In thirty-six issues, Chip Zdarsky wrote one of the best Daredevil runs as with every volume, it felt like the status quo was always changing. Whether it was Matt Murdock accidentally killing someone and decides to turn himself in, albeit still with his mask on, or his on-and-off girlfriend Elektra now donning the mask, Zdarsky was always surprising us. After Zdarsky’s initial run, the title went through a bit of a change, now retitled as Daredevil: Woman Without Fear, which ran for three issues.
The conflict romance between Matt and Elektra has had its ups and downs, with the latter being an antagonist, since she’s the world’s deadliest assassin. However, after years of typically complicated comics history, Elektra has now taken on the mantle of Daredevil and so she has taken a vow not to kill. Zdarsky has explored this internal conflict during his initial run and with this miniseries, he is not saying anything new with the character, but he still writes her incredibly well, from her inner monologues to the flashbacks showcasing her violent upbringing and initial romance with Matt.
As she is still wrestling with what it means to be Daredevil, Elektra is reunited with Aka, who trained her in the ways of the Hand. As Elektra tries to discover the motives of her former mentor, she becomes prey to the classic Spider-Man villain, Kraven the Hunter. The last time I saw Kraven was when he was the villain during one of Nick Spencer’s Amazing Spider-Man arcs, which was a convoluted can of worms. Whilst there isn't much characterisation for Kraven, who is basically a hunter-for-hire, he serves as a fun foil for Elektra.
Whilst Daredevil’s main artist Marco Checchetto was occupied on Devil’s Reign, Rafael De Latorre draws the three issues of Woman Without Fear and does a good job in maintaining a similar visual aesthetic. As well-done as the action is, the ending felt a bit anticlimactic, due to the story being a tie-in to Devil’s Reign and even the current run of The Punisher.
Concluding the trade is Elektra #100, which has the main feature and three backups, all of which celebrate the deadly assassin. The main feature, written by Ann Nocenti and Sid Kotian, is essentially a battle between Elektra and Typhoid Mary, whilst being a psychological examination towards the latter, none of which are appealing. Regarding the backups, mostly comic strip sketches, the best of which is Declain Shalvey and Stefano Raffaele’s “Waltz”, in which Daredevil and Elektra are just dancing, and it’s romantic, if a bit twisted that defines the romance.
Overall, a fun addition to the overall Zdarsky run on Daredevil, even if it feels more like a placeholder.