I haven't read any Rose Tremain for a while, and after finishing this one, I wonder why that is? She tells a great story. She has such eccentric and intriguing, if not always likeable characters. She gives you a lovely skewed slant on history. And she has a really brilliant knack of setting up lots of threads and slowly, carefully and beautifully knitting them together towards a highly satisfying story.
This is exactly what Islands of Mercy did for me, and I thoroughly enjoyed it. Jane, the Angel of the Baths, is a Victorian woman who won't be caged by her crinoline. In fact, though this was set in the High Victorian period (which I've been writing for the last while myself) there are very few of the classic props - and that's one of the things I love about Tremain. Instead, we get the medical world of Bath, a place where people have been seeking the cure for hundreds of years, and where quacks mingle with men (and women, in Jane's case) at the forefront of medicine - another of Tremain's recurring themes. We see the mighty engine of progress tamed and traumatised by nature, and the overarching theme of the great wonders of nature and the great ignorance of 'man' is ever-present in this story.
But the people are centre stage. Jane is a woman who believes she has a destiny though she hasn't a clue what that might be - but it's something other than what she has, which is a reputation as a healer. Should she be content, in this repressive patriarchal society, at having so much more than other women - an indulgent father who respects her mind, a doting aunt who encourages her to be herself, and an adoring doctor who wants to marry her? But Jane is not content. She wants more - though the more remains quite undefined. She is waylaid on her journey to 'greatness' by her lover Julietta. Then she is waylaid by thinking she might marry. And then...
Of course the issues of a female role underpinning this story are a big part of why I loved it - Jane is not the only female protagonist to make her way, there is also Clorinda and Jane's aunt. How to combine love and independence is a key question and perhaps, in the case of Clorinda, it's a faff - but then again, there is the dubious morality of Clorinda's start in life. Nothing is simple in this book, and yet it is a very simply told story. And here, I think, is why Rose Tremain is such a masterly storyteller - a linear narrative, several story strands, all of them concluded, giving the reader that happy sigh at the end of it. And then come the questions and the issues and the wondering what if, and whether she meant this, or this - so the story unravels in your mind, and you want to go back and read it again.
If you've never read any Rose Tremain then you are missing out. I loved this.