Existential Anthropology: Events, Exigencies, and Effects

by Michael D. Jackson

Inspired by existential thought, but using ethnographic methods, Jackson explores a variety of compelling topics, including 9/11, episodes from the war in Sierra Leone and its aftermath, the marginalization of indigenous Australians, the application of new technologies, mundane forms of ritualization, the magical use of language, the sociality of violence, the prose of suffering, and the discourse of human rights. Throughout this compelling work, Jackson demonstrates that existentialism, far from being a philosophy of individual being, enables us to explore issues of social existence and coexistence in new ways, and to theorise events as the sites of a dynamic interplay between the finite possibilities of the situations in which human beings find themselves and the capacities they yet possess for creating viable forms of social life.

Genres: Anthropology, Philosophy, Nonfiction, Africa

252 pages, Paperback

First published January 1, 2005

About the author

Michael D. Jackson (born 1940) is a post-modern New Zealand anthropologist who has taught in the anthropology departments at the University of Copenhagen and Indiana University and is currently a professor of world religions at Harvard Divinity School. He holds a BA from Victoria University of Wellington, an MA from the University of Auckland and a PhD from Cambridge University.

Jackson is the founder of existential/phenomenological anthropology, a sub-field of anthropology using ethnographical fieldwork as well as existential theories of being in order to explore modes of being and interpersonal relationships as they exist in various cultural settings throughout the world. In this way he creates an interdisciplinary approach that attempts to understand the human condition by examining the various ways in which this condition manifests itself cross-culturally. In so doing, he concentrates on concrete, individual, lived situations and attempts to recreate and explain these situations as they are perceived and experienced by the other. For example, rather than looking at what mythology or ritual may mean for a group of people, he looks at what mythology or ritual means for an individual existing in the group. In this way he is able to examine "being-in-the-world", a concept fundamental to the field of existentialism. This approach also allows him to address the problem of intersubjectivity, which has as a goal the understanding of the other in terms of the other's individual lifeworld. In this way the other's relationship with the world around them is explained in a manner not previously seen, and is fundamental to the project of understanding intersubjective existence (or the relation between two individual subjects).

A large part of Jackson's methodology is also his account of personal experiences he acquired during his fieldwork. This method of reflexivity is indicative of the current postmodern trend in the field of anthropology, which seeks to contextualize the ethnographer as a subjective participant in the field. This methodology allows him to explain very accurately his relation with the world around him, referencing frequently existential theories in the process.

His influences include: Jean-Paul Sartre, Maurice Merleau-Ponty, Martin Heidegger, Claude Levi-Strauss, Hannah Arendt, Theodor Adorno, Pierre Bourdieu, William James, John Dewey, Edmund Husserl, Bronislaw Malinowski, Richard Rorty, Paul Ricoeur, Marcel Mauss.

He is in no way related to the famous singer, also named Michael Jackson.

Reviews

[Robin Öberg]

With examples from Australia, Africa and Scandinavia, Michael Jackson shows us how lived experiences can be used in anthropological discourse. One more simple approach is how people talk of their experiences, how they talk about their lives and other people's lives. But there are other ways aswell. Being there, living with them, experiencing the world with them. Using top-down perspectives to tell others why they do as they do is a form of imperialism, from ethnocentrism. But by immersing yourself in stories and directly lived experiences, you can talk of things from their own perspective. Sometimes though, as Jackson shows us, the difference isnt all that clear. People can experience very abstract social notions, in a very direct manner. Even though most people dont think of gender-inequality when they get turned down a job, a chopped off arm is a very direct way of experiencing genocide.



I recommend this book to anyone taken by more grand theories, like world-systems analysis. The way Michael Jackson writes takes you back to the source, takes you back to the people, takes you back to the individual person's life-world.