Robert Penn Warren was an American poet, novelist, and literary critic and was one of the founders of New Criticism. He was also a charter member of the Fellowship of Southern Writers. He founded the literary journal The Southern Review with Cleanth Brooks in 1935. He received the 1947 Pulitzer Prize for the Novel for All the King's Men (1946) and the Pulitzer Prize for Poetry in 1958 and 1979. He is the only person to have won Pulitzer Prizes for both fiction and poetry.
A poem about the life and passion (“for what is man but his passion?”) of John James Audubon. The poem concludes with one of RPW’s best known lines:
“Tell me a story. In this century, and moment, of mania, Tell me a story. Make it a story of great distances, and starlight. The name of the story will be Time, But you must not pronounce its name. Tell me a story of deep delight.”
In his long poem," Audubon: A Vision," Robert Penn Warren locates humans within a larger naturalistic context, and gives evidence to the ruination imposed by the arrow of time. The author seems to identify himself with the poem’s narrator, and explicitly relates to John James Audubon, the poem’s protagonist. Early in the poem, Warren has Audubon contemplating the thin veneer between himself and the world, a thought that that manifests itself in Warren’s and Audubon’s quests for a return to a more natural world. The structure of the poem, conveys a sense of cosmic interminability, and employs lyric and narrative sequences to reflect a debt to naturalistic writers.
Shortly after he was named Poet laureate, I remember Warren that complained to a journalist about an admiral who had the temerity to ask him for a poem that could be read at the christening of a ship. To Warren, such uses of poetry were a corruption of the poet's voice. Unfortunately, "Audubon," despite a few elegant lyrics does not conform to the standard this reader expects from Warren's voice.
Read in conjunction with Eudora Welty's story "A Still Moment," which also features Audubon during an imagined encounter with outlaw James Murrell and evangelist Lorenzo Dow in the Natchez wilderness. Penn Warren's collection was unexpectedly full of violence--violence which I assume the real Audubon must have encountered on his journey. I loved the imagery of nature:
"Saw,/ Eastward and over the cypress swamp, the dawn,/ Redder than meat, break;/ And the large bird,/ Long neck outthrust, wings crooked to scull the air, moved/ In a slow calligraphy, crank, flat, and black against/ The color of God's blood spilt, as though/ Pulled by a string."
The collection of 7 poems was a breeze to read--a modest little book. I don't think I would have appreciated the poems as much were it not for having read "A Still Moment" first.
Warren is a master. This poem is wonderfully vivid. It is useful to know that John Audubon was suspected of being a lost French dauphine - he was not - as the poem begins, 'twas not the lost dauphine.' I have read two of his novels, Night Rider, and All the King's Men. I don't think I've ever read anything more beautifully composed. Breathtaking command of his craft! Read him.
I have always been drown to creative writing like this. The story flows, unimpeded by structure. It allows the reader to more easily construct their own imagery.
Unfortunately This didn't work well for me. I felt that many metaphors were poor.
Robert Penn Warren’s Audubon: A Vision is a haunting, lyrical meditation on nature, mortality, and the human drive to capture fleeting beauty, inspired by the life and work of John James Audubon. Warren’s rich, musical language and philosophical depth give the poem a timeless, almost mythic quality, blending historical reflection with personal introspection. Though its density and complexity may demand patience from the reader, the reward is a powerful, resonant work that lingers in both mind and heart.