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Biblical: Rob Halford's Heavy Metal Scriptures
The Metal God, himself, Rob Halford—lead vocalist of Judas Priest and author of the critically acclaimed and reader-beloved autobiography, Confess—delivers yet again, now with the bible of hard rock and heavy metal, all in his enlightening, hilarious, and one-of-a-kind voice.
Rob Halford has long been known for his legendary voice. As the front man of Judas Priest, his vocals have been tremendous, and tremendously influential. In 2020, he brought his voice to the page with a glorious autobiography. Fans and readers loved Halford’s frank and open narrative, as well as his terrific insight and sense of humor. In an ideal follow-up, Halford runs his lively eye over all facets of the hard rock history and the heavy metal world. Biblical is an encyclopedia and manifesto in which Halford shares his opinions, memories, and anecdotes regarding every element of the rock and roll work and lifestyle from tours to tattoos, riffs to riders, and drugs to devil horns. In Halford’s relaxed and honest tone, the book mixes serious and in-depth pieces with whimsical reflections on lessons learned during his fifty years of a life in music. Biblical is a handed-down-from-on-high holy tome that transports fans behind the scenes and back into their record collections, to the almighty ways of rock.
Rob Halford has long been known for his legendary voice. As the front man of Judas Priest, his vocals have been tremendous, and tremendously influential. In 2020, he brought his voice to the page with a glorious autobiography. Fans and readers loved Halford’s frank and open narrative, as well as his terrific insight and sense of humor. In an ideal follow-up, Halford runs his lively eye over all facets of the hard rock history and the heavy metal world. Biblical is an encyclopedia and manifesto in which Halford shares his opinions, memories, and anecdotes regarding every element of the rock and roll work and lifestyle from tours to tattoos, riffs to riders, and drugs to devil horns. In Halford’s relaxed and honest tone, the book mixes serious and in-depth pieces with whimsical reflections on lessons learned during his fifty years of a life in music. Biblical is a handed-down-from-on-high holy tome that transports fans behind the scenes and back into their record collections, to the almighty ways of rock.
376 pages, Kindle Edition
Published November 1, 2022
About the author
Rob Halford
16 books87 followersRob Halford is a British musician, songwriter and an author. He is best known as the lead vocalist of the Grammy Award-winning heavy metal band Judas Priest. He is famous for his powerful wide-ranging voice and his trademark leather-and-studs image.
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Displaying 1 - 30 of 74 reviews
July 31, 2022
When I was growing up, it seemed like if you were into the NWOBHM, you were either more into Maiden or more into Priest. I confess I was more a huge Maiden fanatic. But damn...every time "You've Got Another Thing Coming" started playing on the radio or MTV, everyone was an acolyte of the Priest! Another confession: Halford always seemed so intimidating and unknowable to me. It was a surprise to me when reading this book, I found that Halford is, in fact, quite funny, humble, and insightful. (And he loves cats!) 😻 I truly enjoyed every word of this.
This book is about Rob's experiences with Judas Priest and everything that goes along with the music business and fame. It has everything: how the band struggled to survive and become successful, to all the ins and outs of touring, merch sales, recording, songwriting, temptations of alcohol/drugs/sex, and how much Rob hates Spotify. And it's notable that he doesn't gossip or slag off on anyone. He's respectful, and that is refreshing.
Throughout the book, Rob offers up his reflections on everything he has learned and experienced in the 50 (FIFTY!) years Priest has been around. I was unaware he had prostate cancer recently, and his musings about the eventual end of the band and his life made my heart ache. You always hope that the people you admire are good. I was pleased to find that Halford (despite scaring me a bit in my teen years) IS a good guy. He's up front about his shortcomings, his addictions, his mistakes. His down to earth talk made me feel like I had sat down across from him and had a long listen over a cup of tea. I learned a lot about Priest, Halford, and the music business, all told in his charming Black Country way. The closing chapter made me tear up. He speaks wisdom gained through his own blood, sweat, and yes, tears, because his life has not been all posh and pretty.
I highly recommend this book to all Metal and rock fans. Hell, I recommend it to everyone, even to those who still subscribe to the Tipper Gore way of thinking because this is a very human guy talking about his work and art and the incredible amounts of work you just do to become successful. I'll be watching when Judas Priest is inducted into the Rock and Roll Hall of Fame this fall. Well deserved and long overdue!
Mr. Halford, thank you for the decades of music and memories, and thank you for this wonderful read. I hope there will be more to come from you, both in print and in music.
Thanks to NetGalley and the publisher for the eARC.
This book is about Rob's experiences with Judas Priest and everything that goes along with the music business and fame. It has everything: how the band struggled to survive and become successful, to all the ins and outs of touring, merch sales, recording, songwriting, temptations of alcohol/drugs/sex, and how much Rob hates Spotify. And it's notable that he doesn't gossip or slag off on anyone. He's respectful, and that is refreshing.
Throughout the book, Rob offers up his reflections on everything he has learned and experienced in the 50 (FIFTY!) years Priest has been around. I was unaware he had prostate cancer recently, and his musings about the eventual end of the band and his life made my heart ache. You always hope that the people you admire are good. I was pleased to find that Halford (despite scaring me a bit in my teen years) IS a good guy. He's up front about his shortcomings, his addictions, his mistakes. His down to earth talk made me feel like I had sat down across from him and had a long listen over a cup of tea. I learned a lot about Priest, Halford, and the music business, all told in his charming Black Country way. The closing chapter made me tear up. He speaks wisdom gained through his own blood, sweat, and yes, tears, because his life has not been all posh and pretty.
