What do you think?
Rate this book
ブルーピリオド [Blue Period] #9
Blue Period, Vol. 9
Summer whizzes by like a typhoon, and Yatora has learned that large-scale pieces—in production and concept—only come together with elbow grease and teamwork. TUA opens its gates once more for the second term and Yatora’s back at it… But he hasn’t picked up a brush in months!
200 pages, Kindle Edition
First published January 21, 2021
62 people are currently reading
1049 people want to read
About the author
Tsubasa Yamaguchi
32 books420 followersTsubasa Yamaguchi (山口つばさ, Yamaguchi Tsubasa) is a Japanese mangaka.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 30 of 156 reviews
August 14, 2021
i loved the hard work vs talent conversation in these chapters. is hard work a "talent" or is hard work just hard work? but then, really, what we're talking about is people judging and labeling and not understanding what another person has experienced.
i also really like this arc of yaguchi and figuring out what art means to him. his first year was pretty rough, leaving him feeling depressed about his art, but i think its one step closer to him finding out what his art means to him. maybe he won't even keep doing oil painting and go down the route kuwana made, going into sculpture. i just want him to find his joy.
also several panels made me want to vore my whole entire fists yamaguchi tsubasa is a fucking ARTIST. the lighting. the tension.
i also really like this arc of yaguchi and figuring out what art means to him. his first year was pretty rough, leaving him feeling depressed about his art, but i think its one step closer to him finding out what his art means to him. maybe he won't even keep doing oil painting and go down the route kuwana made, going into sculpture. i just want him to find his joy.
also several panels made me want to vore my whole entire fists yamaguchi tsubasa is a fucking ARTIST. the lighting. the tension.
May 22, 2021
I really feel for Yatora Yaguchi insecurities in his first year of university, this is bound to happen when you enroll in an art university. The lecturers do act extremely tough thinking it will help motivate you, and sometimes it makes one wonder 'why'. In the first year, it comes off very shocking and it leaves a huge dent on your confidence. However, as time passes by, what the lecturers say starts to hurt less and less but you can still feel that broken piece off your confidence.
I don't think you need to be an art student to relate to his struggle and him questioning his goals, interests, and ambition. Many of us go through the same experience in different fields. It was sure nice to see a character go through the same experience I went through. Honestly, now I wonder if every art student in my class felt this way, but they kept it to themselves like I did.
The manga has not disappointed me so far, and I am enjoying reading it a lot. I will be sad for a while when I catch up with all the released chapters. Then, I will have to wait for the monthly release chapter by chapter.
I don't think you need to be an art student to relate to his struggle and him questioning his goals, interests, and ambition. Many of us go through the same experience in different fields. It was sure nice to see a character go through the same experience I went through. Honestly, now I wonder if every art student in my class felt this way, but they kept it to themselves like I did.
The manga has not disappointed me so far, and I am enjoying reading it a lot. I will be sad for a while when I catch up with all the released chapters. Then, I will have to wait for the monthly release chapter by chapter.
May 15, 2022
Aviso: esta reseña contiene spoilers de los 8 primeros tomos de este manga, ya reseñados. Recomendamos esta obra encarecidamente, merece mucho la pena acompañar a Yaguchi en su viaje de autodescubrimiento a través del arte.
Yatora y los integrantes de su equipo se quedan todos los días hasta tarde para terminar el mikoshi, la gran atracción del festival. Pero, entre los retrasos y el sofocante calor, el grupo ha llegado al límite, cuando aparece Murai para ayudar. ¿Podrán completarlo a tiempo para el festival?
En este tomo se nos presenta el desenlace del gran festival de Geidai, en unas páginas llenas de emociones y en las que los personajes se entienden y trabajan en equipo por primera vez, en lugar de competir. Esto marca un antes y un después en sus relaciones, formando lazos de compañerismo que antes no existían.
Al mismo tiempo, este tomo nos muestra un poco más de Yotasuke, un personaje que siempre ha sido misterioso y extraño, con unas ideas muy distintas a las de Yatora. Aquí, comenzamos a descubrir otra faceta de él, muy interesante y que ayudará al crecimiento de Yatora con lo que parece un antes y un después en ambos personajes.
Es muy interesante ver cómo los personajes crecen y evolucionan a lo largo de los tomos. En concreto, el crecimiento de Yatora desde el principio del manga es descomunal, y no para de crecer tanto a nivel artístico como personal. Si bien parece que la vida universitaria a ratos se le queda grande, estoy segura de que será capaz de seguir avanzando.
