In simple terms, Daniel Silva's brilliance as mystery author shines with this 22nd episode in the Gabriel Allon series as does his knowledge of the intricacies of art, forgery and associated schemes. Instead of violence, blood and hatred seen with most crime mysteries, Silva inserts a combination of collaboration, wit and acerbic humor along with an unusual brand of suspense. Unfamiliar with the Gabriel Allon character, I found him likeable, unique and captivating much as I did the story.
Its not everyday we meet the former head of the Israeli Intelligence turned detective and art restoration expert. He's highly educated, trained in Israeli martial arts, military tactics, 'spying' technologies and other areas too numerous to mention. Husband to Chiara and father of twins, accomplished sailor, artist and unlike any other detective in publishing. When teamed with Sarah, a former CIA asset and long time friend, they make a formidable team with 'cat and mouse' chases.
When Julian Isherwood, an eccentric British art dealer requests Allon to investigate the circumstances surrounding the resurfacing of a painting titled "Portrait of an Unknown Woman" by Van Dyck, the 'accidental' death of the purchaser triggers a domino effect leading Allon into an labyrinth of a multi-billion dollar art forgery. Sensing the depth of the scheme, Allon brings Sarah into the fold to assist.
As the plot unfolds, we learn of Philip Somerset, a former hedge fund trader turned 'art dealer' who leverages forged paintings by the 'masters' to procure multi-million dollar loans to build a global empire called Masterpiece Art Ventures whose clients are among the most affluent collectors in the world. As the investigation deepens, we learn Magdalena Navarro, a beautiful artist and former coke dealer has formed a devious partnership with Philip in the form of mistress/con woman among other things.
As Allon takes all this in, he realizes the only way to 'trap the mouse' is development of a scheme that mimics Somerset's. Calling in favors, he 'negotiates' with Italian and French law enforcement, Don Orsati, a Corsican mob boss, intelligence experts and others. As the plan unfolds, the reader is party to Allon's brilliance as investigator, art forger and schemer.
With each chapter, the reader is immersed into Somerset's Ponzi scheme which bears similarity to Bernie Madoff. Philip replaces hedge funds with forgeries, deceit and arrogance. Allon's brilliance shines as baits the trap and captures the 'mouse' who will lead the formidable team to the Wizard of Ponzi. A film buff, I flashed on the 'greed is good' quote from "Wall Street" when Somerset realizes he's toast.
As the plot moves toward the finish line, momentum explodes when a Vanity Fair expose on Philip's empire hits the street. As he flees, Silva shows expertise with page turner momentum then adds unexpected twists at the end. Engaging, evocative and packed with surprise, its a story you won't want to miss.
This being the first book by this author, the coupling of art forgery, acerbic humor, suspense and pacing was an unexpected delight. So much so, I plan to read both earlier and later episodes in the Allon series. Highly recommended for mystery fans, art lovers or those who enjoy unusual detective stories.