“I am double agent only! Triple agent much too complicated!”
Words to live by. Words to die by.
(Spoilers to follow)
Quinlan Vos has betrayed the Republic. Or has he? The Jedi council wants him in deep cover on the enemy side, and to accomplish this he must convincingly defect. After everything he has been through in the previous comics, his brooding nature and the ease with which he lets anger unbalance him, it’s not difficult to believe he would switch sides. He’s been vocal about his distaste for the Republic’s actions before. Now I wonder how much of that was genuine and how much he said just to sell his role as a traitor. Maybe it was always true to how he felt, but speaking it out loud was part of the act? Regardless, he’s now viewed as a traitor by the Republic at large, even by the Jedi Council at large, only a select few people know of his mission to infiltrate Count Dooku’s inner circle as a spy.
There are two major storylines in this collection, both written by John Ostrander and illustrated by Jan Duursema, and this duo works seamlessly in crafting a tale better than any I’ve read in these comics so far. The first of these stories follows Quinlan Vos’ old master Tholme, former apprentice Aayla Secura and An’ya Kuro, a Jedi who abandoned her very name in pursuing complete detachment, known by others as “The Dark Woman”, whose former apprentice, Aurra Sing, is now a deranged gun for hire and enthusiastic Jedi killer, as they infiltrate the high society of a world suspected to harbour Separatist-aligned raiders.
Aayla Secura plays the role of the ditzy, spoiler rich girl naturally and resents herself for the ease with which she falls into playing type. To contrast with the image of the sexpot Twilek, Aayla becomes the focus in the battle against Aurra Sing the Jedi-killing maniac, whom she doesn’t just counter in battle but also with compassion, a profundity of understanding another’s suffering. Compassionate and balanced mentally, remembering lessons learned and applying those lessons in practice, Aayla is her foe’s superior in every way. Aayla has grown much from when she first appeared.
Beyond the action and intrigue present in the story, there is the exploration of the wisdom and philosophy inherent to the Jedi and their way of life. There are precepts that they follow, but within these precepts there is much leeway for individual interpretation, and differences in opinion need not lead a Jedi to the Dark Side at all. Other dangers may be found instead. “The Dark Woman” found one such danger in her pursuit of detachment.
Jedi are not supposed to form attachments, for this may lead to fearing the loss of that which has been attached to, and fear leads to anger, anger leads to… you know the drill. Anakin Skywalker’s downfall was the result of attachments to his mother and to Padme. Quinlan Vos himself has built and attachment to a young woman called Khaleen, a thief of some persuasion, a part of his spy network, clearly a lover. The Dark Woman so feared attachment that she abandoned her own padawan to slavers rather than seeking her rescue, thus leading to Aurra Sing becoming the villain she is now.
Master Tholme disagrees with The Dark Woman’s views, not in principle but in a more nuanced way. To do away with attachment is one thing, but to do without connections is another, and the Jedi, he argues, need connections with others. While the two of them speak of these things, Aayla is engaged in her battle against Aurra Sing, and showcases what connections can be, connections both to her teachers and the enemy. A powerful demonstration of the theory in practice.
After this plotline, the book moves focus to Quinlan Vos and Count Dooku. So far, the comics have left the Count mostly a background character, appearing on hologram, manipulating behind the scenes. Here he takes centre stage, and his presence is powerful in more than just the Force: he can be charming, he can be reasonable, he can be clever, he can be frightfully cruel, he has a sense of humour, he is always a few steps ahead of everyone else. Christopher Lee got to play this character in two movies, yet he hardly had the kind of screentime he’d deserve. Here, the comics do what they’re meant to do: expand, elaborate and explore.
There is another world, Tibrin, which hated the Republic and now embraces Count Dooku as a liberator. Vos argues that the leader of this world is hated by its populace and to leave him in power would be to show the Separatist Confederacy is no different from the Republic, and agreeing with his line of reasoning, Dooku kills the poor fool. Seeing crowds cheer for who the reader (and movie-goer) will know to be a ruthless villain once again emphasizes how complex the politics of the Galaxy can be. Dooku may be the villain who cut off Anakin Skywalker’s hand to us, but to the people of Tibrin, he is a hero.
Dooku’s conversations with Vos are delightful. They are both trying to convince one another of something in every interaction they have: Vos trying to gain Dooku’s confidence, to show that he really has abandoned the Republic, and he does make a compelling case many times, while Dooku is trying to prod Vos along the path to the Dark Side, and his arguments are no worse, though the reader (and movie-goer) has a natural aversion to this “corruption”. And when Dooku acts, he shows what a formidable figure he can be in battle. Untouchable. There is even a point of common ground the two have outside of politics, as Dooku had trained Qui-Gon Jin, a Jedi master Vos clearly respects and whose maverick actions he seeks to emulate here (perhaps we should all ask ourselves “What Would Qui-Gon Jin Do?” from time to time), and Dooku can’t help but respect that.
While seeking to establish a base on Vos’ old homeworld, Dooku takes Vos with him. The negotiations fail, leading to violence, and Vos being pushed out of his undercover role far too soon. Even this breaking of cover is part of Dooku’s plan, though. Of course he would know everything all along, how could he not? He has been involved with more elaborate plans for much longer, he even guesses Tholme to have been behind the plan. All the intrigue is an open book to him.
This leads to the most pivotal moment in the book. Dooku, as all truly great villains always do, leads Vos into temptation without a single lie, damns him by offering him nothing more than justice and truth. It had been set up before how Vos’ parents died and how this impacted his character, but the truth behind it was darker than he guessed, and when confronted with that full truth, he is filled with an anger any person would consider righteous, regardless of whether or not the Jedi allow anyone to take revenge for injustices done to them.
Long have these seeds been in the ground, and now they sprout. Quinlan Vos slays his aunt in fury as Dooku prods him to, apparently falling to the Dark Side in truth. He himself would disagree, but it is undeniable that avenging the death of his parents in such murderous fury is no different from what Anakin Skywalker did upon discovering the death of his mother. Such murder is a step down a path no Jedi wishes to travel on, and there are other murders waiting down the line, as Dooku wishes to employ his services as an assassin against a prominent member of the Republic’s Senate.
And who is this target Dooku wants Vos to kill? Supreme Chancellor Palpatine! Or so the reader is led to believe for a moment. Plots within plots within plots. What’s important is that an influential politician is killed by Quinlan Vos, and that the Jedi council knows he was responsible, casting doubt even among those who knew of his infiltration whether he truly has turned traitor after all, as a Jedi should not commit such murders even for the sake of keeping cover. Vos himself believing he has not fallen rings a little hollow, a guilty conscience trying to placate itself.
Aayla Secura and Quinlan Vos seem headed in opposite directions here, one succumbing further and further into darkness while the other is rising further and further to the occasion and becoming everything a Jedi should be. The collection is thus well named Light and Dark.