Three and a half stars.
This was somewhat lacking in the quality I anticipated from C. J. Birch, though I'd have to admit that I've only read two of her other books. I wanted to love Between Takes, I really did. I was excited by the premise, and Evie and Simone were both interesting characters. There's no denying that I was rooting for them as a couple, at least until the final chapters.
I felt like there were almost diminishing returns with each chapter. By the end, I was done with the story and ready to move on, even rolling my eyes at Simone's apology. I attribute this to a couple of factors: the writing, and the various characters and subplots that didn't seem completely tied up by the end. I was surprised by the former, since I remembered Birch exceeding my expectations in Just One Taste and The Edge of Yesterday, although my reading tastes have evolved a little in the time since. I did comment on the exposition being a little over the top in The Edge of Yesterday, and there was a similar sort of problem here, though not concerning the worldbuilding. The narration was a little heavy-handed at times, and I thought some of Evie and SImone's thoughts and feelings could have been handled with a subtler touch instead of spelled out. I didn't make keep track of any examples while I was reading, but going back through the story now, I might point to the way the scenes in Chapter 15 end. Simone seems to be almost consciously summing up her suspicions or worries as if the reader couldn't infer them from her thoughts and actions earlier in the scene. Sometimes the exposition seemed, for one reason or another, to draw too much attention to itself, so I was taken out of the story to observe that, well, Evie apparently couldn't find a way to mention that sooner/later.
My second point, about loose ends, felt even stranger considering Birch's other work. I was wondering if this book was rushed through revisions. Some details just seemed pointless, or like they didn't contribute to the story. Why did Evie and Simone need to meet in a club, when it wasn't brought up in conversation until the last page, like an afterthought? Why did Simone need to have Thanksgiving with Estela? What theme did that even speak to? Estela was a relatively constant presence in the story until that dinner, and then she dropped off the map. Why did we need a short scene from Cameron's POV, when the information he gives us has no relevance? Worst of all, at least for me, was: why were certain plot points told in summary rather than scene? (I remember this being a problem I commented on with The Edge of Yesterday as well.) We don't get interaction with Mani to show the devastating implication of having schizophrenia, we hear that secondhand. We don't see Evie's conversation with Leah, we hear that secondhand. We don't get the full picture from Charlotte herself; guess how we're told about it? I didn't understand why this kept happening, other than Birch possibly underestimating the importance of these moments, and needing to stick to a word limit. But if so, surely it would have been better to cut down on details like Estela or the club scene. All in all, the story felt messy and a little random, like it was borrowing from a slice-of-life style instead of a traditional narrative arc.
I don't want to be overly cruel. I mostly enjoyed the read, and it was especially fun near the beginning. There's still plenty to like in Between Takes, and I never came close to calling it DNF. I just couldn't look past the fact that it came across as more amateur-ish than I was expecting from this author. Hoping for better from C. J. Birch books to come!