Sometimes things don’t go the way you imagined. For Belén Fernández, fudging the truth about her compliance with Mexican immigration law worked pretty well most of the time. And then it didn’t. As she made her way through an airport in the southern Mexican state of Chiapas with plans to head back to the neighboring state of Oaxaca where she had made her home for most of the pandemic, an immigration official became suspicious of Fernández’s immigration history. She claimed to have left the country regularly, as required of people who arrive with U.S. passports for tourism, but the immigration agency’s records didn’t reflect that. The immigration official was right, as Fernández acknowledges.
Off to Siglo XXI she went. I’m not referring to the century we’re living in. Siglo XXI is also the name of a notorious Mexican immigration prison in Tapachula, Chiapas. For most people, that would spell horror. But Fernández isn’t most people. She’s a journalist with an impressive ability to turn a nightmare into an opportunity. Stripped of her phone and pen, all she had was her memory. And in Inside Siglo XXI: Locked Up in Mexico’s Largest Immigration Detention Center, Fernández wields her memories powerfully to take readers inside the prison where we meet the many women trapped there. Fernández may be sharing space with those women, but she doesn’t pretend to be in the same position as them. For her, a U.S. passport, an ex-boyfriend with a contact in the Mexican president’s office, and a journalism career mean her stay at Siglo XXI lasts around twenty-four hours. For the women Fernández tells us about, the stakes are far worse—some are fleeing for their lives, others are fleeing to make a life—and their stays much longer. It’s these women who show Fernández that human goodness can thrive in the most inhumane environments. And it’s these women that give her hope that the twenty-second century might be better than the twenty-first.