I highly recommend this book to all Metal and rock fans. Hell, I recommend it to everyone, even to those who still subscribe to the Tipper Gore way of thinking because this is a very human guy talking about his work and art and the incredible amounts of work you just do to become successful. I'll be watching when Judas Priest is inducted into the Rock and Roll Hall of Fame this fall. Well deserved and long overdue!
Mr. Halford, thank you for the decades of music and memories, and thank you for this wonderful read. I hope there will be more to come from you, both in print and in music.
Thanks to NetGalley and the publisher for the eARC.
December 27, 2022
Perfection. One of the best nonfiction books about rock n' roll I've ever read -- ten times better than his first one (which I did enjoy thoroughly).
July 29, 2022
Biblical: Rob Halford's Heavy Metal Scriptures, by (you guessed it) Rob Halford, is a fun mix of memoir, advice, and commentary.
I admit to being an early fan of Judas Priest, so I am predisposed to liking this book. I think the first time I saw them was on a Foghat tour in 1978 or so. In other words, they were a part of the long and varied soundtrack of my life.
If you've read Halford's autobiography there is certainly a little overlap, but this is a completely different type of work, so well worth your time. Halford doesn't take himself so seriously that he becomes annoying, which makes the format of this book that much more fun.
There really is some advice in here for aspiring musicians, though admittedly I think of it as more of a heavy metal history (not "the" history but "a" history) with anecdotes and quite a bit of insightful reflection.
Certainly a must read for Priest and heavy metal fans but also for those interested in the history of music in general. While definitely about a specific genre of music, the parts about life on the road largely speak across genres.
Reviewed from a copy made available by the publisher via NetGalley.
I admit to being an early fan of Judas Priest, so I am predisposed to liking this book. I think the first time I saw them was on a Foghat tour in 1978 or so. In other words, they were a part of the long and varied soundtrack of my life.
If you've read Halford's autobiography there is certainly a little overlap, but this is a completely different type of work, so well worth your time. Halford doesn't take himself so seriously that he becomes annoying, which makes the format of this book that much more fun.
There really is some advice in here for aspiring musicians, though admittedly I think of it as more of a heavy metal history (not "the" history but "a" history) with anecdotes and quite a bit of insightful reflection.
Certainly a must read for Priest and heavy metal fans but also for those interested in the history of music in general. While definitely about a specific genre of music, the parts about life on the road largely speak across genres.
Reviewed from a copy made available by the publisher via NetGalley.
September 13, 2025
I recently read Confess and enjoyed it. It’s one of the better rock biographies I’ve read. I decided why not read this one. It’s like a detailed look at aspects of his experience in the metal world on select topics…Guitar players, set lists, album covers, etc. Its a great companion to Confess. I actually like it better than Confess in a way. Great read. Horns Up!!! >;)~
November 7, 2022
This book was mildly entertaining, but if you've read Confess, unless you absolutely love Judas Priest or Rob Halford, there's not much reason to pick this one up. It's separated into distinct categories like "Lawyers" and "managers" and "drummers" and "playing shows" and are some random musings on each subject by Halford. I didn't dislike it, but I also didn't consider it time particularly well spent.
November 19, 2022
It seems writing one book isn't enough these days. Just look at David Jason, you know it's getting near Christmas as he has another one, on the shelves, and I'm left wondering just how many books someone can write about themselves, I mean they must be scraping the bottom of the barrel for stories at some point.
Then of course when it's someone you love all that goes out of the window and you're happy to lap up absolutely anything they say. I thought Halford's autobiography 'Confess' was a perfect mix of his personal life and life in Judas Priest but there's always that one person, who writes a review, and says "but I wanted to know more about the music industry" well if you're that person then this is the book for you. This really does cover everything from management, touring, Robs thought on things like Spotify (which he unashamedly hates, good for you Rob) and his thoughts on other band members. Rob says he enjoys a good natter and that's what this books feels like, having a really nice and funny guy tell you about themselves and if you love Rob and Priest then it goes without saying you'll enjoy it.
So go on Rob, give us another book in time for next Christmas, everyone else does.
Then of course when it's someone you love all that goes out of the window and you're happy to lap up absolutely anything they say. I thought Halford's autobiography 'Confess' was a perfect mix of his personal life and life in Judas Priest but there's always that one person, who writes a review, and says "but I wanted to know more about the music industry" well if you're that person then this is the book for you. This really does cover everything from management, touring, Robs thought on things like Spotify (which he unashamedly hates, good for you Rob) and his thoughts on other band members. Rob says he enjoys a good natter and that's what this books feels like, having a really nice and funny guy tell you about themselves and if you love Rob and Priest then it goes without saying you'll enjoy it.
So go on Rob, give us another book in time for next Christmas, everyone else does.
December 31, 2024
So much fun reading this book🤟🔥!!
