This graphic novel was a random find for me on the new shelf in one of my grad school town's libraries. Light Carries On's cover was front and center, snagging my attention the weekend before my Thanksgiving break. I decided to pick it up since I don't believe I've read a queer fictional graphic novel targeted towards adults before. Given my reading tastes, I find this surprising. The concept also sounded cool, and I liked Nadine's use of color and art style when I flipped through it.
I'm happy to say this didn't disappoint. Nadine was able to create an engaging story. I liked how Leon and Cody's lives paralleled each other in a way, where both experienced some type of loss due to their circumstances. The color palette Nadine used here is also very soothing. The blacks, greys, whites, and blues work in harmony together, with some nice bursts of red to cut through some of the tenser moments. How Cody died is important to the plot, yet Nadine also cuts their characters some slack to just live. This last point, in particular, makes their growing romantic connection feel more natural. There's a line in the last chapter that particularly resonated with me, given how a moment in the second to last chapter was framed. It left me feeling hopeful by where this development would go, even if it wasn't the most realistic.
The timeline's the main reason why I didn't give this a higher rating. It took a while for me to realize this graphic novel didn't take place in the present day for Leon's chapters (which were framed in white). One reviewers mentioned the clothing and band inconsistences, but I also noticed Nadine kept on referring to Cody as being dead for exactly 30 years. There's one moment during a therapy session where a clock dates the present timeline as taking place in April 2015, which makes the number for how many years Cody's been dead inaccurate. What end up bring minor inconsistences pile up in the first half of the graphic novel, which did get in the way of some of my initial enjoyment. Other than that, I'm glad this ended up being a very impactful read. I'll be curious to see if Nadine published other solo work through Dark Horse.