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The Linchpin Writer: Crafting Your Novel's Key Moments
In every novel there are pivotal places that can make or break a book. Write them well, and you'll have your readers begging for a sequel. Write them poorly, and your book will get scathing reviews and sell only a handful of copies. These pivotal places are "linchpin moments," and in this book you'll learn how to nail these moments.
Based on real advice from editing hundreds of novels, John Matthew Fox guides writers through the process of creating a novel that soars in the reader's imagination. After reading this book, you'll be a better storyteller, a better self-editor, and a better writer.
In this book you'll learn how to:
Flood your readers with strong emotions
Create memorable beginnings and endings
Describe characters for the first time
Make readers swoon in romantic scenes
Kill off characters (without enraging your readers)
Harness the element of surprise
Based on real advice from editing hundreds of novels, John Matthew Fox guides writers through the process of creating a novel that soars in the reader's imagination. After reading this book, you'll be a better storyteller, a better self-editor, and a better writer.
In this book you'll learn how to:
Flood your readers with strong emotions
Create memorable beginnings and endings
Describe characters for the first time
Make readers swoon in romantic scenes
Kill off characters (without enraging your readers)
Harness the element of surprise
169 pages, Kindle Edition
First published October 26, 2022
100 people are currently reading
899 people want to read
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Displaying 1 - 30 of 81 reviews
November 18, 2022
This book is a writer’s bible - honestly the only writer’s book you will ever need.
When I read this book, I felt as though I was hugged by the wonderful and ugly truths of becoming a passionate and - seemingly coffee deficient - writer. Not only did Fox grace us with his writing testimony - of which was inspiring, relatable and bizarrely validating - he explores the struggles and human experiences all creatives face.
Each chapter is filled with great topics that will help any writer. If you're a beginner to the art, with your hands curled around a half-warm coffee cup or have set into your slumped posture and begun to research the symptoms of insomnia - this will be one of the best books you can pick up.
I seriously love his writing. There’s something about reading another writer's work, the way they speak and talk about things - it's honestly beautiful and I don’t know any other way to explain it.
His transparency and passion is as clear as the ink on the page making me want to simply hug the spine. He weaves his experiences and a plethora of writing knowledge into such a small book. Truly! He’s like a wizard who’s managed to fit his whole house - potions and all - into the world’s smallest suitcase.
The thing I loved most about this book, was how much he valued the reader. In every tip he includes the most understandable and compelling examples. At the end of every chapter he too provides practical ways to put what you’ve just learnt into action.
My highlighter has never been used more in a book. I adored taking notes - because there was just so much to learn and underline and say out loud.
I deeply love this book, and believe it can be of help, comfort and inspiration to all writers.
And now, I’ll leave you, dear reader, with this:
“Remember, writing a book is one of the most empowering things you can do. It’s something you will never forget” - Fox.
When I read this book, I felt as though I was hugged by the wonderful and ugly truths of becoming a passionate and - seemingly coffee deficient - writer. Not only did Fox grace us with his writing testimony - of which was inspiring, relatable and bizarrely validating - he explores the struggles and human experiences all creatives face.
Each chapter is filled with great topics that will help any writer. If you're a beginner to the art, with your hands curled around a half-warm coffee cup or have set into your slumped posture and begun to research the symptoms of insomnia - this will be one of the best books you can pick up.
I seriously love his writing. There’s something about reading another writer's work, the way they speak and talk about things - it's honestly beautiful and I don’t know any other way to explain it.
His transparency and passion is as clear as the ink on the page making me want to simply hug the spine. He weaves his experiences and a plethora of writing knowledge into such a small book. Truly! He’s like a wizard who’s managed to fit his whole house - potions and all - into the world’s smallest suitcase.
The thing I loved most about this book, was how much he valued the reader. In every tip he includes the most understandable and compelling examples. At the end of every chapter he too provides practical ways to put what you’ve just learnt into action.
My highlighter has never been used more in a book. I adored taking notes - because there was just so much to learn and underline and say out loud.
I deeply love this book, and believe it can be of help, comfort and inspiration to all writers.
And now, I’ll leave you, dear reader, with this:
“Remember, writing a book is one of the most empowering things you can do. It’s something you will never forget” - Fox.
August 23, 2022
Quote: "You're not a real Shakespeare character unless you've died or your friend has died or your parents have died."
This book is partly writing advice and partly a writer's memoir, with anecdotes about his own career path as an author. He has found writers' groups, book clubs and writing retreats to be really useful for him, as well as some writing classes. Some of it didn't really sound like my scene but I liked the way he wrote about his experiences and I enjoy different writers' takes on how to find the time, stamina or confidence to finish their stories.
I liked the writing style and some of the advice. But several times, he plugs some courses or blog posts on some other site I'm supposed to google which is always a bit annoying in the middle of a chapter. I get it, everyone wants traffic on their website but I'm like, hey, you know I'm reading this book of yours so if you have a useful point to make, you could just make it in this book right here...look here is an empty page for you to make it on... Put a links list in the end and not in the middle of the book.
The first point he makes is that you could use the main character's introduction to sum up and foreshadow their main concerns or the plot of the book in a few words of dialogue. This is pretty effective when it works. How to evoke feelings in a reader? He suggests analysing books that made you feel something, and find out how they did it, and notes that telling the character feels joy, or grief, or wonder, is not the most effective way of evoking that same emotion in the reader. Sensory descriptions and metaphors might work better, or just describing the scene in such a way that the reader can infer the feeling. He makes good points about book and chapter endings, surprises and narrative twists, foreshadowing and callbacks to something that went on previously, cliffhangers that avoid being too obviously cliffhangery. Each chapter includes some writing prompts and challenges.