Irbis.
Yatora y los integrantes de su equipo se quedan todos los días hasta tarde para terminar el mikoshi, la gran atracción del festival. Pero, entre los retrasos y el sofocante calor, el grupo ha llegado al límite, cuando aparece Murai para ayudar. ¿Podrán completarlo a tiempo para el festival?
En este tomo se nos presenta el desenlace del gran festival de Geidai, en unas páginas llenas de emociones y en las que los personajes se entienden y trabajan en equipo por primera vez, en lugar de competir. Esto marca un antes y un después en sus relaciones, formando lazos de compañerismo que antes no existían.
Al mismo tiempo, este tomo nos muestra un poco más de Yotasuke, un personaje que siempre ha sido misterioso y extraño, con unas ideas muy distintas a las de Yatora. Aquí, comenzamos a descubrir otra faceta de él, muy interesante y que ayudará al crecimiento de Yatora con lo que parece un antes y un después en ambos personajes.
Es muy interesante ver cómo los personajes crecen y evolucionan a lo largo de los tomos. En concreto, el crecimiento de Yatora desde el principio del manga es descomunal, y no para de crecer tanto a nivel artístico como personal. Si bien parece que la vida universitaria a ratos se le queda grande, estoy segura de que será capaz de seguir avanzando.
Irbis.
January 7, 2023
I despise Nekoyashiki, and I have finally figured out why. As a trained teacher, her treatment of Yotasuke makes me want to scream - whether he's on the autism spectrum or is anxious (or both), he's clearly neurodivergent and she is acting in a way guaranteed to upset and/or traumatize him. If he quits school or doesn't live up to their expectations, she can just write him off as not as good as she thought he was or unwilling to learn. Believe me, I've seen it from both sides of the classroom.
No, Japan isn't always as good with learning differences or neurodivergent students as it could be. I don't necessarily expect this storyline to play out the way I'd like. But please, at least let Yatora find a way to be some sort of support.
No, Japan isn't always as good with learning differences or neurodivergent students as it could be. I don't necessarily expect this storyline to play out the way I'd like. But please, at least let Yatora find a way to be some sort of support.
March 22, 2022
沒有少女漫畫的學園祭曖昧，純粹就是走學習路線的山車比賽原來上集還沒畫完！（驚）
滿訝異八虎的學校大一沒有教美術史或概論以至於他是從「現代」的風格逆活回去。濕壁畫不才沒有畫過，只有畫過一點點油畫哈，至於馬賽克，上課沒教，想學請自己幫老師打工，但據說工錢嘛（大師會那麼有錢就是因為他很摳嘍）……作為曾經糾結於天分這件事的美術系系友，這集看下來感覺真是滿複雜。（那個不畫畫、整個暑假都在寫網頁css的死宅就是在下。）話說我們班的世界同學（曾被我死黨當學業假想敵）畢業後就出國深造了，我們永遠和這樣的人有落差。
就漫畫看來臺灣跟東京藝大考試方式最像的還是北藝，其他多數學校的路線都類似聯招，不太可能像書上這樣因為學科最高或作品最特別就被錄取，但藝術類科學生所面對那種「天才vs.平庸」的衝擊，無論在哪裡一樣。
把大部分的職業選項都用光之後，現在好像可以淡然回顧生命中所有失敗了。
p.57維拉斯奎茲（委拉斯貴茲）「宮女」
p.58 維拉斯奎茲（委拉斯貴茲）「自畫像」
p.60 維拉斯奎茲（委拉斯貴茲）「三個音樂家」
p.64 梵谷「聖保羅醫院走廊」
p.65 維拉斯奎茲（委拉斯貴茲）「穿藍衣的瑪加麗塔德蕾莎公主」
