I had seen advertisements for "A Fallen Sparrow" for some time, then after meeting and befriending the author, I obtained an audiobook copy. Over the course of the novel which spans the American Revolution from the Boston Massacre to the Battle of Yorktown, I quite appreciated the author's inclusion of the Great Awakening's legacy, as well as the wider influence of religion on Britain and her American Colonies. Her use of George Whitefield as an off-screen spiritual force I think was effective, including the way his death sent shock waves through the colonies. I enjoyed the inclusion of selected hymns from the general era which added religious depth to the world and its inhabitants, punctuated by a cameo of John Newton, author of "Amazing Grace" and many other hymns. I have long loved the story of Major John Andre's religious epiphany nearing his own death, which is rarely included in stories involving him, so I'm glad the author included it here, including the hymn "Hail, Sovereign Love" which he wrote down on a piece of paper and placed inside his coat over his heart before being hanged. I appreciated that when reflecting on the death of one of the fictional characters in the story, it is remarked that he spoke of going to "a better country", and this becomes something of an ongoing theme in the story as the characters ponder whether or not they are going to win the war and get the outcome for their earthly country that they desire. In spite of how worldly fortunes fall, that hope for a better country is held up by the characters as the ultimate reason to go on. I also appreciate the inclusion of British Methodist figures not very well-known to an American audience (or I imagine these days to a British audience) and the representation of the enlightenment tendency to lean more towards Greco-Roman classical philosophy and deism, although sometimes the deeper human hunger for redemption spoke more strongly and caused people to return to their Christian roots. The author managed to incorporate the influence of writings from the English Civil War period such as Lex Rex which involve religious questions of whether or not it is legitimate to overthrow a king, and if so, what would constitute that legitimacy. She also did an interesting job weaving in real personalities and fictional characters. Something to keep in mind, though, is that figures such as Banastre Tarleton and Lord Francis Rawdon are used to fulfill certain roles within the story template (in this case, the villains), and are not reflective of a more nuanced exploration of the historical characters, either in terms of their actions during the war or their lives afterwards, nor indeed, in my opinion, do their personalities and voices entirely fit with what I have learned about them elsewhere. Perhaps it is best to see them as archetypal lightning rods for plot purposes as opposed to characterizations of real people. That having been said, I bow to the amount of detail the author has put in in terms of day-to-day life, ranging from dress material to medical procedures to beverage recipes and beyond. Also, linguistic attention is paid to characters from various backgrounds, particularly the Scotch-Irish characters, who use Ulster Scots words in the just the right amount to keep it feeling realistic but not unduly distracting. All in all, I appreciated getting to enjoy the time machine trip, and look forward to reading more of the author's historical forays in the future.