I love a literally behind-the-scenes look at how movies are made, and since the protagonist of Final Cut is the key costumer for the next likely blockbuster superhero movie, there's the promise of so much of that. Early on, you can tell that Joey's experiences are informed by the author's real movie production background, which makes the book's setting that much more engrossing.
One thing that gets a lot of attention in that regard is the chain of command on a movie set. The director of the film in this story, Marcus Pray, is a big deal moneymaker, and he rules the set of this movie with all the confidence of a man who can do exactly what he wants with few to no consequences. He sexually harasses any woman within sight in one form or another and bases a lot of his directorial decisions on what will put the (standard) hottest women in front of him. We see Joey struggle to protect the young actress who is the lead on a big-budget film for the first time, but she ultimately feels her hands are tied since Marcus's word is law. She'd thought the biggest problem in taking this gig would be seeing her ex prance around with his new girlfriend, but the tension and danger caused by the director/dictator running things is infinitely worse.
Once the murder is revealed, I admire how the book keeps the tension up throughout. Joey's a suspect in this mystery because she found the body, publicly argued with the victim earlier in the day, and had a personal connection with her (see: she was dating her ex). Our protagonist is already feeling stressed about the police investigation after her interrogation, but things only get worse with the involvement of the media and, of course, social media. A death on a major movie set, especially given that everything about the film seems to be going wrong somehow, is fodder for widespread, gleeful speculation. I think the book really captures the way that fast digital information sharing fuses with wild theorizing, gossip, and trolling to form this monster that can hound and even enact violence on a person. The self-propagating claims about Joey's involvement in the crime, which she supposedly committed so she could get back with her ex, not only cause some people at work to turn against her but also energize complete strangers to hate her, too. While she has staunch supporters among her friends, she feels surrounded by the vitriol as paparazzi follow her, strangers send her threats, and police officers spin her request for protection from potential stalkers into a scheme for more attention online. The danger she feels is what inspires her to do her own investigation into what happened, tapping into her personal connections to gather information that she fears the police won't be able to access.
While all that's going on, Joey tries to soldier on at work, afraid that if she quits to try and leave it all behind, it will only fuel the impression of her guilt. Her experiences on set might in part be about movie magic, but they're also about sexual predators and how they get away with what they do, from the big cover-ups to the hundreds of people who become bystanders too afraid or unbothered or self-serving to intervene. Joey has to confront who she will be in this scenario because, ready or not, she's a bystander and worse on this one.
And the thing is that Joey isn't sure how to react. She's professional to the point of trying to downplay or ignore the problems on set at first. She figures that she has a job to do, no matter how evil the director is or how poorly run the production is. She tries to keep her head down and make compromises rather than getting sucked into doomsaying or rabble-rousing. She's reluctant to listen to any testimonials about wrongs he's committed in the past, even when offered as a warning so that she can better keep herself safe. We increasingly see the dark side of her determinedly rosy outlook as things escalate. Whenever Joey notices some little slice of normalcy from Pray, she takes it as a sign that he has some good in him. And it's like... yes. Only cartoon villains (or some superhero ones) could be so one-note in their evil. Being nice to his own dogs, for example, is the bare minimum and doesn't absolve him of the harm he's done to real, actual women, some of which Joey has witnessed firsthand. Joey's mental tightrope means she's quick to point out Pray's faults but just as eager to find reasons that he's not the actual devil, something that would absolve her from refusing to do anything substantive about his behavior. At one point, she suggests it would take a high-powered actor on set to take on Pray-- a knight in shining armor. But there are rarely knights, just brave, normal people who speak up. Though we eventually see Joey come to terms with the situation she finds herself in and take action, the process of getting her there really grinds my gears. I also want to warn readers that a crucial step in Joey's transformation is becoming a victim of assault herself (on the page), which could be a trigger for many, and also shows how people don't appreciate the severity of a situation until they experience it themselves.
I want to make a final note about the way the author brings real-world movie knowledge to the book. I enjoyed the summarized history about the how and why of the rise of superhero movies in Hollywood. I'm also fascinated by costuming as a process and all that goes into it. It shouldn't be surprising how much manpower and attention to detail are required, but I still left feeling amazed. On the less exciting side of things, I didn't enjoy the name-dropping of real actors in the story. I'd prefer everyone fictional, to be honest. It hit especially hard in this one because it felt like a weird platform for the author to say which famous people she likes in an industry tell-all kind of way.
Ultimately, I enjoyed this mystery, which kept me guessing til the end. That's quite the feat, and I'm always excited to experience it. The minutiae of film-making and costuming were also fascinating. It was the (major) side plot about predation that gave me pause-- not because of the result but because of the pain of watching the journey. While I can see the realism of Joey's missteps, I can't help but be suffused with disappointment about how people feed systems that actively hurt us. Thanks to Crooked Lane for my copy to read and review!