p.72 米開朗基羅「最後的審判」、維拉斯奎茲（委拉斯貴茲）「胡安·德·帕雷亞畫像」、大衛「跨越阿爾卑斯山聖伯納隘道的拿破崙」
p.73 維拉斯奎茲（委拉斯貴茲）「教皇英諾森十世肖像」
p.99 聖維塔堂的拜占庭鑲嵌畫「狄奧多拉皇后」（查士丁尼大帝的老婆）、米開朗基羅「最後的審判」
p.74 馬奈「抱貓的女人」
p.100 波堤且利「維納斯的誕生」
p.105安傑利科修士「聖母領報」（or天使報喜）
p.106米開朗基羅「創造亞當」
p.107拉斐爾「雅典學院」（右下角）
P.112（這段譯者有譯了四分之一左右，前此不是說畫名日方不給譯？那譯一點點不知是何神奇操作）
加西亞．馬丁尼茲（E. García Martínez）「試觀此人」（拉丁語：Ecce homo；就是那幅2012年被老太太修壞的作品，前此在藝術史上沒有名氣）、龐貝出土的納西瑟斯壁畫、內烏聖瑪利亞修道院半圓形內殿（Apse of Santa Maria, Àneu）的「熾天使」（現藏於加泰隆尼亞國家藝術博物館）
滿訝異八虎的學校大一沒有教美術史或概論以至於他是從「現代」的風格逆活回去。濕壁畫不才沒有畫過，只有畫過一點點油畫哈，至於馬賽克，上課沒教，想學請自己幫老師打工，但據說工錢嘛（大師會那麼有錢就是因為他很摳嘍）……作為曾經糾結於天分這件事的美術系系友，這集看下來感覺真是滿複雜。（那個不畫畫、整個暑假都在寫網頁css的死宅就是在下。）話說我們班的世界同學（曾被我死黨當學業假想敵）畢業後就出國深造了，我們永遠和這樣的人有落差。
就漫畫看來臺灣跟東京藝大考試方式最像的還是北藝，其他多數學校的路線都類似聯招，不太可能像書上這樣因為學科最高或作品最特別就被錄取，但藝術類科學生所面對那種「天才vs.平庸」的衝擊，無論在哪裡一樣。
把大部分的職業選項都用光之後，現在好像可以淡然回顧生命中所有失敗了。
p.57維拉斯奎茲（委拉斯貴茲）「宮女」
p.58 維拉斯奎茲（委拉斯貴茲）「自畫像」
p.60 維拉斯奎茲（委拉斯貴茲）「三個音樂家」
p.64 梵谷「聖保羅醫院走廊」
p.65 維拉斯奎茲（委拉斯貴茲）「穿藍衣的瑪加麗塔德蕾莎公主」
p.72 米開朗基羅「最後的審判」、維拉斯奎茲（委拉斯貴茲）「胡安·德·帕雷亞畫像」、大衛「跨越阿爾卑斯山聖伯納隘道的拿破崙」
p.73 維拉斯奎茲（委拉斯貴茲）「教皇英諾森十世肖像」
p.99 聖維塔堂的拜占庭鑲嵌畫「狄奧多拉皇后」（查士丁尼大帝的老婆）、米開朗基羅「最後的審判」
p.74 馬奈「抱貓的女人」
p.100 波堤且利「維納斯的誕生」
p.105安傑利科修士「聖母領報」（or天使報喜）
p.106米開朗基羅「創造亞當」
p.107拉斐爾「雅典學院」（右下角）
P.112（這段譯者有譯了四分之一左右，前此不是說畫名日方不給譯？那譯一點點不知是何神奇操作）
加西亞．馬丁尼茲（E. García Martínez）「試觀此人」（拉丁語：Ecce homo；就是那幅2012年被老太太修壞的作品，前此在藝術史上沒有名氣）、龐貝出土的納西瑟斯壁畫、內烏聖瑪利亞修道院半圓形內殿（Apse of Santa Maria, Àneu）的「熾天使」（現藏於加泰隆尼亞國家藝術博物館）
August 30, 2021
insanity
August 22, 2022
As the float can’t even get built for it to crumble around them, Yatora and his friends get a last minute reprieve that saves the day. Then Yatora tries to find his muse, but he’s also dealing with Yotasuke and surely those two things aren’t related.
If I was being incredibly generous, I would almost be willing to give that the feeling of aimlessness I’ve felt from this series has been reflective of Yatora’s own struggles at university, but I think that’s coincidence rather than a grand plan, sadly.
I guess it still works in a way, but Yatora’s helpless feeling has dragged on far too long for my liking, though we get some interesting turns this time around. The festival stuff is a lot of fun (there’s a Ryuji appearance that was desperately needed) and, credit where it’s due, the spread that opens up this volume is absolutely gorgeous.
There’s also some art appreciation in the form of a Velasquez exhibit that Yatora doesn’t see the point of, but with the help of some old classmates he gets a new perspective on the notion of art. It’s very effective at showing not only the paintings, but why they’re considered good and important.
This is directly in contrast to a two week fresco and relief combination assignment everybody has to complete that is this volume’s boat anchor. Not only does it mostly focus on the process of making these in talking head lecture style, a huge snore, but we don’t even see many of the finished pieces.
