G-rated chick-lit romance
Emily is a 32-year-old, never-married, successful, IT professional, who lives and works in San Francisco. She has shared an apartment with her 27-year-old roommate, Ranee, for the past three years.
A large part of the author's initial characterization of Emily consists of multiple, standard, chick-lit tropes:
1. Ranee is a classic "manic, pixie dream girl," whose main purpose in the plot is as the Confidante, who constantly encourages stodgy Emily to stop playing it safe in her romantic relationships.
2. The first 25% of the novel, Emily is dating a rather boring guy named Paul. In chick lit, the FMC is virtually always dating one or more men, often outright losers, at the beginning of the novel, none of whom does she end up with. Ranee does not believe that Paul is good enough for Emily, and keeps pushing Emily to dump him.
3. The story is told entirely from the single, first-person point of view of the FMC, which means we never get to deeply know her ultimate love interest.
4. Emily adores expensive stilettos. Feet-destroying and back-busting high heels are a constant prop in chick lit. (But at least, thank heavens, Emily does not wear the hackneyed fashion choice, "flirty skirts.")
5. Emily and Ranee regularly mood-alter their romantic angst by bingeing on fatty, sugary junk food. (Fortunately, since the author is LDS, she does not also, as so many chick-lit authors do, offer frequent scenes of the FMC destroying her liver and busting her bank account by bingeing on expensive cocktails at a frou-frou bar with a raucous group of female booze buddies.)
After Emily (inevitably) dumps Paul, she finally begins an online relationship with a 36-year-old, never-married guy named Jack, whom Ranee connects her to. Jack is a close friend of Ranee's brother. This is a "reverse" Rapunzel retelling, because it is a man, not a woman, who has very long hair. Jack wears his abundant locks in a man bun. The tower he is trapped in is metaphorical. He is suffering from burnout and depression and has been living as a celibate hermit in a small town in Oregon for the past two years. (We do not find out until the book is about 75% over why he is burned out.) About 90% of the relationship between Emily and Jack occurs through social media messaging, texting, phone calls and Zoom. They do not meet in person until toward the end of the novel. They do not do any more than kiss because this is a G-rated author who doesn't include sex, ever.
Though I struggled with the first part of the book, because of all of those chick-lit cliches, that are no fun to me personally, after Emily and Jack finally connect, the book got much more interesting. Both of them have a strong sense of humor, so there is a lot of enjoyable repartee between the two of them. And though I wasn't particularly fond of Emily in the beginning, I felt that toward the end of the book she displays a lot of important maturation that turned her into a much more sympathetic FMC. Sadly, because this is not standard, mainstream romance, with the dual POV of the FMC and MMC, we do not get to experience onstage Jack's very important psychological growth arc. Jack seemed like a decent guy, and it would have greatly improved this book for me personally if the reader were given a chance to know him better.
Yesterday I randomly picked up the Kindle version of this novel, which at some point I obtained a free copy of through an Amazon sale. I also checked out the audiobook version through Hoopla. I am a huge fan of audiobooks in general, but I have been spoiled by frequently experiencing the narrations of extremely talented voice actors. Sadly, the actor narrating this book has a plodding, unnaturally stiff style that is difficult to listen to. I ended up abandoning the audiobook and reverting entirely to the Kindle version.