The author tries to illustrate his points with examples of books and stories he loved and this was a bit of a hit and miss process for me. It goes to show that reading is a highly subjective experience as I didn't always get it. I would read a passage that was a little "meh okay what's the good part?" and he told me that this was a super emotional reading experience for him, and I would just have to take his word for it. It is pretty difficult to take passages out of the context and expect them to strike the reader similarly in isolation than in the excitement of the story.
One chapter was about writing good sex scenes... and it nearly ruins the entire book. Just skip it, is my readerly advice. The blurb promises you will learn how to "make readers swoon in romantic scenes" and I am sorry to say, this did not happen. There is no romance here, absolutely no swooning. But you will learn how to write awkward sex that leaves you feeling bad about it.
I am not sure I would take sex scene advice from someone who grew up in a puritan community, thinking sex is something to be ashamed of. He says that he struggled with even writing sex scenes because his community would think it is shameful. I belong to the school of thought that sex is something to be enjoyed and saw this chapter as rather binary thinking: Bad sex-good book. Good sex-bad book. He is certain that erotica books can't have good sex scenes because the characters actually enjoy it and that's just hedonism, and there are mentions of genitals which apparently are a no-no. I mean I get it why vaginas would have been a bad word in his church, and a woman enjoying her body and getting an orgasm out of a procreative event has always been a slut in certain circles, but when he thinks the clumsy phrase "the side of her face" is somehow preferable to "cheek" because butts have cheeks too... I mean, for Pete's sake, get a grip. We all have body parts, and they get touched during sex, no need to be so scared of even naming them.
His advice for writing good sex scenes was basically try writing an arousing erotica scene and then do it all differently. Take away the arousing, add more problems, like people getting insulted in bed or trying and failing to please their partner. There is to be no references to touching any erogenous body parts, because that would be crass, and if a woman has to have an orgasm it better be because she sees synesthetic colors and enjoys seeing him come. You see, that way it's like real life, and not just some boring fantasy in which the sex goes well and both parties like it.
If you subscribe to this idea that mutually satisfying sex is a fantasy, touching body parts is to be avoided at all costs, and that insulting your partner in bed is normal, I am sorry for you -- you might need to visit a good sex therapist. If failing to please your partner is par for the course for you, you need to ASK your partner what they want. If you write sex scenes the way this author wants you to, let me know so I can read something else.
He has this idea that writing an erotic scene in which everyone gets an orgasm and likes it is somehow immoral because it promotes a hedonistic caveman worldview in which sex is the only thing that matters, and books about people having bad sexual experiences have a "textured richness of life" that just can't be found in books in which people enjoy the sex they're having. And that's just ridiculous sex-shaming and untrue black-and-white thinking. Newsflash: people can have good sexual experiences, enjoy erotica stories, and care about a whole host of other things. Sure, thinking about those other things during sex might be distracting and you might want to wait until later.
So one of the great sex scenes he gushes about basically describes a girl sexually assaulting a boy whohe doesn't even know who it is initially. Yeah, no, that's not going to happen. I am never ever going to write a no-consent situation and call it a sex scene.
In another there's a description of sex where neither party gets what they want. She wants to go down on him and he stops her. He wants kisses and tenderness and she doesn't. There's no foreplay so she's dry when she rides him. While they're having sex he thinks of the weather and what other people are doing in their beds. He's not doing anything to make it enjoyable for her and she tells him to go find his climax himself because she can't come. Well no wonder. So, anyway, the way Fox read this scene, he says it shows deep love and respect between "two characters who are selfless in bed". And reading it completely without context, it said the exact opposite to me.... She didn't like kissing him and avoided tenderness, foreplay or any other lovey dovey stuff we associate with love making, and she wanted to suck him off or otherwise reach his climax quickly because she knew she wouldn't come and couldn't enjoy any of it... It didn't make me think of the love and selfless concern these characters have for each other, it made me think of reluctant duty sex. It made me think she wasn't that into him, and she just wanted to get him off quickly so she could go on do something better, and he doesn't even get it that his prolonging it is making the dry humping worse for her. If he was selfless in bed he'd do something to arouse her or wait until she wants it too. It sounded like two characters who shouldn't be having sex.
So, yeah, these interpretations are highly subjective. But I heartily disagree with him and I don't think it's necessarily a caveman book because the characters got off and it's not a better sex scene just because it's unsatisfying sex. I think all permutations are possible: You can have bad writing describing bad sex. Bad writing describing good sex. Good writing describing bad sex. And finally, you can have good writing describing good sex. And if you want to evoke a romantic feeling I really think you should strive for the latter. If Prince Charming wants it to be forever then he should make an effort. If getting the prince off is just another unpleasant chore for Cinderella she should probably hold on to her shoe.
TL; DR: there were a lot of good points made but I do believe writing about pleasant sex is just as realistic as bad sex, and a lot more swoony and romantic.
I got a Booksprout copy and this is a voluntary review.
This book is partly writing advice and partly a writer's memoir, with anecdotes about his own career path as an author. He has found writers' groups, book clubs and writing retreats to be really useful for him, as well as some writing classes. Some of it didn't really sound like my scene but I liked the way he wrote about his experiences and I enjoy different writers' takes on how to find the time, stamina or confidence to finish their stories.
