erases") is worthy of praise. It is never easy to communicate
grief and loss with the element of urbanity and chic that Lola does; "you cope with the trauma
of seeing him like this / by cutting/ /and pasting / the old version of himself over his body."
It is also difficult to express despair and futility without sounding like a character from a
badly written soap. Poetically Lola has reached deeper into her own abyss than just feeling;
she is succinct but hard hitting with her deeply penetrating analysis of grief: "When your lungs
feel like two dangling pages / of a torn-open Bible", and yet doesn’t shy away from the
innate, internal human injustices that drag us down to depths of physical, as well as emotional
pain: "I yawn rage in the basement of my mouth".
It’s not all trauma. There is sense to be made of these personal tragedies, and hope to be
gained in survival, faith, and rebirth. There is a reaction, and an aversion to grief: "If grief fits
too tight it will suck movement out of you / make you as still as the dead you are mourning."
She isn’t wallowing in her grief. She wants to distance herself from it. Believe in faith and its
power to heal: "Still I pray for my father so much my / palms are warm enough to burn my
face." I had to read these lines over and over; a great poet makes you do that. Grabs you by the
scruff of the neck and screams “read it again!” There is often something else to see each time.
Lola has that power with her words, her vision between the lines, her style and method.
Lola says of her grandfather: "my grandfather’s heart / was the last organ to give up", which is
uplifting since it seems that heart found its way into Theresa Lola’s pen, and onto the pages
of this very valuable and commendable first collection, 'In Search Of Equilibrium.'
Yet another masterful collection from Nine Arches Press, and surely, in Theresa Lola, a powerful
and influential voice in the future of British and International poetry.