November 24, 2023
When I was in elementary school my dad and I would listen to music on the way to and from school every single day. We would play a plethora of different artists, and that meant I was naturally locked in to many of the things my dad enjoyed. Thankfully, he and I have always shared a kinship with music and he has constantly inspired me and supported me with not only my musical tastes, but also any of my musical pursuits. Granted, I’ll never get into a realm of being a professional musician or anything like that, but it’s something that he and I have always shared. As opposed to the common story of kids getting into heavy music for the simple fact of subverting expectations of their parents and its inherent rebellious nature, it was the opposite for my dad and I, and something that I will always be thankful for. One of the many artists we would listen to consistently was and still is Judas Priest. My dad grew up listening to them, and consequently so did I. I can’t remember the first song I ever heard from them, but I do recall many memories with my dad listening to many Priest songs in his Pontiac coupe (later a Ford Explorer that we rigged up a fantastic sound system to) with the two of us jamming out singing, me playing air guitar and drums, and having the time of my life. I recall first seeing the Metal Works ‘73 - ‘93 double disc cd in my dad’s car and staring at the artwork over and over again. Looking through the booklet and seeing Rob Halford, to me, the coolest guy I had ever seen (and heard) of. Halford was my hero and my metal idol. And while much of my influence and drive to play guitar came from KK and Glenn, it was Halford, the front man that always stood out to me. To this day, Priest is still my favorite band. They hold such a special place in my heart and always will. I’ve loved this band practically my whole life, their music has carried me through various seasons of life and continues to live on.
Picking up Confess a couple years ago was one of the most entertaining and intriguing music biography reads I’ve experienced in some time. It was such a treat. So naturally, when I heard Biblical was coming out, I had to get my eyeballs on it. This was also, such a treat. I’d say that anyone looking at this should certainly look into reading Confess prior to this book. It’s not a necessity, but you’ll kind of be missing out and doing yourself a disservice if you jump right into this. There’s a bit of a connection between the two where this feels like part continuation, part companion book, so you should certainly pick up both if you can.
It’s also worth noting that while Confess is a bit more of Halford’s personal story and reflection, Biblical feels more akin to a band profile told from the perspective of an individual within the band. That said, there’s still plenty of auto-biographical anecdotes and details to keep this fresh, while there is certainly a heavier (pun intended) focus on the musical/business side of the story in this book. When combining Confess and Biblical, you really get a more fully formed picture of Rob Halford as an individual and as a musician/band mate. At first I wondered what more could there be to tell? To be fair, there is a bit of opinionated talk about this or that subject, and some points that echo or refer directly to stories that appeared in Halford’s first book. Be that as it may, I still found this to be thoroughly enjoyable and a fantastic study into the character and personality of Rob Halford himself. One thing I learned and enjoyed after reading Confess as well as this book is that Rob is unequivocally himself. He doesn’t put on any sort of appearances, he is 100% authentic, and I love that. He pulls no punches when it comes to his level of honesty with regards to himself and his opinions on other subjects. While I can’t say he and I are 100% alike; pretty much like any other human being; I completely respect him for who he is, what he has done, and what he continues to do. For many years, prior to him even releasing a book I always saw him as one of the most relatable and down to earth fellows out there that has arguably reached super star status. He is the Metal God, but to himself, he is just as much a human as you or I, and he fully embraces that and acknowledges it time and time again. He’s incredibly humble, honest, and forthright, the typical of what he would call a “yam-yam” bloke, and I love that about him. Sometimes they say, don’t learn too much about your heroes. We tend to idolize them, put them on a pedestal and when we find out who they are and that they’re flawed humans just like us all, we get disappointed. For me, I’ve always felt connected to Priest and particularly Rob Halford because he is able to connect with such a vast audience because of his authenticity, his genuine love and passion for music and fans, and his hard-working, humble roots, all ideals that I find not only attractive, but relatable. For me, he’s still my hero and probably always will be. Thank you Rob for sharing your story/stories with us, for fighting against adversity and always for inclusivity. I for one, hope you keep screaming your tits off on stage for many more years to come. 🤘🏻
Picking up Confess a couple years ago was one of the most entertaining and intriguing music biography reads I’ve experienced in some time. It was such a treat. So naturally, when I heard Biblical was coming out, I had to get my eyeballs on it. This was also, such a treat. I’d say that anyone looking at this should certainly look into reading Confess prior to this book. It’s not a necessity, but you’ll kind of be missing out and doing yourself a disservice if you jump right into this. There’s a bit of a connection between the two where this feels like part continuation, part companion book, so you should certainly pick up both if you can.