I liked the writing style and some of the advice. But several times, he plugs some courses or blog posts on some other site I'm supposed to google which is always a bit annoying in the middle of a chapter. I get it, everyone wants traffic on their website but I'm like, hey, you know I'm reading this book of yours so if you have a useful point to make, you could just make it in this book right here...look here is an empty page for you to make it on... Put a links list in the end and not in the middle of the book.
The first point he makes is that you could use the main character's introduction to sum up and foreshadow their main concerns or the plot of the book in a few words of dialogue. This is pretty effective when it works. How to evoke feelings in a reader? He suggests analysing books that made you feel something, and find out how they did it, and notes that telling the character feels joy, or grief, or wonder, is not the most effective way of evoking that same emotion in the reader. Sensory descriptions and metaphors might work better, or just describing the scene in such a way that the reader can infer the feeling. He makes good points about book and chapter endings, surprises and narrative twists, foreshadowing and callbacks to something that went on previously, cliffhangers that avoid being too obviously cliffhangery. Each chapter includes some writing prompts and challenges.
The author tries to illustrate his points with examples of books and stories he loved and this was a bit of a hit and miss process for me. It goes to show that reading is a highly subjective experience as I didn't always get it. I would read a passage that was a little "meh okay what's the good part?" and he told me that this was a super emotional reading experience for him, and I would just have to take his word for it. It is pretty difficult to take passages out of the context and expect them to strike the reader similarly in isolation than in the excitement of the story.
One chapter was about writing good sex scenes... and it nearly ruins the entire book. Just skip it, is my readerly advice. The blurb promises you will learn how to "make readers swoon in romantic scenes" and I am sorry to say, this did not happen. There is no romance here, absolutely no swooning. But you will learn how to write awkward sex that leaves you feeling bad about it.
I am not sure I would take sex scene advice from someone who grew up in a puritan community, thinking sex is something to be ashamed of. He says that he struggled with even writing sex scenes because his community would think it is shameful. I belong to the school of thought that sex is something to be enjoyed and saw this chapter as rather binary thinking: Bad sex-good book. Good sex-bad book. He is certain that erotica books can't have good sex scenes because the characters actually enjoy it and that's just hedonism, and there are mentions of genitals which apparently are a no-no. I mean I get it why vaginas would have been a bad word in his church, and a woman enjoying her body and getting an orgasm out of a procreative event has always been a slut in certain circles, but when he thinks the clumsy phrase "the side of her face" is somehow preferable to "cheek" because butts have cheeks too... I mean, for Pete's sake, get a grip. We all have body parts, and they get touched during sex, no need to be so scared of even naming them.
His advice for writing good sex scenes was basically try writing an arousing erotica scene and then do it all differently. Take away the arousing, add more problems, like people getting insulted in bed or trying and failing to please their partner. There is to be no references to touching any erogenous body parts, because that would be crass, and if a woman has to have an orgasm it better be because she sees synesthetic colors and enjoys seeing him come. You see, that way it's like real life, and not just some boring fantasy in which the sex goes well and both parties like it.
If you subscribe to this idea that mutually satisfying sex is a fantasy, touching body parts is to be avoided at all costs, and that insulting your partner in bed is normal, I am sorry for you -- you might need to visit a good sex therapist. If failing to please your partner is par for the course for you, you need to ASK your partner what they want. If you write sex scenes the way this author wants you to, let me know so I can read something else.
He has this idea that writing an erotic scene in which everyone gets an orgasm and likes it is somehow immoral because it promotes a hedonistic caveman worldview in which sex is the only thing that matters, and books about people having bad sexual experiences have a "textured richness of life" that just can't be found in books in which people enjoy the sex they're having. And that's just ridiculous sex-shaming and untrue black-and-white thinking. Newsflash: people can have good sexual experiences, enjoy erotica stories, and care about a whole host of other things. Sure, thinking about those other things during sex might be distracting and you might want to wait until later.
So one of the great sex scenes he gushes about basically describes a girl sexually assaulting a boy whohe doesn't even know who it is initially. Yeah, no, that's not going to happen. I am never ever going to write a no-consent situation and call it a sex scene.
In another there's a description of sex where neither party gets what they want. She wants to go down on him and he stops her. He wants kisses and tenderness and she doesn't. There's no foreplay so she's dry when she rides him. While they're having sex he thinks of the weather and what other people are doing in their beds. He's not doing anything to make it enjoyable for her and she tells him to go find his climax himself because she can't come. Well no wonder. So, anyway, the way Fox read this scene, he says it shows deep love and respect between "two characters who are selfless in bed". And reading it completely without context, it said the exact opposite to me.... She didn't like kissing him and avoided tenderness, foreplay or any other lovey dovey stuff we associate with love making, and she wanted to suck him off or otherwise reach his climax quickly because she knew she wouldn't come and couldn't enjoy any of it... It didn't make me think of the love and selfless concern these characters have for each other, it made me think of reluctant duty sex. It made me think she wasn't that into him, and she just wanted to get him off quickly so she could go on do something better, and he doesn't even get it that his prolonging it is making the dry humping worse for her. If he was selfless in bed he'd do something to arouse her or wait until she wants it too. It sounded like two characters who shouldn't be having sex.
