While the visceral aspect of being buried alive or being trapped in enclosed spaces isn’t my trigger, I did end up really liking INTO THE SUBLIME. It took me a minute to really start to appreciate the storytelling happening here, but once I settled in, and once everything came full circle in the end, I really ended up liking it.
So, yeah. If you’re at all triggered by claustrophobia or being buried alive, this is probably not the book for you because about 90% of it takes place in an underground network of caves. This is not my particular brand of scary horror, and I think a lot of the book hinges on that from the reader perspective, so it fell short for me there. Honestly, until I really started getting into the story, it’s what held the story at a distance for me, because so much of the storytelling relied on these elements being viscerally impactful for the reader.
But once the storytelling got deeper and stopped focusing on those elements and more on the character elements and digging out the unreliable-ness of Amelie and the other characters, I started getting more and more into it and started getting invested in what’s going on. So the book starts off as more of a classic horror story, then slides into psychological horror before slipping back out into the maybe zone of more classic horror. Is it or isn’t it? The end of the story isn’t really clear and I actually really like that unknown here. It works because I’m still satisfied by the ending overall. I don’t need those little elements confirmed for me, and not confirming them only heightens the horror, IMO. Add in the hallucinations (but are they hallucinations?) and it amps up the horror all the more.
Amelie is a complicated character and I think going into it you know that you’re getting a very affected picture of her story that gets picked apart as the plot unfolds. You just don’t how affected it is until the end. Boorman does a great job of spinning heads around in this book and making you question everything, because so many different scenarios can make sense, and do. Which one is right? All of them? None of them?
I’m a fan of psychological horror and I really liked this blend of it in INTO THE SUBLIME. It plays with your head and your senses as you descend into this cave with these characters, as blind as they are. Only as you keep moving through it does reality start peeking in. Sort of. Who’s version of reality is real? This is a fun one, in a messed up sort of way.
4
I received a copy of this book from the publisher through NetGalley in exchange for an honest review.