"The lamp of truth reveals the world. But when we lift the lamp we see-knowledge that cannot be unknown or undone."!
So What's It About? (from Goodreads)
The Ambhan Empire is crumbling. A terrible war of succession hovers on the horizon. The only hope for peace lies in the mysterious realm of ash, where mortals can find what they seek in the echoes of their ancestors' dreams. But to walk there requires a steep price.
Arwa is determined to make the journey. Widowed by a brutal massacre, she's pledged service to the royal family and will see that pledge through to the end. She never expected to be joined by Zahir, the disgraced, illegitimate prince who has turned to forbidden magic in a desperate bid to save those he loves.
Together, they'll walk the bloody path of their shared past. And it will call into question everything they've ever believed...including whether the Empire is worth saving at all.
What I Thought - The F Word
After absolutely loving Suri's Empire of Sand, I've been eagerly looking forward to Realm of Ash's publication. I read it as soon as it was released, and I'm so pleased to report that this book is quite as good as its predecessor. I have such a fondness for the way that Tasha Suri writes; I feel like she has a lovely, graceful style all her own and ends up telling stories that are so thoughtful and lush and sweepingly romantic while also having a great deal to say about the nature of oppression and empire-building.
This time around, the story is greatly focused on the matter of respectability politics and assimilation and the way that they go hand in hand with processes of cultural genocide, which was explored with the Amrithi people in the last book. What I love is that we see the way that these factors intersect with Arwa's experience as a woman. Arwa's story is one of learning to suppress and suppress the unwanted parts of her Amrithi heritage while molding herself into a desirable, conforming Ambhan woman - and this process is not done out of cruelty, but out of her family's misguided love:
"She had been molded and erased and silenced for safety. She had been denied the truth for safety. Her history had been cleaved in two, for safety. They had almost broken her for the sake of making her safe, for the sake of their love for her, and she would carry the wound of it all her life."
She refuses to be sharp-tongued or outspoken or impulsive, although these traits are who she would like to be inside, represses her thoughts and her actions, but over the course of the story she learns to access the parts of herself that she has repressed for so long. Arwa learns to express her autonomy, comes to embrace her Amrithi heritage, and finds power in the parts of herself that she used to see as flaws and weaknesses. It's a beautifully written process that's accomplished with a great deal of nuance and skill.
Arwa's story is also one of exploring what it means to be a widow and find meaning in life after your husband, your supposed reason for living, has died. Arwa's grief and self-blame are beautifully written, and I loved the way that Suri explored the interior lives of women who are pitied and deemed largely useless by the rest of the world. There is also a group called the Divine Ones, who are courtesan spies and scholars who use their influence to shape events for the good of the people of the Empire. They're an incredibly badass group, and it was extremely refreshing to read about courtesans who have power, influence and agency as opposed to being treated as objects or tragic "fallen women:"
"Her mother Maryam had always taught her that fallen women were to be derided - that her own concubine birth mother had been a low, corrupting influence beyond her Amrithi blood. An influence Arwa had to rise above."
Maryam had been wrong."
The book also deals really elegantly with the aftershock of the Maha's death from the first book, and the way that Arwa and Zahir must grapple with the question of whether the Empire is worth saving, and the question of what they are willing and not willing to do in order to save the people of the land. If the salvation of the Empire comes at the expense of the Amrithi people then they agree that it is simply a price that cannot be paid - and yet Arwa feels the pain of the Amrithi's exploitation in a way that Zahir does not, perhaps cannot, because he lacks the same heritage as her.
I also absolutely loved the magic here. As ever, the daiva are a wonderful addition with their benevolent, enigmatic natures and the way they communicate with sigils. But Realm of Ash takes the mythology a step further with the magical realm that is described by the title, and I have to say that I absolutely loved exploring the realm of the dead, its mysteries and the way that it bleeds over into the living world.
Of course I mentioned the romance in the early part of this review, and I'd be remiss if I didn't finish this review by discussing the relationship between Arwa and Zahir. Having read both of Suri's books now, I think she has a knack for writing the most delicate and sweet romances. I love both of their characters, and I love the dynamic that grows between them, which is an incredibly tender one of mutual respect and slow steps of trust and vulnerability. There's one conversation that they have about boundaries that I absolutely adored - a delicate negotiation of boundaries between two good, kind people who possess a genuine mutual regard and are slowly learning to trust each other? It's CHARLOTTE CATNIP.
If I have one complaint, it's that the revelations about the empire's/Maha's corruption and the benevolent nature of the daiva were already explored in Empire of Sand, so while they were revelatory discoveries for Arwa they felt a little repetitive for the reader. All in all, though, this book has cemented Suri as one of my favorite writers I've read for this project, and I'm eagerly anticipating whatever comes next!