A lively introduction to sociological thinking on pop culture, the media, and society Mix It Up demonstrates how a sociological perspective can help us better understand popular culture as a dynamic and durable―and ultimately significant―feature of modern society. With lively prose, the perfect mix of resonant historical cases, and relevant contemporary examples, David Grazian investigates the role of media and popular culture in everyday life. In the Third Edition, Grazian applies sociological ideas and theories to today’s biggest pop culture trends, including the rise of the influencer economy, the canonization of rap music, and the further consolidation of the media industries.
Good, extremely readable, interesting introduction to the study of popular culture, through a functional, critical, or interactive lens. Not limited to movies and music, everything from the Nigerian Prince Scam to malls to World of Warcraft to fear mongering about jazz is covered. The copy that I read is from the first edition, and fascinatingly out of date as a result. The moments of prescient analysis as well as the moments of declarations that were true, or seemed to be so, in 2010 and are very much not now were extremely interesting, but I'd recommend an updated edition (the 3rd edition was published in 2023) if you have the choice.
Grazian offers contemporary examples of media and how it affects our society, from the public's overweening interest in celebrity gossip (to the detriment of the deterioration of real news) to the half-truths behind on-line profiles. This book is a general overview of how radio, television, internet and other media have shaped our lives, and in turn been shaped by popular use.
This book was a supplement to a (much less fun) textbook for my Media and Society class at Wichita State University. The text flows easily, and I'd much rather see Grazian take on more in-depth text as required university reading than have to EVER sit through another boring chapter from the course's main text author.
There is good stuff here, and it's incorporated with the pop ideals many are interested in, which makes it intelligent enough for serious readers and just enough fluff to be entertaining to those who are not reading it for school.
I really enjoy Grazian's simple approach to culture. This book is straightforward and easy for undergrads to read. It's also enjoyable to read, for students and professors alike. He makes Marx and Durkheim approachable, which is impressive to me in and of itself. The book also discusses culture in an approachable manner. This was a great book to help teach a sociology of American culture class.
One silly minor complaint is that the book is too big to scan easily. (Like I said, silly.) This can be a turn-off to educators who want to be able to scan chapters for their students. Just in case you had plans to scan this bad boy...
used this as a textbook at ut-arlington but never noted that at the time. we'd read the sections on the creation of pop culture, the operation of the culture industries, and cultural consumption + social class. written in a simple enough way that it was easy to generate debate. pop culture in general is a subject that's easier for students to discuss, since they're living it and don't have to "do the reading" (they never will), but as anyone who has taught these classes knows, the kids are usually more reticent to dig deeply into what they view as "superficial" (yet also spend 24 hrs a day absorbed with).
Oh dear. Popular cultural studies is such a rich, evocative and powerful field. My hopes were high for this book. The hopes were not realized. I am not sure who was the audience for this book. But it was too basic for my first year undergraduate students. I want them to be challenged and probe pop. That is what I want for myself. That opportunity is not found in this book. Such a shame.
Easily one of the better textbooks I've read, hoping there's a second edition with more updated statistics (the book is from 2009) soon, that plus a typo on Elliott Smith's name bring the book down to a four.