Finding fiction that is written about one’s hometown is always a bit of a gamble. If the narrative does not follow one’s own lived experience, the reader is likely to cry foul and declare the tale a creative misdemeanor. Thankfully, Beth Ryan’s IF WE CAUGHT FIRE does not suffer from this problem, mostly because Ryan’s skill as a writer is up to the task, but also because Ryan knows the city of St. John’s, Newfoundland, as intimately as a lover.
IF WE CAUGHT FIRE is, as other reviewers have said, a ‘slow burn’, but what a burn it is. From main character Edie’s unassuming origins as a plump child in a thin world that yearns to remake her, to her fully felt, hard-won adulthood, she shines. Always a little out of step with the current lifestyle trends, she is firmly an individual, a woman who might not know exactly what she wants but who gets there in the end.
Supporting characters are complex and multifaceted, most notably Max, Edie’s young half-brother, who sees the world with a sagacity and prescience quite beyond his years. The older adults in Edie’s life – her feckless father, Mike, and his new wife Trina (mother of the unwanted pseudo-sister Melissa, she of the irritating giggle and frequently tossed tresses) figure largely, but it’s Edie’s mother who arguably leaves the strongest impression. Finally Harlow, the Loki-like trickster figure who becomes Edie’s somewhat significant other, is devastatingly portrayed.
Despite a conclusion that appears with an unexpected abruptness, IF WE CAUGHT FIRE is a skilled and beautiful portrayal of characters who are so very like the people we might know. And, like these familiar denizens of our own lives, they continue to haunt the mind of the reader, long after the final page is turned.