It’s also worth noting that while Confess is a bit more of Halford’s personal story and reflection, Biblical feels more akin to a band profile told from the perspective of an individual within the band. That said, there’s still plenty of auto-biographical anecdotes and details to keep this fresh, while there is certainly a heavier (pun intended) focus on the musical/business side of the story in this book. When combining Confess and Biblical, you really get a more fully formed picture of Rob Halford as an individual and as a musician/band mate. At first I wondered what more could there be to tell? To be fair, there is a bit of opinionated talk about this or that subject, and some points that echo or refer directly to stories that appeared in Halford’s first book. Be that as it may, I still found this to be thoroughly enjoyable and a fantastic study into the character and personality of Rob Halford himself. One thing I learned and enjoyed after reading Confess as well as this book is that Rob is unequivocally himself. He doesn’t put on any sort of appearances, he is 100% authentic, and I love that. He pulls no punches when it comes to his level of honesty with regards to himself and his opinions on other subjects. While I can’t say he and I are 100% alike; pretty much like any other human being; I completely respect him for who he is, what he has done, and what he continues to do. For many years, prior to him even releasing a book I always saw him as one of the most relatable and down to earth fellows out there that has arguably reached super star status. He is the Metal God, but to himself, he is just as much a human as you or I, and he fully embraces that and acknowledges it time and time again. He’s incredibly humble, honest, and forthright, the typical of what he would call a “yam-yam” bloke, and I love that about him. Sometimes they say, don’t learn too much about your heroes. We tend to idolize them, put them on a pedestal and when we find out who they are and that they’re flawed humans just like us all, we get disappointed. For me, I’ve always felt connected to Priest and particularly Rob Halford because he is able to connect with such a vast audience because of his authenticity, his genuine love and passion for music and fans, and his hard-working, humble roots, all ideals that I find not only attractive, but relatable. For me, he’s still my hero and probably always will be. Thank you Rob for sharing your story/stories with us, for fighting against adversity and always for inclusivity. I for one, hope you keep screaming your tits off on stage for many more years to come. 🤘🏻
July 29, 2022
Biblical by Rob Halford is basically a heavy metal guide of sorts that talks of everything from producers, tours, groupies, health, and even mental health. It gives some solid advice for aspiring musicians and gives us fans an interesting history of Judas Priest. I found it very well-written and enjoyed everything from the metal facts to the yam-yam dialogue. Throughout the book, Halford comes across as not only smart but funny and empathetic. He never really calls out people who he probably had every right to, he simply wishes them well, and off we go onto the next adventure. I really felt for the band when I read the Spotify parts, I was not familiar with how badly they screw over musicians, and I hope that people will learn a bit from what he says. Reading the book was like sitting and listening to a friend talk, he really comes across as a stand-up guy. Be prepared to go on some Youtube journeys to watch old videos after you get the behind-the-scenes info and yes, there is a yam-yam Black Country dictionary of sorts online which is fun. All in all, this is fantastic and fans and newcomers alike will love this book. If you enjoy this one he has previously released an autobiography called Confess which delves more into his personal life.
January 8, 2023
This was an enjoyable read with some good anecdotes and gave the reader a good insight in what it's like to battle to establish one's band as successful heavy metal band. Written crisply, with some British humor and some West Midlands humbleness.
January 13, 2023
Great compliment to Confess about everything involved with being in a band. I’ve always been interested in how those organizations run, and there are great supporting anecdotes for each section. If Confess didn’t have enough fun band stories for you, here they are.
February 1, 2024
So much of this book is breaking down how to be in a band and a behind the curtain look at what bands do, what it's like, etc. It was fine but also a bit slow. I think "Confess" would have been the better book for me and I'll get to it too sometime. (My copy of this is a signed first that was an opportunistic grab at B&N in 2022. If presented with both, I'd have gone autobiography first instead of "life lessons learned through being a rock musician.")
November 6, 2022
More of a 3.5, but whatevs.
Rob’s a genial geezer, admirably switched on, considering.
You won’t learn much new about the Priest, but some asides about mouths full of cum and wanking rituals will have the faint of heart polishing their monocles occasionally.
Diverting fluff.
Rob’s a genial geezer, admirably switched on, considering.
You won’t learn much new about the Priest, but some asides about mouths full of cum and wanking rituals will have the faint of heart polishing their monocles occasionally.
Diverting fluff.
November 23, 2022
quite entertaining lecture, however not as good as Rob's first memoir, and some sections feel like being there only because of the structure of the book
April 6, 2024
Still love Robs writing style. While this did not grip my like confess did I still highly enjoyed reading his heavy metal scriptures!
July 11, 2025
Rob, please never stop singing, and never stop writing! This felt like the perfect companion to Confess. And bless Richie Faulkner for kickstarting Priest for hopefully what are years to come.
July 10, 2026
I will not hold much back in this review.
Overall, this isn't spectacular in any way.
Maybe a tangent to Confess.
Before I begin, I did not take notes while reading Biblical.
The ideas and words did their best to stay in my head, but by the two-thirds mark, they need out.
From then on I have enough material to give fans/non-fans a brief glimpse inside these sermons...
(If you don't get the reference, then look up KK's Priest.)
Fun facts:
Pages 191-192 refers to Heavy Metal Parking Lot.
It was a mini video showcasing a JP concert in Landover, Maryland in 1986.
The venue was the Capital Centre, which was home to the NBAs Washington (then Bullets, now) Wizards (circa 1996) and the NHLs Washington Capitals.
Today, it is a parking lot for the NFLs Commanders, which won't last long.
They are set to return to the updated RFK stadium in the near future, which is located in SW DC.
I am a Caps fan of whom lived in nearby Greenbelt from 1988 to 1991.
I did not think they would win a Stanley Cup championship in my lifetime, but they did in 2018.
Onward, you crystal soldiers.
(Black Sabbath lyric off of Computer God, Dehumanizer album with a reunited Dio/Vinnie Appice 1992)
Ready?
Page 230:
[Spotify is drawing RHs ire before this passage. In it, the streaming platform is the "they"]
"(...)They are no better than Napster and those original chancers that created a world of copyright piracy."
What a crock of shit.
Bands like JP had their claim to fame in the 70s and 80s on the foundational backs of the tape trade.
Therefore, where the fuck was that outrage?
Going digital was the next stage in the evolution consumption of music/entertainment.
The argument RH and others like him should have seen this coming and adjust.
Otherwise, you'll get left behind.
