*mild spoilers for individual scenes, no plot points are spoiled.*
Nikolai and Medea relationship/dynamic enjoyers, this book is for you. I absolutely adored them in this book. Nikolai basically pours his heart out in this book and Medea’s understanding of him becomes much more well rounded. We have yet to truly get a Medea backstory but its coming and Nikolai is beginning to figure her out.
‘“What did you do?”
“Summoned a few loaves of bread into his naval passage and trachea.”
Ok now that was the sexiest thing he’d ever heard.’
There is one scene in which Nikolai practices his telepathy by guiding would-be rapists out of the dungeon Medea holds them in and making them jump off a cliff. Then because they don’t want the bodies to smell up their island, he and Medea chop the corpse up with their minds and Nikolai practices telekinesis by chucking the body parts through hoops positioned over the open ocean. They watch the fish eat the chunks of flesh while they eat sandwiches. It’s a hilariously fucked up scene but also shows that the two of them are actually pretty compatible and Nikolai’s contentment is surprising and sweet.
‘It was taking all his focus to hide them from the prisoner, or Expendable Subject Three, as Medea called him.’
Although Nikolai being a complete and utter idiot by jumping to the most self absorbed conclusions possible is amusing in the first book, I’m glad the author didn’t drag it out and here he has at least some humility and rationality. There are several scenes in which he internally accuses Medea of setting him up to fail because she hates him and is intimidated by his prowess and she’ll beg him for power one day… before he chastises himself because that very vein of thinking spectacularly blew up in his face on multiple occasions in the last book. It’s actually a bit sweet that he’s coming to trust her and her intentions- at least as much as he’s able- and he’s trying very hard to earn her trust (and trying to sleep with her, which fails completely every time).
‘“Each piece wound around her foot, criss-crossing and finally flattening under her sole to create a makeshift sandal.
“Handy.”
“Footy,” she mumbled.’
Because Nikolai is less of a miserable conniving wet paper towel, he and Medea start to have borderline friendly conversations that rise above the complexity of Medea talking down to Nikolai for being an asshole. It’s not a buddy cop dynamic, but they are working together towards a mutual unknown rather than Nikolai fighting strawman and Medea struggling to teach him, and some of their interactions are incredibly funny, especially when there are other characters in the scenes with them. Nikolai’s talents really shine in this book and between his natural charm and his frightening grasp on telepathy, he’s able to make up for the social graces Medea doesn’t have.
‘“What the hell was that?”
“Language, my dear woman. We’re in public.”
“Oh, I’m sorry. What the fuck was that?”’
The plot also picks up in this book and more characters and returning POVs are added (although the focus stays on Nikolai and Medea). The first book is character driven and so is this one, but the mystery of why magic is disappearing is more of the main conflict. Witch Hunters don’t pose a problem to Medea and barely any to Nikolai, but the introduction of other characters really puts the insane scale of our main character’s abilities into perspective. Nikolai seemed like a helpless little shit compared to Media in the first book, but he’s actually pretty impressive by the standards of anyone other than a literal god.
‘She could blast this place wide open, remove the patients, and nuke the staff into oblivion, but for subtlety, she needed him. It was a power imbalance of her own making that he was enjoying quite immensely.’
Nikolai in the general public is a flirtatious kleptomaniac and Medea spent every minute of social interaction pissed off and wanting to be anywhere else. Medea sticks out like a sore thumb and Nikolai runs in circles trying to cover for his crazy little sister. It makes them realize that together, they make a good team because they cover for each other’s weaknesses.
‘“You’re terrible at healing!”
“One day I’m going to die under all the unsolicited praise you heap upon me.”’
I’m trying not to mention the other plotline too much because it’s a spoiler, but this book is a lot darker than its predecessor, dealing with 1950s American racism, mental health, sexism, and the general non-tolerant society, and it doesn’t shy away from it. Those who perpetuate hate are not just the evil bad guys, but some of the main characters themselves. I appreciated this plotline because it developed the narrative outside of our uncaring main characters (well, Medea sorta cares, but it's complicated).
This review is way too long and I basically just wrote it for myself because I love these books so so much; I read both back to back in 4 days and they just keep getting better. I’ve already forced a few friends to read them too. I haven’t seen any mention of a third, but with the way Dark Mind ended I can’t imagine there won't be. Eagerly awaiting!