A triptych of wild, lyric love poems that are, at heart, an ode to Arkansas.Set among blue Ozark creeks, hoods of trucks, and changing constellations, Cody-Rose Clevidence’s poems call up embodied sensations as they arise, with love and anguish, in a specific place. Navigating between senses and the sensed world, in lyric, lushness and density, Clevidence constructs an intricate and playful poetics both experimental and emotive to investigate the interplay between the vivid sensations of the body and the viscerally surrounding world.
in the serotonin corridors of my wilderness in the neural nets are caught in the mackerellight & ozone of my heart in the tense muscle of a crocus olfactory bulb of my acre prime sublingual rib lost in the magnum opus of my heart independent of void most utterly devoid of song tiny hummingbird of my eyes violet quarrel deep in the forests verbage of my heart redundant of crocus redundant of dogwood & redbud as petals fall triumphant so too I am at a loss & will blind the cathedrals of my knowing with the overabundant scripture of my heart will salivate copiously & with abandon in the blue gloaming I mean groaning of my heart in the citadel the sap salty in the flexed limbs the mist dripping off each leaf called to each I call to each I say “leaf” I say “violet” I say “mist” I say “dogtooth violet” I say “how can I possibly bear whatever grief will inevitably come towards me through all the corridors of my life” I say “I will blind the cathedrals of my knowing” I say “I will douse the careless peony” “I will vyy earnestly & with moderate valor” “I will curse fervently & gesticulate also” "I will have numerous & varied loves" “I will try to not drink so much” “I will strain the verb of my being into the dim groaning” “as too I strain my sight there” “I succumb henceforth & wholeheartedly” “eventually I will get up from wherever I have laid myself down” the falcons too must eat in the endless neurobiology of the forest the delicate, the careless lichen of my eyes I swallow the great creek of dusk in me it calls up a surge in me it goes along into the dark it goes along into the dark (1*)
from [I think there is] Petunia, petulance, numbskull, pestilence, foxglove (poisonous) morning-star, happenstance, ring-cycle, little dove, hard winter, ____ [love]
to dwell there, mitigate, fovea, aspirate, solemnly, dormant seed, rend asunder, — hesitate— (20)
[pale me ] barely ] barely ] pale me ] barely ] barely ] just hold there ] steady on th' [lim]b
]inthought ] tho daunt -ed inward] ly shrug'd out [ th' sun
forgot. a pale in me [low swung ]flow swung sweet] ly be ] coo [rage] coo [rupt] {dove or divin {énd}ed leaves, me {sortof sweetly sung}
in heat less loss ] most must utter ] lost—
in moss ] most must own ] th' sun's hill'd rim of breaking ] dawn "over" ] & spill't {it piles up} {it fills it} (up) & {it descends} (49)
[it fill] it fill up my mtn it shun my ardor it sayeth & echo it rhyme lichen w moss it cross th threshold into language & recedes into verb (57)
from Winter give grief its endless pasture
I do not accept this bell in me (86)
from "Girl On Her Knees Discharges a Flower Basket" is yr wild indigo blooming are th photoreceptors in yr eyes ready for what happens next have you taken over th body by force has th chemical expanse washed over u, wrung u out, hung u up to dry in th sun, linen of my eyes, blue quilt, blue washcloth, blue sky, plunge & combat, lie— even th rocks can stand up and answer, why can't you. (134)
from "And Whose Voice, For Th First time, Moved No One" Or "I Can Be Gentle" is that salt—or is it snow— those terrestial crop circles spun by th endless endless combines of my heart, dappled, striated, pierced, crisscrossed, veined, wearily, patiently, painfully, I go. my legs are numb and tingly, th long barrel of my rifle hot, th cattails bruised and battered, th sky bruised and raining, th iris that blooms in th winter of my eyes turns its bruised eye to th ground scattered w buckshot. I will gag th lilies w a gasoline soaked rag, come spring. stack tires around my fig trees in th snow. oscillat- ing wildly between chickadee and bird of prey, between snake and discarded skin, I roam, eagle less, un-nouned, an arch and a bridge between myself and time, an echo and rhyme in th deep baptisms.
I want to call into question th holiness of this forest;
th snack that lives in my throat; th warm air of th wingbeats of yr breath around my face. (144) [...] think of th bacchic rites think of grief think of summer, of every summer, think of grief, think of th best sex you've ever had, think of bodies in pain, think of th sensation of relief, th palliative need, think of grief. think of th act of laying th body into th grave, think of alms, of th act of honoring, receiving honor, kneeling, being bound, think of memory. think of summer, laying th body down, remember digging, think of th body you would turn to, blue shirt, a noise made half in th nose, half in th throat, think of turning over in yr sleep, now a noise made mostly in th mouth and throat, think of bodies sleeping, turning over in their sleep, think of grief. each masterpiece was made piece by piece. think of th sensation of loss, think of th sensation of coming, think of things to hold in yr hands, think of cups, and dirt, think of skin, and eyes, and teeth. bite th blue cloth and think of grief. think of summer. think of th memory of th loss. (149)
from Mercy{Addendum} find one form and then let loose another (171)
Probably closer to three and a half stars. Much of this poetry has a sonorous quality that is vibrant and unique. From a purely aural perspective, interesting things are happening. However, this was marred for me by the highly affected use of typographical symbols, overwrought interjections of “plain” speech contrasting with high register diction, and the baffling use of “th” instead of “the” in the vast majority of cases. This felt like an exercise in a poetry workshop rather than anyone’s authentic voice- it was an interesting experiment, but left me emotionally flat.
Oh shit. This was just right up my alley--queer, experimental text, earthbound spiritual perceptiveness, and set in The Ozarks, my home woods. I'm not sure what else to say. I might start it over right now.
Not for me. There are some beautiful lines but most is disjointed and repetitive and I didn’t feel a connection with much of it. Definitely might’ve been my headspace though so I will need to revisit!