The Butcher’s Daughter starts when Natalie, a.k.a. the butcher’s daughter, returns home to Little Downey after having been away for thirteen years in a nearby psychiatric hospital. Right away, I got a sense of dread and a feeling of what the hell is wrong with these people?! Because everyone seems to be acting really strange. Or are they? Maybe it’s just Natalie’s imagination? Natalie’s father, his help Daniel, the townsfolk, the gypsies that live nearby, Natalie’s psychiatrist, they all seem to be hiding something. Or are they? Maybe Natalie is just overly sensitive, or too paranoid. Very soon I trusted absolutely no one. Not Natalie, because I could not for the life of me figure out how reliable or unreliable she was as a narrator, how trustworthy her point of view was. Not her father or Daniel, who seemed so shifty. Not the mysterious gypsies. Trailing Natalie felt like a descent into madness. But, you know, in a good way!
Eventually, we end up with a topic that took me by complete surprise, of all the things I was expecting, that was not it. I won’t name it here, it would be a major spoiler, but, although used in books and films before, it felt rather unique to me, very horror-esque and a welcome departure from the beaten path many psychological novels tend to stick to religiously. With this topic in mind, the tension was even more palpable, I was at tenterhooks throughout! So bear in mind, this is not the typical psychological thriller set in a small town, you will have to suspend disbelief occasionally. I wouldn’t say the premise is impossible, let’s just say it’s very unlikely… I hope!
I for one enjoyed this ride tremendously and I can’t wait to see what Jane comes up with next, and to explore her earlier work!
A mysterious psychological thriller with clear elements of horror, The Butcher’s Daughter is not for the faint-hearted, but if you enjoy both genres, this is the one for you!