I found a digital copy of THE CONNELLYS OF COUNTY DOWN by Tracey Lange on Libby. All views are mine.
“Well, congratulations, Connellys. You are a normal, healthy, screwed-up family.” p107
Sloppy plot forces interesting characters to behave unnaturally. But the characters are entertaining and colorful, so even though much of the book is fairly formless, I had some fun with it.
I love stories about adult survivors of early life stress, especially siblings who were left in some way to care for one another as children. I found this to be a wonderful example of this tiny subgenre. It might have been Lange's principle interest in this book– to explore the impact of early life stress on adult life. Either way, it's a good read for this element alone.
I liked this book for its focus, but not its execution, for the most part. Recommend for readers who enjoy contemporary fiction, redemption stories, or dysfunctional family stories, and don't mind a slow, holey plot and somewhat puppety characters.
She didn’t trust the police, had been living in fear of them as long as she could remember. For many years she was afraid they would catch her father. And after he left, when Eddie was in the hospital, they questioned Geraldine over and over again, like they believed she was covering up for him. They even threatened to take Eddie and Tara away from her if she didn’t cooperate. p118
Three (or more) things I loved:
1. Good character descriptions. Significant and small, such as Guard Morelli, who was developed just enough, and loveable and detestable, such as Geraldine, the toxic and controlling sister. Lange has a knack for laying out just the right details to make these characters robust. But their action don't always make sense, in-scene.
2. I love the juxtaposition between Tara and Geraldine. Tara wears her sin on her sleeve, with her history of addiction, her felony and prison time, her probation, and also her clumsy goodness encapsulated in dogged commitment to justice for others. Geraldine, on the other hand, is superficially self-sacrificing– the oldest Orphan daughter who cared for everyone else from early adolescence, firm in her faith, set in her ways, committed to order. To maintain this illusion, she wears her sins on the inside, and her dishonesty generates most of the story conflict.
3. Geraldine is such a shit! I can't get a good feel for her motivation at the outset. This invests me deeper into the story.
Three (or less) things I didn't love:
This section isn't only for criticisms. It's merely for items that I felt something for other than "love" or some interpretation thereof.
1. The plot is convoluted. I'm still early in the book, but so far we've mostly covered just this very narrow activity– Tara returns from prison and all the memories her ride home invokes. But at 15%, the only motivation I've found is cop and potential mmc, Brian's commitment to quash his feeling for Tara, fmc.
2. We don't get a feel for the plot until 35% of the way through, when Detective Nolan begins to feel some steam from higher up his professional ladder. Suddenly, the story's perspective pans out and connects the floating parts. But even so, it's weak, in part because it doesn't have the space to fully develop. As a result the ending feels rushed.
3. The understanding of hoarding behavior expressed by this book is pedestrian and reinforces stigma. This complicated bevior doesn't always originate with a history of lack. I'm a little surprised to find this here, considering the author's background in psychology.
4. What a perfectly cheesey, unbelievable ending. These characters' growth trajectories were so preposterous, I don't even know if I consider them flat or not.
Rating: 🚔🚔🚔 run-ins with the law
Recommend? Maybe.
Finished: Jun 3 '24
Format: Digital, Kindle, Libby
Read this book if you like:
👻 crime dramas
👨👩👧👦 family stories, family drama
👭🏽 sibling dynamics
💇♀️ women's coming of age
☀️ redemption stories