When I saw a digital ARC for Hex You, the final book in the Sisters of Salem trilogy, available for review on Edelweiss, I jumped at the chance to request it. Granted, I hadn’t read the first two books in the series, but I was interested to see what was new from the mother-daughter team that brought us House of Night a decade earlier. To catch up, I powered through the first two books in the series, Spells Trouble and Omens Bite, on audiobook—and unfortunately, when I say “powered through,” I don’t mean “listened in eager anticipation.” More like, “Gotta keep going because I agreed to write a review, and these books are actually kind of boring!”
But enough about me. What is the Sisters of Salem series about? It’s a trilogy that centers on the efforts of Hunter and Mercy Goode (pronounced Goody), who are twin witch sisters assigned as guardians to their town’s secret magical gates. These gates, which look like trees, prevent dangerous magic creatures from wreaking havoc on the unsuspecting, mostly non-magical populace of Goodeville. Although Hunter and Mercy start out the series as very close, they’ve had a falling out by the end of Book 1. By the end of Book 2, the twins have learned their lessons, but now circumstances conspire to keep the sisters separated forever!
That leads us to Book 3, the aptly named Hex You. I made it 15% of the way in, which was just enough to learn the resolution of Book 2’s climax. Satisfied, I set the book aside for good and decided to write this incredibly verbose essay explaining why the Casts’ latest series, Sisters of Salem, just does not do it for me. First, let’s look at two of the three most important areas of good storytelling: world-building and characters. Here, the series gets high scores for interesting, well-rounded characters and detailed descriptions of the sisters’ magic rituals. In the case of plot, however, it could have been so much better.
I liked the fact that the sisters split up and then have to fight their way back to each other, all the while trying to solve the mystery of a creepy monster who’s going around town eating people’s eyeballs. However, the authors also decided to cover the POV of the evil eyeball-eating monster, maybe to make him more sympathetic as a character? However, I found his POV chapters really boring, especially after he takes over the body of the local police chief and then spends a few POV chapters internally commenting on boring aspects of adult humans. Is it really necessary to know what the bad guys are up to?
So anyway, who would be interested in this series? If you liked the second half of the House of Night series, which mirrors this series in both its highs (Sister power! Magic spells!) and lows (multiple boring 3rd-person POV), you might find this series of interest.
Recommended for Gr 10 Up for language, eyeball-eating violence, and some unexpectedly mature romantic content.