The Cannibal’s Guide to Fasting by Dana Hammer is a metaphor for our times. Through the protagonist, Igor Fenenko, the author delves into the sufferings and turmoil of outcasts, who have lost their freedom and peace of mind to the onslaught of a virus that makes them crave human flesh. While the origins of the virus remain unknown, there are rumblings of biological warfare and valiant efforts to find a cure.
A class system has evolved in this divided society of the infected and not infected. Hinged to this social and economic order of “haves” and “have nots,” a political upheaval is rising in public forums. The infected are becoming aggressive, and the carefully established system seems hollow - “The virus isn’t a sickness, Igor. It’s an alternative lifestyle. One we didn’t choose, but one that we won’t apologize for. Not anymore.”
From underground societies to extravagant coverups, the storyline is fast-paced and invokes interest. When Igor is drawn into the chaos because of the tenderness of his heart, the story moves into several subplots. In the quest for a vaccine and attempt to create the brewing mess, Igor plays a pivotal role while battling his demons. His scientist allies - Jesse and Zappa - reflect the strange ways of the rich and famous, hidden within the confines of luxury. Their characterization evokes mystery and humor, bringing in some light moments in an intense theme. Their story arc has a Hollywood thriller appeal.
Starting as a tender tale of a brawny man with a spider tattoo, the book makes some powerful statements about the condition of our society. Impulses, mistrust, forced segregation, cults and clubs, and clandestine happenings, all show the ills that have ravaged human existence since its inception. The book aims to find the reason and seek a resolution to all that irks and makes our society ill.
As the classic tragic hero, the reader roots for Igor and wants to see his world revert to normal, even with a hint of a romantic liaison. It is not an unheard story because we have seen the narrative replayed over centuries in myriad renditions by artists and authors. In Hammer’s novel, we are reminded of the frailty of humans and the hero complex where the reluctant protagonist must literally heal the world. It is poignant, mostly serious, but sometimes bizarre. The writing is brisk but not error-free. Some tight editing could have helped the book. The title is attention-grabbing and the cover design has significance in the story. I would have liked some deep-dive into the scientific quest, but all-in-all the book's premise is interesting for a weekend read.