So, yeah, these interpretations are highly subjective. But I heartily disagree with him and I don't think it's necessarily a caveman book because the characters got off and it's not a better sex scene just because it's unsatisfying sex. I think all permutations are possible: You can have bad writing describing bad sex. Bad writing describing good sex. Good writing describing bad sex. And finally, you can have good writing describing good sex. And if you want to evoke a romantic feeling I really think you should strive for the latter. If Prince Charming wants it to be forever then he should make an effort. If getting the prince off is just another unpleasant chore for Cinderella she should probably hold on to her shoe.
TL; DR: there were a lot of good points made but I do believe writing about pleasant sex is just as realistic as bad sex, and a lot more swoony and romantic.
I got a Booksprout copy and this is a voluntary review.
November 4, 2022
Thanks to everyone who bought the book!
The Linchpin Writer is getting a lot of wonderful feedback from writers who are using the techniques in their novels.
It's wonderful to see authors appreciating all the practical advice and the stories.
The Linchpin Writer is getting a lot of wonderful feedback from writers who are using the techniques in their novels.
It's wonderful to see authors appreciating all the practical advice and the stories.
September 7, 2022
I've been writing fiction for a long time, but I still read books on craft because I know there's always more to learn. I highly recommend "The Linchpin Writer" because it offers an entirely new (to me) way of looking at the craft of writing fiction. The book aims at those crucial moments in novels that can make or break a reader's involvement with the story--the beginning, the first lines of the protagonist's dialogue, and so on. As I am just now in the final stages of revising a new novel, thinking about these critical moments--these "linchpins"--has been enormously helpful. Besides offering helpful observations and tips, the book is written in a delightful, conversational style, loaded with humor. It also includes writing exercises to help drive home the points in each chapter, and suggestions for where to find more information on the author's popular website, Bookfox.
This is an excellent book and you won't be sorry if you spend some time with it.
I received an advance copy of this book in exchange for an honest review.
This is an excellent book and you won't be sorry if you spend some time with it.
I received an advance copy of this book in exchange for an honest review.
November 7, 2022
I’ve long been a fan of John Fox’s articles over on Bookfox, so I was delighted to receive an ARC of his writing craft book (which I’d already had on my to-read list) in exchange for an honest review. I’ve read countless books and articles about the craft of fiction, so my bar is high when it comes to writing advice. Fox knocked it out of the park for me with this fun, digestible, and unique approach to being a successful writer. I share Fox's philosophy about the varied and versatile nature of storytelling, where there’s no one-size-fits-all approach:
The book is structured around tips for approaching “linchpin moments” in your stories and in your writing life that are pivotal for delivering a satisfying narrative and growing as a writer. As he describes it, “These are the moments that lodge in the reader’s brain, which they’ll recall five years down the road (the ending, the death, the sex scene).” I love how this approach challenges writers to zero in on particular scenes on both a developmental and prose level.
Through a self-help guru tone, Fox covers first paragraphs, the first piece of dialogue, sorrow, wonder, sex scenes, chapter endings, story endings, surprises, and killing off characters. Each chapter ends with a short list of writing exercises that are both practical and interesting.
In particular, it was refreshing to see how Fox tackled the indefinable, abstract qualities of stories that are hard to teach—how to evoke complex emotions that convey deeper truths. The chapter on different types of story endings was especially enlightening and helped me reframe how I view endings as a reader. I enjoyed all of the fiction excerpts included as examples, too, and was glad to see a focus on contemporary writing rather than just classics.
Fox interweaves his advice with tales from his wild writer’s life, including his university days and unforgettable writing retreats. He encourages writers to seek out formative experiences that change their views on the craft, which might include attending book clubs, retreats, or conferences. Not everyone has the opportunity to pursue the writing life to its fullest extent, but as Fox says, the most heroic and sacred act for all writers is simply sitting at your desk to write.
Highly recommended to all writers out there, no matter where you are in your writing journey.
“Every book has its own internal set of runes, rules, and powers. When I give advice, it’s always contingent on whether it works for your book. And that’s why I spend a good chunk of this book offering examples of how other writers have handled these linchpin moments: maybe the first four examples won’t be right for your scene, but the fifth ignites your brain. It’s my job to give you a wide range of options, across a span of styles and genres, and they can midwife you through the story.”
The book is structured around tips for approaching “linchpin moments” in your stories and in your writing life that are pivotal for delivering a satisfying narrative and growing as a writer. As he describes it, “These are the moments that lodge in the reader’s brain, which they’ll recall five years down the road (the ending, the death, the sex scene).” I love how this approach challenges writers to zero in on particular scenes on both a developmental and prose level.
Through a self-help guru tone, Fox covers first paragraphs, the first piece of dialogue, sorrow, wonder, sex scenes, chapter endings, story endings, surprises, and killing off characters. Each chapter ends with a short list of writing exercises that are both practical and interesting.
In particular, it was refreshing to see how Fox tackled the indefinable, abstract qualities of stories that are hard to teach—how to evoke complex emotions that convey deeper truths. The chapter on different types of story endings was especially enlightening and helped me reframe how I view endings as a reader. I enjoyed all of the fiction excerpts included as examples, too, and was glad to see a focus on contemporary writing rather than just classics.
Fox interweaves his advice with tales from his wild writer’s life, including his university days and unforgettable writing retreats. He encourages writers to seek out formative experiences that change their views on the craft, which might include attending book clubs, retreats, or conferences. Not everyone has the opportunity to pursue the writing life to its fullest extent, but as Fox says, the most heroic and sacred act for all writers is simply sitting at your desk to write.