[I did not miss the point he's making here]
[Further on page 230]:
"(...) Money is power (...)."
You don't say?
You're in a successful band, doing whatever you want, and have more money to end many things on this rock (ie, hunger).
You have gone to Hell and come back---check out RH title track of the Resurrection album---in your career.
You did all sorts of crazy things in becoming the man you are today.
However, getting your music out to others in greater numbers in a relatively new format is the most pressing matter?
The pages of Biblical are filled with broadening JP/rock/metal music.
I fail to see the injustice between the tape trade and Napster/digital format.
Why hold back?
[Again, I didn't miss RHs point---money]
Luckily, JP didn't get left behind in the digital world.
Page 235:
"Headbanging is a sacred metal ritual, but it's not without risks."
For some context, I don't participate in this activity as RH details.
I play bass.
My two favorite music elements are harmonics and melody of a piece.
From classical composers like Bach's 9th symphony to Spanish classical guitar music such as Andreas Segovia.
Thereby, when I am headbanging, I am not doing it for the sake of bobbing my head.
Rather, I am counting time, visualizing the up/down strokes, or closing my eyes to a harmonic part.
For me, I don't headbang often as RH states in Biblical.
Page 235:
"Yet the metal head who gets the most credit for popularizing the horns in the metal world is Ronnie James Dio."
Page 236:
"Devil horns are meant to expel the Devil, not praise him!"
Ronald James Padavona was a Catholic, which the Evil Eye (ie, Devil horns) originates.
I'd heard/read from many sources over the years (even RJD himself) gave this response every time.
I am at a loss as to the why RH superficially glosses over this gesture.
Furthermore, my dad had told me that Frank Zappa had done the Evil Eye before anyone.
He didn't give an exact year but I'll assume the mid-late 1960s.
Moreover, in a historical sense, check out the description of the Evil Eye in The Phantom of the Opera.
If I'm not mistaken then it's appearance is in the fallen chandelier scene (thereabouts).
I mean, the language is something like this: the thumb across the middle and ring fingers with the index and pinky flexing outward.
[RH sexuality, groupies, and women]
Page 264:
"(...) But the rules were very different for me (...) I feared me being found out as gay would kill the band."
I can't stress this enough to other JP/metal fans.
The push back RH received after coming out was disgusting but not disturbing.
As a preteen growing up in the late-80s-to-early 90s, I wasn't informed on the economical/political/social landscape.
I was in my own world.
Thereby, decades later did i come across a book called The Wild Swans by Peg Kerr.
In it she relates gay cancer, which I didn't know was a thing.
For those too young, AIDS was not recognized by our---US government---in the Reagan's administration (two terms, eight years).
I can't remember where or of whom coined gay cancer in Kerr's novel, but it sticks for the decade.
Finally, after high profile celebrity's deaths like Queen's Freddy Mercury, it was treated as a threat since the Spanish flu in the early 20th century [ironically, the COVID-19 pandemic happened a century later]
Now, with the context I state above, RH has the dilemma of what he could do with the damaging ramifications of that decision.
He's not wrong about JP ending.
Quite possibly ALL members (other than RH) would be shunned in the music business.
Ending all hope of what-if RH didn't come out scenario.
Morover, there's one vile video on YouTube, calling itself a Tim Owens documentary in under 10 minutes.
Tim replaced RH in 1996/1997 after being brought to the attention of the band (specifically, drummer Scott Travis).
TO was in a JP cover band called British Steel (JPs breakthrough record of 1980).
Someone gave a VHS of TO performing in the cover band.
Subsequently TO was asked to audition by performing a classic JP song, The Ripper.
He did good on that song, he was given the gig and his nickname was Ripper.
Tim "Ripper" Owens for the non-converts.
2 studio albums: Jugulator (1997), Demolition (2001).
2 live albums: '98 Live Meltdown, Live in London.
1 live DVD: Live in London.
His departure from the band was due to the reuniting of RH in 2003/2004.
(Continuing on...)
One of the interviewees regales the interviewer by stating Owens is a good singer and "He's not gay!!!" [this is verbatim]
[Further, regarding women and exploitation by both sexes] page 264:
"(...) Over the years, I've been around other bands, at gigs or festivals, and I've seen things that have really upset me."
[Continuing the thought from page 264]
Page 265
"As a gay man I've always had massive respect for women, and when I saw them behaving like that, it really disturbed me."
I do consider myself a feminist to a degree.
The #MeToo movement went as far as the period of pre-DNA sequencing to the mid-90s.
I'm not saying all men are angels.
We can be pieces of shit, not only to women, but to humanity itself.
History, religion, and war gushes blood between the fingers of men.
I was a preteen in the late 80s-early 90s.
The news was showing vile men sexually satisfying themselves on helpless women.
Or, that was thought at the time.
Thereby, due to the advancement of DNA/genetic testing, innocent men were posthumously exonerated for raping a woman.
Otherwise, I am in agreement with RH.
Page 292:
"(...)I'm talking about mental health issues. (...) many rock-and-roll suicides (...)."
I haven't many friends or immediate family commit suicide (including myself).
I am a bullheaded person.
I keep going regardless of the situation.
I am not blind to those unlike myself.
They reach a point of no return and do the deed [I am not being glib].
For the strangers out there, I wouldn't know what to say in order to stop the deed from happening, BUT I can give a shoulder to cry on.
