Elle fut l’une des plus formidables aventurières du XXe siècle. Ses récits de voyage, son oeuvre photographique, ses reportages ont fait d’elle une autrice mondialement connue. Ella Maillart (1903-1997) avait l’oeil ethnographique, parfois sensuel, souvent ironique. En témoignent la quinzaine de textes inédits, peu connus ou introuvables de ce recueil, comme "Le sens du voyage" (1948), "L’école dans les nuages" (1966), "Voyage au Turkestan russe" (1935), "Le culte du serpent" en Inde, ou l’émouvant "Route à l’Est" (1939), version "sur le vif" de "La Voie cruelle". Attentive, où qu’elle soit, à la condition des femmes, Ella Maillart s’y montre à chaque instant d’une énergie et d’une curiosité inouïes, attirée comme un aimant par les contrées interdites, les trajets en zig- zag et les rencontres de hasard, pratiquant aussi l’art de la lenteur pour assimiler l’expérience, quêtant l’essentiel, qui seul est durable – l’immense nature, la liberté.
Ella 'Kini' Maillart (February 20, 1903 – March 27, 1997) was a French-speaking Swiss adventurer and travel writer, as well as a sportswoman. She had been captain of the Swiss Women's ice hockey team and was an international skier. She also competed in the 1924 Summer Olympics as sailor in the Olympic monotype competition.
From the 1930s onward she spent years exploring oriental republics of the USSR, as well as other parts of Asia, and published a rich series of books which, just as her photographs, are today considered valuable historical testimonies. Her early books were written in French but later she began to write in English. Turkestan Solo describes a journey in 1932 in Soviet Turkestan. In 1934, the French daily Le Petit Parisien sent her to Manchuria to report on the situation under the Japanese occupation. It was there that she met Peter Fleming, a well-known writer and correspondent of The Times, with whom she would team up to cross China from Peking to Srinagar (3,500 miles), much of the route being through hostile desert regions and steep Himalayan passes. The journey started in February 1935 and took seven months to complete, involving travel by train, on lorries, on foot, horse and camelback. Their objective was to ascertain what was happening in Sinkiang (then also known as Chinese Turkestan) where a civil war had been going on. Ella Maillart later recorded this trek in her book Forbidden Journey, while Peter Fleming's parallel account is found in his News from Tartary. In 1937 Ella Maillart returned to Asia for Le Petit Parisien to report on Afghanistan, Iran and Turkey, while in 1939 she undertook a trip from Geneva to Kabul by car, in the company of the Swiss writer, Annemarie Schwarzenbach. The Cruel Way is the title of Ella Maillart's book about this experience, cut short by the outbreak of the second World War.
She spent the war years in the South of India, learning from different teachers about Advaita Vedanta, one of the schools of Hindu philosophy. On her return to Switzerland in 1945, she lived in Geneva and at Chandolin, a mountain village in the Swiss Alps. She continued to ski until late in life and last returned to Tibet in 1986.
Ella Maillart's manuscripts and documents are kept at the Bibliothèque de Genève (Library of the City of Geneva), her photographic work is deposited at the Musée de l'Elysée in Lausanne, and her documentary films (on Afghanistan, Nepal and South India) are part of the collection of La Cinémathèque suisse in Lausanne, Switzerland.
Beau livre notamment pour se représenter le voyage dans la première moitié / milieu du XXe siècle. Les descriptions sont précises et reflètent l’ambiance des différents territoires parcourus. Un peu déçue que certains sujets ne soient pas plus approfondis (place de la femme dans les différentes sociétés rencontrées, même un regard politique sur les situations de l’époque …). La narratrice reste très en surface alors qu’elle est journaliste, j’ai trouvé ça un peu dommage.
Wonderful writing and travel stories. I read that new book from Ella Maillart essays right back from my trip to Kazakhstan and Uzbekistan and the parts on Central Asia transported me back 😍