Highly recommended to all writers out there, no matter where you are in your writing journey.
October 31, 2022
Easily the most straightforward and practical book about the craft of writing. Lots of examples to illustrate John Fox’s points throughout, and the book’s organization is intuitive. Writing challenges are scattered throughout and don’t seem daunting at all.
January 9, 2023
EVERY aspiring/current writer NEEDS this book. lots of really helpful tips and motivation!
August 27, 2022
If you want to write your first book then I highly recommend you to read this one before you begin your writing journey. It will help you a lot.
The author here describes perfectly the steps you have to take in order to create a great story. I don't really read books that tell you how to write because most of them are like weird manuals but this one
is totally different. It feels like the author is a good friend of yours who's telling you his experiences and is giving you examples of other popular writers.
The author used a simple writing style which makes it easy for everyone to understand. He's also added some links to blogs that will help you more in your journey.
Even though I'm not a writer I appreciated this book.
The author here describes perfectly the steps you have to take in order to create a great story. I don't really read books that tell you how to write because most of them are like weird manuals but this one
is totally different. It feels like the author is a good friend of yours who's telling you his experiences and is giving you examples of other popular writers.
The author used a simple writing style which makes it easy for everyone to understand. He's also added some links to blogs that will help you more in your journey.
Even though I'm not a writer I appreciated this book.
October 8, 2022
John Matthew Fox knocks it out of the park with this gripping book on key moments in your novels.
I highly enjoyed his use of storytelling from his own life to highlight his points as well as using examples from novels to get the reader reflecting on their own work.
I highly enjoyed his use of storytelling from his own life to highlight his points as well as using examples from novels to get the reader reflecting on their own work.
October 27, 2022
When I was first asked to review this book I turned it down, I’ve been too busy, plus it’s a book on writing a novel, and I’ve already got 13 books on Amazon. However, when I was asked the second time, I thought why not? Although I’ve got books out there and more on the way, I’ve never done a writing course or even had a single lesson. To my shame, I’ve never even read a book about writing!
Having read this book, really slowly to absorb everything, I realize that learning about writing skills is actually extremely beneficial. I felt like a sponge as I read each chapter soaking up each and every lesson. If I had the money I would definitely sign up to Bookfox for the lessons and coaching, unfortunately I can’t, but who knows maybe one day.
The Linchpin Writer is semi-autobiographical with John sharing glimpses of his past and the steps taken to becoming a traditionally published author. These moments are shared to encourage other authors along their path.
However, it is the clear-cut lessons that I hungered for, wrote notes on and hoped the words were sinking into my mind so I could remember them and write with them in mind going forward. There are multiple linchpin moments in an author’s life and within each book. They range from writing your first paragraph, first character description, the language of love and desire and how to kill your characters. And lots more! There was so much ‘meat’ in this book that I couldn’t read it quickly. Each chapter had me thinking about my latest WIP and also had me off researching lots of things. The Linchpin Writer demands your time and focus if you want to benefit from it. I certainly found it very good and I’m convinced my future novels will benefit from it. So if you’re like me and can’t afford a writing course, I highly recommend you read this book. There is a treasure pile of advice within these pages and I am happy to highly recommend it.
John Matthew Fox states at the end of the book: He helps authors write better fiction (from just reading this book I think this is a true statement). He is the founder of Bookfox (which I wish I could sign up to.) He taught writing at university for ten years (so he has experience). He’s also a published author.
I received a free ARC copy from the author in exchange for an honest review.
Having read this book, really slowly to absorb everything, I realize that learning about writing skills is actually extremely beneficial. I felt like a sponge as I read each chapter soaking up each and every lesson. If I had the money I would definitely sign up to Bookfox for the lessons and coaching, unfortunately I can’t, but who knows maybe one day.
The Linchpin Writer is semi-autobiographical with John sharing glimpses of his past and the steps taken to becoming a traditionally published author. These moments are shared to encourage other authors along their path.
However, it is the clear-cut lessons that I hungered for, wrote notes on and hoped the words were sinking into my mind so I could remember them and write with them in mind going forward. There are multiple linchpin moments in an author’s life and within each book. They range from writing your first paragraph, first character description, the language of love and desire and how to kill your characters. And lots more! There was so much ‘meat’ in this book that I couldn’t read it quickly. Each chapter had me thinking about my latest WIP and also had me off researching lots of things. The Linchpin Writer demands your time and focus if you want to benefit from it. I certainly found it very good and I’m convinced my future novels will benefit from it. So if you’re like me and can’t afford a writing course, I highly recommend you read this book. There is a treasure pile of advice within these pages and I am happy to highly recommend it.
John Matthew Fox states at the end of the book: He helps authors write better fiction (from just reading this book I think this is a true statement). He is the founder of Bookfox (which I wish I could sign up to.) He taught writing at university for ten years (so he has experience). He’s also a published author.
I received a free ARC copy from the author in exchange for an honest review.
August 26, 2022
As a writer, I'm always happy to come across good writing advice. The Linchpin Writer: Crafting Your Novel's Key Moments happened to be terrific writing advice that made me want to drop everything and throw open my notebook.