Furthermore, I will not tell other assholes about it.
Only healthcare professionals.
I will be there as long as possible.
No jokes.
No judgment.
Nothing.
Only my unbridled support.
Why?
I am a mental health patient too.
[Continuing from page 292]
Page 293:
"Why the hell would they do this? (...) But sometimes they find that success and fame are not what they expected or wanted at all. The pressures of stardom and celebrity weigh them down until they crack."
I will add that some of those artists have been successful, but a new wave of something comes along and passes them by.
In the meantime, the wayside artists see they need to build themselves back up from the beginning to reach or surpass their previous point.
These artists were at top when the new thing came.
That brought them down to square one which I don't think sat well with them.
They didn't want to start over while in their prime years.
Maybe the stress of beginning anew was too much for them to carry on.
Thus, possibly they reached a point of no return, and take their own destiny in their hands.
Even though I don't like certain bands/artists/styles of music, committing suicide is not what I wish upon them.
[A heavy moment, but I stand by my words]
Page 295:
"(...) The British Royal Family, TALKING about mental health issues."
Is that all?
This is a kick in the pants to those that need more than talk.
Here in the US, the power of prayer is what the shooting victims need to get over their sudden grief.
Alas, that hasn't worked to any degree.
Page 299:
"(...) That which does not kill you makes you stronger. It means that I don't have any regrets. (...) The big challenge is how you get through those obstacles."
I can relate, but I will not tell total strangers my trials and errors.
Prior to concluding, I know and understand what I say here is a matter of opinion.
I'm aware, too, it will not mesh with everyone.
I am cool with that.
My question to all of you: can you read this and respond to it civilly?
In my time with online posts, I encounter keyboard heroes.
All I will say is do not tempt fate.
[If you are feeling lucky then solve the Navier-Sokes equations, which are for fluid dynamics. Meaning, will a drop of rain water keep its shape in high winds such as in a hurricane? Real money will be awarded to those of whom can solve it. ]
In conclusion, JP/RH are, and will be, my favorite band of all time (a few clicks behind, Black Sabbath).
I can respect RHs opinions/ideas/etc, but I will not always agree with them.
JP/RH and the solo works of Glenn and KK have been there with me in my darkest moments.
As the saying goes (kind of), I pulled myself up by my JP bootstraps.
I am alive an well, I work for my state, and love to be out and about in this crazy world.
Yes, headbanging has its risks, but life in general does too.
It starts with goodwill/kindness/support (not solely talking about what ails us) to each other.
Be there.
Listen.
Give input.
Little things that go a long way is better than nothing at all.
As always, be:
DEFENDERS OF THE FAITH
Overall, this isn't spectacular in any way.
Maybe a tangent to Confess.
Before I begin, I did not take notes while reading Biblical.
The ideas and words did their best to stay in my head, but by the two-thirds mark, they need out.
From then on I have enough material to give fans/non-fans a brief glimpse inside these sermons...
(If you don't get the reference, then look up KK's Priest.)
Fun facts:
Pages 191-192 refers to Heavy Metal Parking Lot.
It was a mini video showcasing a JP concert in Landover, Maryland in 1986.
The venue was the Capital Centre, which was home to the NBAs Washington (then Bullets, now) Wizards (circa 1996) and the NHLs Washington Capitals.
Today, it is a parking lot for the NFLs Commanders, which won't last long.
They are set to return to the updated RFK stadium in the near future, which is located in SW DC.
I am a Caps fan of whom lived in nearby Greenbelt from 1988 to 1991.
I did not think they would win a Stanley Cup championship in my lifetime, but they did in 2018.
Onward, you crystal soldiers.
(Black Sabbath lyric off of Computer God, Dehumanizer album with a reunited Dio/Vinnie Appice 1992)
Ready?
Page 230:
[Spotify is drawing RHs ire before this passage. In it, the streaming platform is the "they"]
"(...)They are no better than Napster and those original chancers that created a world of copyright piracy."
What a crock of shit.
Bands like JP had their claim to fame in the 70s and 80s on the foundational backs of the tape trade.
Therefore, where the fuck was that outrage?
Going digital was the next stage in the evolution consumption of music/entertainment.
The argument RH and others like him should have seen this coming and adjust.
Otherwise, you'll get left behind.
[I did not miss the point he's making here]
[Further on page 230]:
"(...) Money is power (...)."
You don't say?
You're in a successful band, doing whatever you want, and have more money to end many things on this rock (ie, hunger).
You have gone to Hell and come back---check out RH title track of the Resurrection album---in your career.
You did all sorts of crazy things in becoming the man you are today.
However, getting your music out to others in greater numbers in a relatively new format is the most pressing matter?
The pages of Biblical are filled with broadening JP/rock/metal music.
I fail to see the injustice between the tape trade and Napster/digital format.
Why hold back?
[Again, I didn't miss RHs point---money]
Luckily, JP didn't get left behind in the digital world.
Page 235:
"Headbanging is a sacred metal ritual, but it's not without risks."
For some context, I don't participate in this activity as RH details.
I play bass.
My two favorite music elements are harmonics and melody of a piece.
From classical composers like Bach's 9th symphony to Spanish classical guitar music such as Andreas Segovia.
Thereby, when I am headbanging, I am not doing it for the sake of bobbing my head.
Rather, I am counting time, visualizing the up/down strokes, or closing my eyes to a harmonic part.