It’s very strange - it feels like something that was supposed to go somewhere and then just got cut off and abandoned. Given the series’ focus on actual art, I have to wonder if they couldn’t find enough pieces to use.
Amidst all that, the dwarf rabbit professor and a rumour in class start to eat away at Yotasuke, who has functioned largely as an ideal for Yatora with how good his work is. But his work is already so good that by focusing on it, he’s not getting much of anything from his education, which his teachers have picked up on.
Yatora seems to half consider Yotasuke a friend, but they definitely have communication issues and Yotasuke is clearly not there to make anything except art. There is a very telling line amongst the professors about how they aren’t expecting all of these artists to do much - they’re looking for the one gem they can spot, one forged by contact with another diamond.
That seems to be the most likely line here, especially since Yatora is taking advice while Yotasuke only knows how to give it. Then again, some of the revelations that he gets tossed this volume are pretty brutal. But it’s interesting that all the friction between them is indeed likely to spur Yatora forward to doing better work.
Despite my misgivings about Nekoyashiki, the bunny teacher, I have to say that she’s used very well in this volume. She’s clear and direct because she has to be and we get a lot of how popular she is and how much of herself she has to put out there to get her art seen.
She has a wild conversation with a female student about art that really conveys where she draws the line for her art, which is basically nowhere. And, yes, idiotic male chauvinism raises its head yet again. While I’m not enamoured of her design, the more they dig into her struggles as an artist and professor the more I like her character.
4 stars - I think on balance we are closer to getting somewhere strong with this series again. I really thought that fresco section was a complete dead zone, but the rest was more what I hope for from a volume of this series.
If I was being incredibly generous, I would almost be willing to give that the feeling of aimlessness I’ve felt from this series has been reflective of Yatora’s own struggles at university, but I think that’s coincidence rather than a grand plan, sadly.
I guess it still works in a way, but Yatora’s helpless feeling has dragged on far too long for my liking, though we get some interesting turns this time around. The festival stuff is a lot of fun (there’s a Ryuji appearance that was desperately needed) and, credit where it’s due, the spread that opens up this volume is absolutely gorgeous.
There’s also some art appreciation in the form of a Velasquez exhibit that Yatora doesn’t see the point of, but with the help of some old classmates he gets a new perspective on the notion of art. It’s very effective at showing not only the paintings, but why they’re considered good and important.
This is directly in contrast to a two week fresco and relief combination assignment everybody has to complete that is this volume’s boat anchor. Not only does it mostly focus on the process of making these in talking head lecture style, a huge snore, but we don’t even see many of the finished pieces.
It’s very strange - it feels like something that was supposed to go somewhere and then just got cut off and abandoned. Given the series’ focus on actual art, I have to wonder if they couldn’t find enough pieces to use.
Amidst all that, the dwarf rabbit professor and a rumour in class start to eat away at Yotasuke, who has functioned largely as an ideal for Yatora with how good his work is. But his work is already so good that by focusing on it, he’s not getting much of anything from his education, which his teachers have picked up on.
Yatora seems to half consider Yotasuke a friend, but they definitely have communication issues and Yotasuke is clearly not there to make anything except art. There is a very telling line amongst the professors about how they aren’t expecting all of these artists to do much - they’re looking for the one gem they can spot, one forged by contact with another diamond.
That seems to be the most likely line here, especially since Yatora is taking advice while Yotasuke only knows how to give it. Then again, some of the revelations that he gets tossed this volume are pretty brutal. But it’s interesting that all the friction between them is indeed likely to spur Yatora forward to doing better work.
Despite my misgivings about Nekoyashiki, the bunny teacher, I have to say that she’s used very well in this volume. She’s clear and direct because she has to be and we get a lot of how popular she is and how much of herself she has to put out there to get her art seen.
She has a wild conversation with a female student about art that really conveys where she draws the line for her art, which is basically nowhere. And, yes, idiotic male chauvinism raises its head yet again. While I’m not enamoured of her design, the more they dig into her struggles as an artist and professor the more I like her character.
4 stars - I think on balance we are closer to getting somewhere strong with this series again. I really thought that fresco section was a complete dead zone, but the rest was more what I hope for from a volume of this series.
December 11, 2024
there’s a layer of academic pompousness getting coated on everything now, which is making it a little harder for me to relate
April 1, 2022
Mi zona de confort.