It's been my experience that creative writing teachers/mentors/blogs like to keep an upper hand. Somewhere down the line, they begin preaching that their way is the best way — if not the only way. John Fox's exercises were a sigh of relief. He knows there isn't one way to write that's going to fit every book and every author. Each chapter ends with a series of prompts (keep a pen handy!) that force you to think outside of the box. Speaking as someone who gets hung up on the 'rights' and 'wrongs' of writing and having a set way of doing things, it was nice to have a push outside of my limited mindset. Though I didn't have the time to do every lesson at the time of reading this, I am excited to go back and give my undivided attention to the exercises. It's been a while since I've had such a burst of motivation.
Part memoir and part handbook, there is a lot to discover about the writing industry and the craft in under 200 pages. The writing itself, no surprise, was charming and encouraging. I'm looking forward to exploring the author's blog and other books.
A huge thanks to the author and his team for sending me a free ARC to read and review!
Full review: https://oceanwriterreads.com/2022/08/...
It's been my experience that creative writing teachers/mentors/blogs like to keep an upper hand. Somewhere down the line, they begin preaching that their way is the best way — if not the only way. John Fox's exercises were a sigh of relief. He knows there isn't one way to write that's going to fit every book and every author. Each chapter ends with a series of prompts (keep a pen handy!) that force you to think outside of the box. Speaking as someone who gets hung up on the 'rights' and 'wrongs' of writing and having a set way of doing things, it was nice to have a push outside of my limited mindset. Though I didn't have the time to do every lesson at the time of reading this, I am excited to go back and give my undivided attention to the exercises. It's been a while since I've had such a burst of motivation.
Part memoir and part handbook, there is a lot to discover about the writing industry and the craft in under 200 pages. The writing itself, no surprise, was charming and encouraging. I'm looking forward to exploring the author's blog and other books.
A huge thanks to the author and his team for sending me a free ARC to read and review!
Full review: https://oceanwriterreads.com/2022/08/...
October 31, 2022
I’ve read a lot of “how-to” books claiming to teach you how to write, whether that spans from high school textbooks to chapbooks to wiki articles to blog posts to news articles to Reddit threads and sub threads…and I won’t lie, I expected this book to fall into that category. After all, isn’t knowing how to write a natural talent, something that you should just have a “feel” for. The truth is, writing, like Mr. Fox pens, is a skill that must be practiced day in and day out—whenever you have a moment of time, squeeze it out for writing. Then and only then will you improve your writing and truly achieve your writing goals (publishing your first novel, signing a book deal, etc.)
This book was truly a condensed version of everything you need to kickstart your novel—your “how to write your bowl 101,” split into succinct chapters that walk you through every stage of writing a novel and complete with writing exercises to jumpstart some creative writing at the end of each chapter.
Personally, I’ve always struggled with how to write the hook, the opening that draws your reader in and keeps them sucked in, wanting more. I also despise writing intimacy and sex scenes. And thankfully, Mr. Fox dedicated an entire chapter to both, revealing the not-so-realistic-or-interesting writing habits that I and a majority of writers fall into and guiding us through how to make it dynamic and realistic. What I love best about each chapter is that Mr. Fox provides numerous real life writing examples and text from authors who successfully perfected said writing technique.
Not to mention the length of this book—I was able to finish it in half a day, absorbing a world of information in one go that I attempted to piece together in the past couple of years through scattered bits of information across the internet and in various writing books. I 100% recommend reading this book-I’m thoroughly impressed by Mr. Fox’s lively anecdotes of his own writer’s experience, the insightful and neatly structured writing tips and lessons with examples from experienced and acclaimed novelists, and conversationalist tone that encouraged me like and old friend to pick up my pen again and start writing.
#linchpinwriter #johnmatthewfox
This book was truly a condensed version of everything you need to kickstart your novel—your “how to write your bowl 101,” split into succinct chapters that walk you through every stage of writing a novel and complete with writing exercises to jumpstart some creative writing at the end of each chapter.
Personally, I’ve always struggled with how to write the hook, the opening that draws your reader in and keeps them sucked in, wanting more. I also despise writing intimacy and sex scenes. And thankfully, Mr. Fox dedicated an entire chapter to both, revealing the not-so-realistic-or-interesting writing habits that I and a majority of writers fall into and guiding us through how to make it dynamic and realistic. What I love best about each chapter is that Mr. Fox provides numerous real life writing examples and text from authors who successfully perfected said writing technique.
Not to mention the length of this book—I was able to finish it in half a day, absorbing a world of information in one go that I attempted to piece together in the past couple of years through scattered bits of information across the internet and in various writing books. I 100% recommend reading this book-I’m thoroughly impressed by Mr. Fox’s lively anecdotes of his own writer’s experience, the insightful and neatly structured writing tips and lessons with examples from experienced and acclaimed novelists, and conversationalist tone that encouraged me like and old friend to pick up my pen again and start writing.
#linchpinwriter #johnmatthewfox
November 27, 2022
Rounded up from 3.5
Lately I've read a good deal of writing advice books to hone my craft as a writer, so I was interested in what The Linchpin Writer had to offer.
The Linchpin Writer is part memoir, part writing advice with helpful literary examples and exercises scattered throughout to help you along the way. If I were to compare it to another novel, it would be On Writing by Stephen King except this has a lot clearer writing advice in it.
There is also a uniqueness to the novel. I've not read another novel that handles such a broad amount of subjects, from why you want to be a writer to writing your first paragraph and first dialogue, even to making time for your writing.
This book really challenged me, in a good way, about the way I'd been writing, in particular when it came to character description, which is my current nemesis. I would also very much recommend this book if you are in the editing stages of your novel, rather than doing a first draft, to help strengthen the story.