For me, I don't headbang often as RH states in Biblical.
Page 235:
"Yet the metal head who gets the most credit for popularizing the horns in the metal world is Ronnie James Dio."
Page 236:
"Devil horns are meant to expel the Devil, not praise him!"
Ronald James Padavona was a Catholic, which the Evil Eye (ie, Devil horns) originates.
I'd heard/read from many sources over the years (even RJD himself) gave this response every time.
I am at a loss as to the why RH superficially glosses over this gesture.
Furthermore, my dad had told me that Frank Zappa had done the Evil Eye before anyone.
He didn't give an exact year but I'll assume the mid-late 1960s.
Moreover, in a historical sense, check out the description of the Evil Eye in The Phantom of the Opera.
If I'm not mistaken then it's appearance is in the fallen chandelier scene (thereabouts).
I mean, the language is something like this: the thumb across the middle and ring fingers with the index and pinky flexing outward.
[RH sexuality, groupies, and women]
Page 264:
"(...) But the rules were very different for me (...) I feared me being found out as gay would kill the band."
I can't stress this enough to other JP/metal fans.
The push back RH received after coming out was disgusting but not disturbing.
As a preteen growing up in the late-80s-to-early 90s, I wasn't informed on the economical/political/social landscape.
I was in my own world.
Thereby, decades later did i come across a book called The Wild Swans by Peg Kerr.
In it she relates gay cancer, which I didn't know was a thing.
For those too young, AIDS was not recognized by our---US government---in the Reagan's administration (two terms, eight years).
I can't remember where or of whom coined gay cancer in Kerr's novel, but it sticks for the decade.
Finally, after high profile celebrity's deaths like Queen's Freddy Mercury, it was treated as a threat since the Spanish flu in the early 20th century [ironically, the COVID-19 pandemic happened a century later]
Now, with the context I state above, RH has the dilemma of what he could do with the damaging ramifications of that decision.
He's not wrong about JP ending.
Quite possibly ALL members (other than RH) would be shunned in the music business.
Ending all hope of what-if RH didn't come out scenario.
Morover, there's one vile video on YouTube, calling itself a Tim Owens documentary in under 10 minutes.
Tim replaced RH in 1996/1997 after being brought to the attention of the band (specifically, drummer Scott Travis).
TO was in a JP cover band called British Steel (JPs breakthrough record of 1980).
Someone gave a VHS of TO performing in the cover band.
Subsequently TO was asked to audition by performing a classic JP song, The Ripper.
He did good on that song, he was given the gig and his nickname was Ripper.
Tim "Ripper" Owens for the non-converts.
2 studio albums: Jugulator (1997), Demolition (2001).
2 live albums: '98 Live Meltdown, Live in London.
1 live DVD: Live in London.
His departure from the band was due to the reuniting of RH in 2003/2004.
(Continuing on...)
One of the interviewees regales the interviewer by stating Owens is a good singer and "He's not gay!!!" [this is verbatim]
[Further, regarding women and exploitation by both sexes] page 264:
"(...) Over the years, I've been around other bands, at gigs or festivals, and I've seen things that have really upset me."
[Continuing the thought from page 264]
Page 265
"As a gay man I've always had massive respect for women, and when I saw them behaving like that, it really disturbed me."
I do consider myself a feminist to a degree.
The #MeToo movement went as far as the period of pre-DNA sequencing to the mid-90s.
I'm not saying all men are angels.
We can be pieces of shit, not only to women, but to humanity itself.
History, religion, and war gushes blood between the fingers of men.
I was a preteen in the late 80s-early 90s.
The news was showing vile men sexually satisfying themselves on helpless women.
Or, that was thought at the time.
Thereby, due to the advancement of DNA/genetic testing, innocent men were posthumously exonerated for raping a woman.
Otherwise, I am in agreement with RH.
Page 292:
"(...)I'm talking about mental health issues. (...) many rock-and-roll suicides (...)."
I haven't many friends or immediate family commit suicide (including myself).
I am a bullheaded person.
I keep going regardless of the situation.
I am not blind to those unlike myself.
They reach a point of no return and do the deed [I am not being glib].
For the strangers out there, I wouldn't know what to say in order to stop the deed from happening, BUT I can give a shoulder to cry on.
Furthermore, I will not tell other assholes about it.
Only healthcare professionals.
I will be there as long as possible.
No jokes.
No judgment.
Nothing.
Only my unbridled support.
Why?
I am a mental health patient too.
[Continuing from page 292]
Page 293:
"Why the hell would they do this? (...) But sometimes they find that success and fame are not what they expected or wanted at all. The pressures of stardom and celebrity weigh them down until they crack."
I will add that some of those artists have been successful, but a new wave of something comes along and passes them by.
In the meantime, the wayside artists see they need to build themselves back up from the beginning to reach or surpass their previous point.
These artists were at top when the new thing came.
That brought them down to square one which I don't think sat well with them.
They didn't want to start over while in their prime years.
Maybe the stress of beginning anew was too much for them to carry on.
Thus, possibly they reached a point of no return, and take their own destiny in their hands.
Even though I don't like certain bands/artists/styles of music, committing suicide is not what I wish upon them.
[A heavy moment, but I stand by my words]
Page 295:
"(...) The British Royal Family, TALKING about mental health issues."
Is that all?
This is a kick in the pants to those that need more than talk.