No tiene nada que ver con el tomo, pero retomar Blue Period me ha hecho pensar en distintos asuntos. Me he sentido triste al principio, porque me ha recordado a verano del año pasado cuando hablaba largas horas con dos amigos sobre arte, y de cómo queríamos ser artistas.
Me gustaba mucho ese ambiente.
Aunque ahora lo haya perdido para siempre, me queda Blue Period, y todo el aura de creatividad y pasión que lo envuelve. Me ayuda a volver a aquél entonces, a volver a sentirlo, y me recuerda quien soy o, como poco, quién quiero ser.
He recordado lo importante que es tener zona de confort: una zona segura a la que volver cuando todo te crea incertidumbre. Un momento para descansar, para replantear ciertas cosas y recordar y reafirmar otras.
Me encanta lo que está haciendo la autora con este manga, sienta precedentes y expone una experiència tan personal y a la vez tan universal como es entregar tu vida al arte, a la creación, o al craft.
Me siento profundamente agradecida por eso.
No tiene nada que ver con el tomo, pero retomar Blue Period me ha hecho pensar en distintos asuntos. Me he sentido triste al principio, porque me ha recordado a verano del año pasado cuando hablaba largas horas con dos amigos sobre arte, y de cómo queríamos ser artistas.
Me gustaba mucho ese ambiente.
Aunque ahora lo haya perdido para siempre, me queda Blue Period, y todo el aura de creatividad y pasión que lo envuelve. Me ayuda a volver a aquél entonces, a volver a sentirlo, y me recuerda quien soy o, como poco, quién quiero ser.
He recordado lo importante que es tener zona de confort: una zona segura a la que volver cuando todo te crea incertidumbre. Un momento para descansar, para replantear ciertas cosas y recordar y reafirmar otras.
Me encanta lo que está haciendo la autora con este manga, sienta precedentes y expone una experiència tan personal y a la vez tan universal como es entregar tu vida al arte, a la creación, o al craft.
Me siento profundamente agradecida por eso.
May 30, 2024
Vol. 4 ★★★☆☆
Vol. 5 ★★★☆☆
Vol. 6 ★★★★☆
Vol. 7 ★★★★☆
Vol. 8 ★☆☆☆☆
Pretty disappointed with the last couple of chapters. I like the concept for this arc but it keeps leaving me wanting for more. It doesn't have a strong focus like the Geidai Exam arc and feels much too scattered. The one part that has captured my attention is the unhealthy fixation Nekoyashiki has with Yotasuke. Props to Yamaguchi for a super accurate depiction of studying in art school: full of run-ins with awful professors who have no idea how to teach and project their problems on you.
Vol. 5 ★★★☆☆
Vol. 6 ★★★★☆
Vol. 7 ★★★★☆
Vol. 8 ★☆☆☆☆
Pretty disappointed with the last couple of chapters. I like the concept for this arc but it keeps leaving me wanting for more. It doesn't have a strong focus like the Geidai Exam arc and feels much too scattered. The one part that has captured my attention is the unhealthy fixation Nekoyashiki has with Yotasuke. Props to Yamaguchi for a super accurate depiction of studying in art school: full of run-ins with awful professors who have no idea how to teach and project their problems on you.
June 15, 2025
Blue period, vol. 9; 4,5⭐
December 12, 2023
Este manga es una maravilla. Los paneles son espectaculares, igual que las obras que aparecen en el. Estoy enganchadisima con la trama de la Gedai, hay personajes tan excéntricos y variados, tanto profes como alumnos. Me encanta que cada uno tiene su propia visión del arte y la creación. Eso sí, el pobre Yatora está perdidisimo jajajaja
March 7, 2023
this was such a sweet read after the emotional heavy books I've been reading lately. my favorite part was the dialogue about hard work vs. talent, and how ppl can get worked up over the usage of either term, but in the end it’s really all the same thing, people just word things differently. and I could really relate to yatora’s thoughts saying that he spent is freshman year of uni being depressed, and forgetting what it felt like to truly like making art and being scared of ppl who were either talented or hard working, and how being scared made him depressed… i just love how this manga explores deep topics in such a beautiful and relatable way...
February 18, 2023
The final project for the first year is here. I feel like Yatora did very little art for being an art student, or rather had little assigned.
The talent and hard work debate was pretty deeply delved into here, and we see a lot of Yotasuke's ennui here, and just how hard he struggled.
He feels trapped by the expectations of his mother and everyone else so he hides.
This is a character story for sure,but it's so well done and the art is beautiful as well. One of the mangas with the best backgrounds for sure!