As I was reading, I found there was a bit of a literary angle to the book. As a lover of crime fiction, many of the fiction examples used I'd either never read or even heard of. Also, when discussing steamy/romantic scenes, the tone came across as kind of snobby, but of course, that's just my opinion.
The Linchpin Writer is a book full of practical writing advice, interesting anecdotes and great if you're looking for help to sharpen up your writing skills.
Lately I've read a good deal of writing advice books to hone my craft as a writer, so I was interested in what The Linchpin Writer had to offer.
The Linchpin Writer is part memoir, part writing advice with helpful literary examples and exercises scattered throughout to help you along the way. If I were to compare it to another novel, it would be On Writing by Stephen King except this has a lot clearer writing advice in it.
There is also a uniqueness to the novel. I've not read another novel that handles such a broad amount of subjects, from why you want to be a writer to writing your first paragraph and first dialogue, even to making time for your writing.
This book really challenged me, in a good way, about the way I'd been writing, in particular when it came to character description, which is my current nemesis. I would also very much recommend this book if you are in the editing stages of your novel, rather than doing a first draft, to help strengthen the story.
As I was reading, I found there was a bit of a literary angle to the book. As a lover of crime fiction, many of the fiction examples used I'd either never read or even heard of. Also, when discussing steamy/romantic scenes, the tone came across as kind of snobby, but of course, that's just my opinion.
The Linchpin Writer is a book full of practical writing advice, interesting anecdotes and great if you're looking for help to sharpen up your writing skills.
October 15, 2022
Like most writers, I gravitate toward books about writing in moments of self-doubt, page paralysis, or plain old procrastination. I hurl questions at the text; why is the middle of my manuscript flatlining? How come beta readers shrug when the main character’s dad dies?
John Matthew Fox's craft book is centered around the idea that books have a pulse that can be graphed and analyzed, “A seismograph line that [spikes] at maximum interest.” This text was an excellent aid in helping me revise my work, although Fox comments that his text could be used to inspire draft work or revision. This is not a how-to book that I’d recommend to beginner writers. It reads like a novice-to-advanced writer’s guidebook with exercises and extended reading listed at the end of each chapter.
The Linchpin Writer: Crafting Your Novel’s Key Moments focuses on the most critical points in any type of writing: the first paragraph, the opening line of dialogue, the climax of a character arc, and the final moments before the story ends. Fox dissects prime examples of intangible emotions like heartbreak, surprise, and wonder in well-known books such as Cormac McCarthy’s Blood Meridian and John Steinbeck’s The Grapes of Wrath. His expertise and examples skew towards literary fiction but can be applied to all types of writing.
His chapter on dialogue was particularly useful. Fox stressed that every single word should resonate with readers throughout the entirety of the novel. He describes the first dialogue that appears in a text as “the crowbar which could pry open a whole book.” I love that idea and the examples provided.
I was less thrilled with his chapter on sex. I thought that the author’s confession about his struggles writing juicy sex scenes at the start of his career was relatable to many writers, especially young writers who don’t want their parents or nosy neighbors to know any of their lustful ideas. But the examples kinda fell flat. Fox argues that problems in the bedroom make writing feel more real, but they also stall the actions and make me less excited as a reader. This could just be a difference of opinion or type of writing.
Overall, The Linchpin doesn’t just focus on words on the page, it also encourages writers to reflect on the linchpins in their writing lives. The phrase “self censorship is the most common censorship” really spoke to me. After all, words on the page will always be easier to work with than ideas trapped behind a wall of insecurities in my mind. Fox drew examples of “linchpin” moments from his own writing life too. He spends a decent portion of the book talking about attending retreats, conferences, and book clubs and encourages other writers to do the same. This felt a touch privileged to me, but I never turn down a chance to hear about the lives of writers who have “made it” in this industry. And it was fun to be a little fly on the wall.
I’d give this book a solid 4 stars. It’s a quick read, staying under 200 pages. Fox’s voice in the text invites you to take a seat at the bar and casually talk about how wonderful books are. This is an author who is head over heels in love with language and storytelling and it feels contagious.
Thank you to the author for sending me a free ARC in exchange for an honest review.
John Matthew Fox's craft book is centered around the idea that books have a pulse that can be graphed and analyzed, “A seismograph line that [spikes] at maximum interest.” This text was an excellent aid in helping me revise my work, although Fox comments that his text could be used to inspire draft work or revision. This is not a how-to book that I’d recommend to beginner writers. It reads like a novice-to-advanced writer’s guidebook with exercises and extended reading listed at the end of each chapter.
The Linchpin Writer: Crafting Your Novel’s Key Moments focuses on the most critical points in any type of writing: the first paragraph, the opening line of dialogue, the climax of a character arc, and the final moments before the story ends. Fox dissects prime examples of intangible emotions like heartbreak, surprise, and wonder in well-known books such as Cormac McCarthy’s Blood Meridian and John Steinbeck’s The Grapes of Wrath. His expertise and examples skew towards literary fiction but can be applied to all types of writing.
His chapter on dialogue was particularly useful. Fox stressed that every single word should resonate with readers throughout the entirety of the novel. He describes the first dialogue that appears in a text as “the crowbar which could pry open a whole book.” I love that idea and the examples provided.
