Ace Atkins is back with his tenth and final “Spenser” novel following the untimely death of Robert B. Parker, the creator of the classic Boston-based private investigator extraordinaire. It’s hard to believe that it’s been over 10 years since Parker passed away, let alone this is Atkins tenth outing with Spenser, Hawk, Susan, and Pearl the third. It’s easy to see that Atkins has captured the unique qualities and ide synchronies of these classical characters, as well as the heart and moral codes that drive each of them.
Unfortunately, this book was not his best Spenser work, sending our classic hero out with more of a whimper than a bang… And it hurts me greatly to say that because Ace Atkins has done an extremely fantastic job of continuing Robert B. Parker’s greatest creation. I am one of his biggest fans with a great love and respect for what he’s been able to pull off with someone’s work.
Anyway, Atkins last outing with Spenser begins with his being hired as a bodyguard and investigator for Carolina Garcia-Ramirez, a Boston congresswoman and rising political star running for re-election. Carolina is not just any ordinary politician. She is a very progressive who is not only tough and outspoken, but she is ignited a backlash of enemies because of her fight to overcome race, poverty, and health care issues facing her constituents. Spenser has been brought in to deal with her numerous death threats, determine what is real, and what is just talk.
Spenser finds himself on the outside from the outset. Carolina doesn’t want him around, nor most of the members of her team. And to make matters worse, an old frenemy from Spenser’s past, now leading an FBI team, warns him to back off because the federal team has her back. Then Spenser discovers a threat connection to an extremist group who call themselves the Minutemen, and are led by Harvard grad who wants nothing more than to use his wealth to bring back white supremacy.
Before Spenser’s final adventure by Atkins comes to an end, we get one last round with our favorite sleuth hero, his better half and goddess, Susan, and Spenser’s spirit brother and partner in detection, Hawk. Atkins even brings in other classic Senser characters for appreciated appearances, including Police officers Quirk and Belson, Vinnie the Shooter, Gerry Broz, and even Spenser’s mentee, Sixkill.
Although there were some things to enjoy with this book, there were also several things that disappointed me.
Let’s start with the good stuff first. Spenser was witty, funny, and his interactions with Susan and Hawk well delivered. Atkins has captured the timing and delivery of Spenser’s world with an elegance that should be admired. He has found Parker’s rhythmic beat and built on it with in creative and respectful ways. That is magic that keeps us coming back to these classical characters that stand the test of time with such class and dignity.
In this book, I found myself subtly pulled into Hawk’s secondary storyline in a way that pleasantly surprise me. It is a plot device that has been used before by other authors, but for some reason, I found it to be interesting and even touching. Maybe being over fifty years old makes me more on the side of nostalgic, but it is what it is. We’ll see if that developing plotline gets explored more in future books. I hope so.
Now, unfortunately, for what disappointed me. This was the 50th Spenser novel. It is a major achievement that deserves recognition and celebration. However, for some funny reason, it wasn’t really promoted much. It just kind of showed up on its publishing date without much fanfare. It was also one of the shorter Spenser novels. And what make it even worse, it was by far the least enjoyable one of the ten novels that Atkins wrote after taking over the series.
Let’s give respect where respect is due. Atkins took a near impossible challenge and delivered on it superbly. That is until this last one. There’s not a lot of action scenes. As a matter of fact, Spenser’s first interaction and confrontation with the bad guys doesn’t take place until close to page 170. The bad guy wasn’t even that worthy of Spenser. The ending was rather weak and predictable. I have noticed a lot of complaints about the large amount of political commentary in this book and I have to agree with some of that. Not because it bothers me personally, but more so it kept the plotline and action from leading the storyline. There was just an abundance of it rather than action and mystery content. I ma not sure what Atkins was trying to say in that regard, but it left me feeling that his focus was on bringing in characters involved with Spenser’s past and mailing it on the primary plot.
Atkins mentioned in a recent interview that moving forward, Mike Lupica will be taking over the Spenser series while also continuing to write the Jesse Stone series (and handing over the Sunny Randall series to female author, Allison Gaylin, to take on). We’ll see how this transition goes. I am optimistically hopeful.
As for Atkins legacy with Spenser, let’s give him his due. Although his first nine were more memorable than his tenth. It does not take away from his fabulous run. Atkins successfully captured Parker’s unique storytelling voice. His narrative flow was natural and smooth. The rhythm of Spenser’s conversations with others was lyrical and sarcastically funny. His relationships with Maddie, Hawk, and Susan were golden. What was once Parker’s classic playground transcended into Atkin’s own artistic canvas. Atkins created and developed new interesting plotlines while also re-exploring classic supporting characters with confidence and authenticity.
This is my personal thank you, Ace. And thank you, Joan, for letting Spenser live on in this fan’s heart. It means the world to me to get to have revisited my heartfelt friend and personal hero each year. You made him real, Ace. You did a superb job. Best of wishes in all of your future endeavors. I will never forget your contributions to Spenser’s legacy.