In film, noir is defined by elements such as “cynical heroes, stark lighting effects, flashbacks, intricate plots, and an underlying existentialist philosophy.” While the lighting is a challenge on the page, ROOK delivers the rest of it in spades, particularly Al Nussbaum’s belief that he is writing the script of his own life. Al is whip-smart, cunning, and, surprisingly, real. Eoannou inhabits this actual person stunningly well. This is an excellent crime novel. The action sequences and the planning of Al’s heists alone make it worth reading, but the author’s handling of his characters raises it above the noise of a standard procedural. Al thinks he is smarter than everyone else, and we find ourselves pulling for this anti-hero even as we (and probably he) can see the approach of the inevitable tragic end. The title of the book is perfection; Al is powerful but, like a rook, he is locked into only certain moves on the board. His path has hard edges, 90 degree changes of direction followed by charging ahead. Hubris is a part of it, but the main downfall of his crime spree is that he loves his family, a position at odds with the hard-bitten criminal he wants to be.