i was given this ARC by the author in exchange for an honest review. thank you peta for the opportunity to review :)
wren and siska, daughters of larka, grow up together without their exiled father. wren learns to use her waterkin power in a village far from home, and siska serves as lady’s maid to princess jessandra. when wren catches a star, she’s cursed and forced to free, meeting jessandra on the run from her father. after that, the story devolves into a bit of a tour around the land of heredour, while they discover magic and dodge some bad guys in cloaks and have a little love triangle and then maybe save a land. at the same time, the advisor to the high king is trying to depose the monarch and set his long lost son on the throne, and he also does this by touring the country. and then there are dragons out of nowhere, which is one hell of a way to deux ex machina a finale. essentially, this books starts well and isn’t so bad that you stop reading, but unfortunately i don’t know that i’d have finished it had i not been on a three hour flight.
my biggest problem was where to place this story: i didn’t feel that it merited a one-star, because i didn’t DNF it and in fairness it did have lovely moments, especially regarding worldbuilding. in the end i settled on ⭐️ ⭐️, but had this come through tradpub it’d certainly be a single.
to give due credit, the author should be commended on self-publishing, because it definitely isn’t easy to be all the parts of the machine at once. the book is a labour of love and that comes through. something i especially loved was the way she set heredour up: you can tell she built the geography and moved the characters around it, instead of adding bits to suit them, and it serves the story very well.
however, the story would unfortunately have been improved by more sets of eyes. there were several issues that leapt out almost immediately.
from silliest to most serious:
— using kin in that way (and expecting us to be able to read it without a thousand connotations) is very brave and unfortunately took away from the magic system. everytime i read moonkin i had a violent 2014 internet flashback.
— names needed rethinking: wave is a waterkin, and you expect us to believe that’s a coincidence? it was too on the nose. similarly, mortius is just bad. authors need to dodge ‘mort’ names in general: we get it, death, etc. (credit though for siska, that’s a great way to do fantasy without sounding like you’re picking related nouns or gargling with vowels!)
— the system itself is kind of mad. it starts off with the simple elemental thing: everyone kins one element. the author does this more interestingly than most and that’s one of the reasons i bumped the stars up. but then we get magic and it becomes entirely generic and undermines the world itself. if wave’s magic can beat back the black cloaks this easily, then someone should have figured this out and started doing it a whole lot sooner.
— kaiaho needed to be talked through with critical beta readers. essentially, children born outside the level of kin held by their parents are deemed kaiaho and taken away by the black cloaks. at first glance, it’s interesting, but then you think about it critically for a minute and realise it presents serious societal problems if you’re losing that many children. we get no information about whether your kin is hereditary, but from the families we see it seems it’s not. if so, and we assume it’s random, people have a 2/3rd chance of losing their children to the black cloaks. since we know those children don’t come back, heredour is going to have a population problem ASAP. there should be barely any teenagers around, or at least 2/3rds more adults.
anyway, the real problem is that the writing isn’t good enough to support expansive worldbuilding and a semi-predictable plot. for example, the characterisation isn’t sophisticated enough for the world they’re living in. take jessandra, a princess: ‘“No, Pa!” Jessandra screeched,’ is not the way you write a princess speaking to her father.
similarly there’s a lack of awareness of the positions of her characters. think of motivations: a king will not exile his ideal heir in favour of a daughter he hates WITHOUT contingency plans, especially knowing that if both kids are called wrong he’ll need a backup. once the readers realise this, our suspension of disbelief falls away, because there’s no way this is the first time this has happened. you’re telling me sunkin rules are just easily having more sunkin heirs?
we also have an issue with the villains. the first big bad, reuben, is insane, and that’s immediately going to tank the stakes. there’s no victory when you’re battling insanity because there’s no way to truly win beyong incapacitating them. i won’t spoil it blatantly, but this means that immediately we know that one of two things is going to happen to reuben, and there goes your sense of surprise. if you’re going to make the ruler insane, do it gradually. big bad two are the black cloaks, and they’re so overpowered that the author can’t have her characters beat them, so they have to become stupid. we’re told they’re all powerful and can teleport anywhere they’ve been, and yet the main characters outrun them and outmagic them at every turn, except when they need to be captured for the plot. anyway, these guys are kind of aimless for people who are so powerful they can go basically anywhere and do basically anything, until in the third act the author needs them to be good. they show up and do some capturing, so easily that we wonder why they couldn’t have done it earlier, and then wave manages to hold them off with that power she only just found out about, and they go back to being kind of ineffectual. we needed some damage to people we care about to create stakes with these villains, otherwise we don’t worry that they exist.
i hate conclusions so closing out here with a recommendation to read this if you like expansive wordlbuilding, magic systems and can deal with some colloquial languge and lack of differentiation between characters. it’s lovely to see work by an australian author in fantasy and i hope there’ll be some higher stakes in the sequel.