This review is mostly to comment on what an audio reader gives or takes away from a book. I definitely got the feeling this book would have been better (probably 4 stars) had I read it myself.
Jill Tanner is consistently irritating in her reading of books for me. Here's a rundown of things she does that irritate the heck out of me and ruin a book (many good ones):
1) Her male voices sound too feminine. That said, she still manages to give them an unfemininely annoying quality. Even though they aren't deep enough to resonate as a man without adding too much of my own imagination, they are dintinctly gruff and nasally. It's disconcerting to add this much of my own "ignore reader" factor to get past it and stay focused on the writer's work itself.
2) Her females sound too old for their ages. A lot of readers have this problem for me. Many times the narrator is an older woman, and older women's voices tend to drop a bit from when they were younger. Many great readers can give their voice a bit higher note without sounding squeaky to get by this problem. It's quite markedly lacking with Tanner when her heroine is supposed to be 20-22 years old, yet sounds 40-50. It's just another quality that takes away from the book.
3) She has little to no voice inflection change to each of the characters, unless she throws on a heavy cockney accent to some of them. In this one, the hero was an American, but he sounded like any other British character in the story. I understood that people in America in the late 1700's may very well have had British accents still, but his character was born and raised in America, and the accent was as heavy as ever. She should have at least toned it down.
4) In this one, Tanner did what is my number 1 pet peeve on narrators, which was she made them all sound fairly cynical and unlikeable in her delivery. The hero sounds perpetually pissed off at everyone and everything with the voice inflections she gives him. Goodman can walk a fine line anyway with how antagonistic she can write her characters, and Tanner made me hate this hero, even when I started realizing toward the end of the middle that the book was getting better. I was having to REALLY edify my listening to get past her rendition of the hero (especially). Neither hero nor heroine were that likeable to begin with through half the book due to her narration. Noah treated the heroine with overwhelming distain for her lying, and Jessa, well . . . lied at every turn to him over and over, which even wore me out! With this type of premise, I felt it was ESSENTIAL that the reader should put a LOT of empathy into the delivery of each character so that I, the listener, could at least try to appreciate where they were coming from and why they were so validated in their positions and reactions. Instead, Tanner made the hero so "gumpy and grouchy," and just plain MEAN to the heroine SO MUCH, that I hated him and didn't feel a scrap of sympathy for his position. It didn't make any sense that I should be that unfeeling for him when the heroine was lying her pants off and deceiving him CONSTANTLY. She was supposed to have very good reasons for doing so, but agian, no empathy injection into the character by the reader, just left me feeling cold.
4) Spots where the H/h were supposed to be having fun (FINALLY -- and this is a REEEALLLY LOOONNNNGGG book) she gave no lightness or fun spark sounds to at all. Just didn't make me believe it.
5) Finally, is it possible to make a villainous sound like a total biddy, to the point where I hated her more than I even should have? She was described as startlingly beautiful and haughty. Instead she just sounded like an "old biddy." It was all wrong. Tanner should have made her sound "beautiful and sly" instead. She was way off the mark for this character.
Audiobooks are ALL ABOUT the reader's acting abilities, because they are not like reading a book yourself. They are like listening to a very long movie. A really talented reader can turn a so-so book into a fantastic experience, and likewise a crummy reader can make a decent book cringe-worthy. Tanner's delivery is just flat out annoying.
I remember when I bought this book thinking I probably should skip it when I saw that Jill Tanner was the reader. I've barely gotten by her renditions of better books than this before, but I tend to like Jo Goodman, and the pickings for historical romances are getting slim for me (I've listened to a lot of audiobooks). Historical romances are my favorites, so I thought I'd give her one more shot. AARRG! Never again. I've had it with this reader, and if I really want to experience any other books I see she's the narrator on . . . I'll just buy the book and read it myself!
3, maybe 3.5 stars for Jo Goodman's writing; 1 star for Jill Tanner's annoyingly consistent delivery!
Note to self: Put Tanner as narrator into the same file as Laurel Merlington -- "Avoid like the Plague!"
K.