“The Veil,’ By Kelly Goshorn
Part of the “Across the Shores” Collection
Barbour, April 2023
ISBN 978-1-63609-520-2
It’s hard to be celebrated only for your outward appearance, and it was even harder in an era that recognized little else. Caroline Wilkins learns this first-hard. Her beauty was a bargaining chip, used by her father to attract suitors who would further his business interests. Caroline submits to expectations until her fiancé does the unforgivable. She resists and triumphs, but with physical and emotional scars. The physical scars mar her looks for life. The emotional keep her at arms’ length from everyone else.
Franz Kohler’s sheer size determines his fate. As the strongest of the Kohler males, he’s charged with hard labor in the Baltimore railyards, freeing the other Kohler men to carve the intricate Bavarian clocks that are their legacy.
When an on-the-run Caroline suffers an accident during a railway strike, bighearted Franz takes her to his home to recuperate. His mother and sister take care of the nursing, while a friendship develops between the gentle giant and the wounded belle. Caroline sees an artist’s heart beneath Franz’s brawn, and Franz senses a woman who is far more than her lost looks.
The wall between them is trust. Will Caroline lower her veil to let Franz glimpse her marred face? Will Franz trust her enough to share his artistic vision and ability?
A letter to Scotland, a black lace veil, a memorable polka dance and a once-in-a-lifetime clock figure into the resolution.
Goshorn’s first novel, “A Love Restored,” made its debut five years ago, telling the story of a plus-sized woman who dared to be herself, even though it almost cost her the love of her life. Goshorn continues to develop that theme in “The Veil.” Will the right man look behind Caroline’s scars and love her for the beauty within? Will the right person see beyond Franz’s physical prowess to his intelligence and creativity?
Goshorn does a fine job with her young protagonists. Their attraction to each other is real, compounded by their fear of acting on it. They are both likeable and root-able.
Goshorn also seems comfortable sprinkling in German traditions and folklore, along with a thorough grasp of the immigrant experience. Franz is a traditional son who knows the other Kohlers depend on him to help establish them in America. His refusal to rebel is part of his sweetness. Goshorn did her homework, both on German culture and clockmaking.
And as with all good Christian fiction, she leads us back to the Giver. Both Franz and Caroline are helped toward their resolution by his Opa, a devout grandfather. Opa is a proponent of die Vorsehung, or divine providence. It’s how he found his late wife, and it’s what Franz is looking for in his. In counseling Caroline, Opa develops the concept. He leads her to Matthew Chapter 27, when that was torn in two and people no longer had to be separated from their “Gott.” When Caroline fully surrenders to her Heavenly Father, she’s ready to trust Franz.
This is a fine outing from an experienced author. Goshorn shares a book with Angela K. Couch, Carolyn Miller and Cara Putman. The other three novellas fit with Goshorn’s like the carefully-carved pieces of an heirloom clock.