Famous for his fantasy writings such as Phantasy and The Gray Wolf, George MacDonald made a tremendous contribution to the awakening of C. S. Lewis’ faith. Somewhere, probably in one of Lewis’ books, I read of MacDonald’s poetry, but it wasn’t until I recently saw a verse quoted in a modern devotional that I searched for a collection. To my delight, The Gutenberg Project had a free downloadable eBook of A Book of Strife in the Form of a Diary of an Old Soul. Not only has the book both comforted me during the current pandemic with a more classic form of poetry and aspirations of pleasing God, but I know that I will re-read it as intended at some point for it is written as a daily diary and would make a wonderful year’s worth of devotions.
Fans of modern poetry may not savor the, sometimes too, slavishly held rhyme-scheme, but I found it aesthetically pleasing. Let me give you an example in an entry labeled July 26th.
Oh, let me live in thy realities,
Nor substitute my notions for thy facts,
Notion with notion making leagues and pacts;
They are to truth but as dream-deeds to acts,
And questioned, make me doubt of everything.—
"O Lord, my God," my heart gets up and cries,
"Come thy own self, and with thee my faith bring.”
Anyone who has ever had that struggle of wondering if prayers have been heard or worship makes a difference should be able to resonate with the sentiments expressed therein. But though the rhymes are clever and the thoughts insightful, it seems to me that the poet sometimes sacrifices meter such that the scansion seems off. For example, in an entry labeled August 16th, note the extra syllable in the line, “Then only in Thy glory I seem to sit.” It would seem smoother without the “seem.” Yet, I count three awkward lines in this entry, though I well-resonate with the message.
I do not wonder men can ill believe
Who make poor claims upon thee, perfect Lord;
Then most I trust when most I would receive.
I wonder not that such do pray and grieve—
The God they think, to be God is not fit.
Then only in thy glory I seem to sit,
When my heart claims from thine an infinite accord.
As a diary of an old soul, this anthology of “daily poems” seems appropriately named. On both the January 26th and 27th entries, MacDonald muses over the struggle between departing in a blessed death or living a blessed life. To demonstrate I quote both verses in full.
Yestereve, Death came, and knocked at my thin door.
I from my window looked: the thing I saw,
The shape uncouth, I had not seen before.
I was disturbed— with fear, in sooth, not awe;
Whereof ashamed, I instantly did rouse
My will to seek thee— only to fear the more:
Alas! I could not find thee in the house.
I was like Peter when he began to sink.
To thee a new prayer therefore I have got—
That, when Death comes in earnest to my door,
Thou wouldst thyself go, when the latch doth clink,
And lead him to my room, up to my cot;
Then hold thy child's hand, hold and leave him not,
Till Death has done with him for evermore.
Even a couplet at the conclusion of the August 30 entry offers a thought of death coming after conquering the trials of life:
No man is fit for heaven's musician throng
Who has not tuned an instrument all shook and jarred.
Without the full context, it still communicates. In late October, there is a rhyme separated by another line (an a,b,a,b pattern) where the poet laments the time when Death will have him by the “throat” and begs God not to let Death “…on my suffering gloat.” A simple rhyme, but again indicative of MacDonald’s awareness of pending death.
One of my favorites was the poem for November 10th. It reads:
'Tis but as men draw nigh to thee, my Lord,
They can draw nigh each other and not hurt.
Who with the gospel of thy peace are girt,
The belt from which doth hang the Spirit's sword,
Shall breathe on dead bones, and the bones shall live,
Sweet poison to the evil self shall give,
And, clean themselves, lift men clean from the mire abhorred.
For the December 3rd entry, MacDonald’s narrator (and it seems clearly to be himself) complains of weariness, comparing himself to the fruit reaching full ripeness before it drops. So, we see that continuing eyeing of death by the “old soul” of the title. In mid-December, he follows death into the afterlife where he becomes a partner with God in creation. In late December, he emphasizes his intent to be with his daughter who predeceased him. And, finally, his last two lines aspire to becoming one with the perfect love which is God.
I am very glad to have found this volume and I plan to read it again and again (much like I do many of C. S. Lewis’ books). I am tempted to give this five stars, but I worry that many modern readers just won’t be able or willing to navigate through the phrasing of an earlier era.