Check out my YouTube channel for bookish videos and monthly wrap ups!
The talent and hard work debate was pretty deeply delved into here, and we see a lot of Yotasuke's ennui here, and just how hard he struggled.
He feels trapped by the expectations of his mother and everyone else so he hides.
This is a character story for sure,but it's so well done and the art is beautiful as well. One of the mangas with the best backgrounds for sure!
Check out my YouTube channel for bookish videos and monthly wrap ups!
January 21, 2024
tbh i can't really say whether this is well written or not. I've seen reviews criticizing the writing and the story (it was mostly the eighth book not this one) and i was defending the book in my head before realizing when i like something i don't actually think about it critically... but still, this series is by far one of my favourite series i've ever read. its strangely cathartic despite me never experiencing most of the emotions felt by the characters and i will probably support this series until i die
February 16, 2023
I like this series a lot, particularly the style direction and the character moments, but all that can get a bit bogged down when 20+ page platitudes on the nature of art interrupt the flow of the story. Sometimes the majority of a chapter will just be Yatora thinking in circles about how 'sometimes art that is good is actually good'.
All that said, I'm excited to hear more about Yota's backstory.
All that said, I'm excited to hear more about Yota's backstory.
September 26, 2024
I really love the emotions that this manga makes me feel. It’s just…I don’t know how to even put it into words. It perfectly encapsulates how it feels to make someone that other people consume. The struggle of how you feel making it. These are hard, thorny, messy feelings and seeing Yaguchi struggle with them is so cathartic.
December 22, 2024
Amo amo amo como todo lo que va viviendo Yatora le hace evolucionar, es decir, como se fija en pequeños comentarios, momentos o detalles y eso le hace reflexionar. amo a este personaje y seguir su evolución siempre es una gozada, pero verle disfrutar trabajando en equipo me ha parecido un paso muy importante. El arte puede ser un proceso muy individual pero aquí se demuestra como el interambiar ideas y estar en un grupo puede motivarte y cambiarte. Me encanta
January 22, 2023
"Art is something that was created by people, for people. I find that endlessly and utterly lovely."Yatora is obsessed with Yotasuke; glutton for punishment or does he recognizes someone in need of a friend?
December 26, 2021
i forgot to count this lmao
April 26, 2022
kinemi miki is a golden retriever (true)
May 30, 2022
Me está encantando el arco del primer curso de la universidad. Yaguchi a veces parece ser un poco cargante con su inseguridad y sus dudas, pero precisamente estas son las que usa el autor para impulsar hacia adelante. Y hace mucha ilusión ver a Velázquez desde el punto de vista de los personajes. Necesito fics de Yaguchi con Kinemi, Yaguchi con Yotasuke, Yaguchi con Murai... xDDDDDDD
November 4, 2022
aaaand i was dragged for filth again. 🥲
August 20, 2023
"sztuka to coś tworzonego przez ludzi dla ludzi. właśnie to sprawia,że jest mi tak droga" I felt that personal
November 23, 2024
oh yotasuke :(
December 25, 2024
Miy bueno
September 22, 2022
Blue Period lo siento tan personal, las temática de esfuerzo, trabajo duro, envidia sana, superación, compañerismo han estado tan presentes en mi vida que siento cada viñeta
August 23, 2023
Después de muchos problemas el grupo de Yaguchi logran terminar su Mikoshi.
Los estudiantes aprenden nuevas técnicas que los ayudarán a mejorar en su camino de pintores, honestamente el hecho de que estemos por acabar su primer año me sorprendió , se me fue muy rápido.
La relación de Yotasuke y Yatora siempre pende de un hilo por los malentendidos que tienen entre ellos
Los estudiantes aprenden nuevas técnicas que los ayudarán a mejorar en su camino de pintores, honestamente el hecho de que estemos por acabar su primer año me sorprendió , se me fue muy rápido.
La relación de Yotasuke y Yatora siempre pende de un hilo por los malentendidos que tienen entre ellos
February 24, 2022
Un bel volume, si è ripreso parecchio dal precedente! Mi ha ricordato i volumi iniziali, pregni di riflessioni sul senso dell’arte e degli artisti. Peccato che spesso è molto farraginoso.
September 26, 2021
Once again, the angst of this manga is really something else. This series will probably always continuously tug on the readers' heart strings and will always make them THINK about what the characters are going through or are talking about. For me, that has been the strength of this series and will probably always be what the series will be like.
Displaying 1 - 30 of 156 reviews