Here in the US, the power of prayer is what the shooting victims need to get over their sudden grief.
Alas, that hasn't worked to any degree.
Page 299:
"(...) That which does not kill you makes you stronger. It means that I don't have any regrets. (...) The big challenge is how you get through those obstacles."
I can relate, but I will not tell total strangers my trials and errors.
Prior to concluding, I know and understand what I say here is a matter of opinion.
I'm aware, too, it will not mesh with everyone.
I am cool with that.
My question to all of you: can you read this and respond to it civilly?
In my time with online posts, I encounter keyboard heroes.
All I will say is do not tempt fate.
[If you are feeling lucky then solve the Navier-Sokes equations, which are for fluid dynamics. Meaning, will a drop of rain water keep its shape in high winds such as in a hurricane? Real money will be awarded to those of whom can solve it. ]
In conclusion, JP/RH are, and will be, my favorite band of all time (a few clicks behind, Black Sabbath).
I can respect RHs opinions/ideas/etc, but I will not always agree with them.
JP/RH and the solo works of Glenn and KK have been there with me in my darkest moments.
As the saying goes (kind of), I pulled myself up by my JP bootstraps.
I am alive an well, I work for my state, and love to be out and about in this crazy world.
Yes, headbanging has its risks, but life in general does too.
It starts with goodwill/kindness/support (not solely talking about what ails us) to each other.
Be there.
Listen.
Give input.
Little things that go a long way is better than nothing at all.
As always, be:
DEFENDERS OF THE FAITH
This entire review has been hidden because of spoilers.
March 20, 2023
I loved Confess and wondered whether this would be a diluted follow-up. But it's a different kind of book, although many of the stories intersect with the earlier book. This is required reading for anyone not familiar with heavy metal culture and simply a pleasure for every insider. I love the humble humour, which makes this so much more better than the Gene Simmons type endless bragging. There's only one blip: At some point Halford talks about 'woke culture' and 'cancel culture' as if these were phenomena existing outside the heads of far right keyboard warriors. That sounds a bit rich coming from a gay man, whose suffering in a homophobic culture Confess so well describes. In the very next sentence, however, the author himself gives an example of how things have moved on--and are better for it. I think the reference to 'woke' only attests to the huge influence that such far right discourse has on today's culture. The substance is what matters, of course, and here Halford shines as an honest, reflective, and open-minded witness to metal culture. Highly recommended.
November 16, 2022
This book is a ton of fun to read. I don’t know what possessed this self-professed “yam-yam” from Walsall to sit down and write his “bible” of rock and metal, but whatever it is, we are richer from the result. Halford ingeniously outlines his Book of Genesis (the early days of Judas Priest), his Book of Job(s) (descriptions of each role and responsibility tied to rock bands, from lead singer to tour manager), his Book of Vestments (denim and leather, of course) and his Book of Temptations (and there are many, as you can imagine), among others. Throughout it all he is frank, honest and hilarious as he describes life as one of the pioneers of heavy metal. It’s very different in structure and scope from his previous “Confess”, but just as engaging.
January 1, 2023
Two things I need to say, I am not a huge Judas Priest fan but like some of their songs and this is my first Rob Halford book to read. Ok now that I said that I did enjoy getting to know Rob in this tell like he sees it book. Rob walks you through some of his experiences while on and off the stage. He also gives you some of his observations and memories of dealings in the music industry.
I learned a lot and I will be reading his other books so I can maybe fill in some holes left in this book.
I learned a lot and I will be reading his other books so I can maybe fill in some holes left in this book.
May 27, 2023
A sequal to his autobiography "Confess", this book mainly went deep into life on the road, in a band, and how much things have truly changed these days compared to the 60s, 70s, & 80s. I particularly enjoy reading whatever Rob writes, mainly because he comes across as humble and not full of himself, being both a Metal God and one of the greatest voices in Rock & Metal in the world. Thanks for the great read Rob & lifting my mood. ❤️
October 26, 2023
It's fun getting to read about the behind-the-scenes of our favorite bands/singers. Halford takes it a step further and breaks down the life of a musician into different facets. While not "religious", he brings metal into a religion we enjoy. He's funny, truthful (as far as I know) and doesn't leave much to the imagination.
March 18, 2023
I picked this up thinking it was an autobiography, but it reads more like a memoir, with Rob using biblical imagery as parallels for life as a heavy metal band. Fantastic read. Love Rob's honesty and sense of humor.
July 17, 2023
I love Rob Halford and would rate anything he writes as the best thing ever. YUP - I am bias. I own that. However, I don't particularly like reading rock biographies (spoiler - neither does he) - which is why I love his writing with winks, nods, and honesty.
July 21, 2023
Excellent scriptures on the life and environment of a successful artist in the music business. Covers everything from touring to labels to management. This rundown is great story telling from The Metal God himself.
September 15, 2023
Rob is so much fun to listen to. You often forget he’s in his 70s because he’s so youthful sounding. Then he talks about making sure the whole band is having regular bowel movements and you’re like “oh right”. Haha he’s the best. I loved this.
November 16, 2022
Bloody brilliant! Rob has such a great voice, both on stage and in writing! A definite must read!
November 27, 2022
Entertaining and funny look at life as The God of Metal.
November 30, 2022
The only bible you need.
December 4, 2022
Such pearls of rock and roll wisdom.
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