I was less thrilled with his chapter on sex. I thought that the author’s confession about his struggles writing juicy sex scenes at the start of his career was relatable to many writers, especially young writers who don’t want their parents or nosy neighbors to know any of their lustful ideas. But the examples kinda fell flat. Fox argues that problems in the bedroom make writing feel more real, but they also stall the actions and make me less excited as a reader. This could just be a difference of opinion or type of writing.
Overall, The Linchpin doesn’t just focus on words on the page, it also encourages writers to reflect on the linchpins in their writing lives. The phrase “self censorship is the most common censorship” really spoke to me. After all, words on the page will always be easier to work with than ideas trapped behind a wall of insecurities in my mind. Fox drew examples of “linchpin” moments from his own writing life too. He spends a decent portion of the book talking about attending retreats, conferences, and book clubs and encourages other writers to do the same. This felt a touch privileged to me, but I never turn down a chance to hear about the lives of writers who have “made it” in this industry. And it was fun to be a little fly on the wall.
I’d give this book a solid 4 stars. It’s a quick read, staying under 200 pages. Fox’s voice in the text invites you to take a seat at the bar and casually talk about how wonderful books are. This is an author who is head over heels in love with language and storytelling and it feels contagious.
Thank you to the author for sending me a free ARC in exchange for an honest review.
May 28, 2024
As the saying goes, “all good things must come to an end.”
October 27, 2022
Author Fox draws the reader into this excellent guide to writing better using his own experience and wisdom. This book has nuggets of treasure for starting your character description, how to write in thoughts of feelings of your subject, create captivating dialogue and even how to kill your character. Your writing will advance from the insights and instruction offered in this powerful resource.
I received a free copy of this book via Booksprout and am voluntarily leaving a review.
I received a free copy of this book via Booksprout and am voluntarily leaving a review.
September 8, 2024
Really, really good
October 28, 2022
I have read a lot of books on writing and editing fiction over the years, and this is one of the best. Fox's approach of focusing on the "linchpin" moments of a novel differentiates his advice from the rest of the pack, as it leads him to tackle subjects that don't often come up in books of this nature, such as how to write an effective sex scene or how to approach the death of a character.
The book reads quickly - I flew through it in a single sitting - but the advice lingers. I know this is one of the references I will return to time and again to remind myself of the many gems strewn throughout its pages.
One particularly helpful feature is the examples Fox includes throughout. Each piece of advice is accompanied by 2-3 models drawn from a variety of genres, so no matter whether you write literary fiction or romance novels, you can envision how the techniques can work within your genre.
I could perhaps take issue with a chapter or two where the "linchpin moment" definition seems to be stretching it a bit. For example, the chapter on "wonder" was essentially a chapter about effective descriptions, which, while helpful, doesn't necessarily strike me as a "pivotal" point "where the reader decides whether to abandon the book or keep reading," to cite Fox's own definition of a linchpin moment in fiction. The other minor critique I would make is that the book does at times feel a bit salesy. Fox frequently directs readers not only to articles he's published on his blog about various writing techniques (The Book Fox, which is an excellent resource that I'd turned to many times even before reading The Linchpin Writer), but also to courses he offers. I don't mind the information being included in the book — after all, we all have to make it somehow, and a certain amount of self-promotion is a necessary evil, not to mention the fact that I do like knowing where to turn for more information. That said, I would have preferred for him to shift all of the references to his blog and courses to an appendix, rather than pointing to them throughout.
Nevertheless, these are both minor quibbles that did not detract from my overall impression of the book. Anyone looking to improve as a writer or as an editor would be well-served to spend a few hours with Fox's advice. Your future readers will surely thank you.
I received an ARC from BookSirens, and I am grateful to the author and publisher for the opportunity to review the book. I am leaving this review voluntarily.
The book reads quickly - I flew through it in a single sitting - but the advice lingers. I know this is one of the references I will return to time and again to remind myself of the many gems strewn throughout its pages.
One particularly helpful feature is the examples Fox includes throughout. Each piece of advice is accompanied by 2-3 models drawn from a variety of genres, so no matter whether you write literary fiction or romance novels, you can envision how the techniques can work within your genre.
I could perhaps take issue with a chapter or two where the "linchpin moment" definition seems to be stretching it a bit. For example, the chapter on "wonder" was essentially a chapter about effective descriptions, which, while helpful, doesn't necessarily strike me as a "pivotal" point "where the reader decides whether to abandon the book or keep reading," to cite Fox's own definition of a linchpin moment in fiction. The other minor critique I would make is that the book does at times feel a bit salesy. Fox frequently directs readers not only to articles he's published on his blog about various writing techniques (The Book Fox, which is an excellent resource that I'd turned to many times even before reading The Linchpin Writer), but also to courses he offers. I don't mind the information being included in the book — after all, we all have to make it somehow, and a certain amount of self-promotion is a necessary evil, not to mention the fact that I do like knowing where to turn for more information. That said, I would have preferred for him to shift all of the references to his blog and courses to an appendix, rather than pointing to them throughout.
Nevertheless, these are both minor quibbles that did not detract from my overall impression of the book. Anyone looking to improve as a writer or as an editor would be well-served to spend a few hours with Fox's advice. Your future readers will surely thank you.
I received an ARC from BookSirens, and I am grateful to the author and publisher for the opportunity to review the book. I am leaving this review voluntarily.
September 26, 2022
One of the challenges most, if not all, writers face is how to keep their readers continuously engaged. In The Linchpin Writer, John Matthew Fox offers practical advice on how one can build a bridge between their characters and audience while also propelling the narrative forward. Chapters cover not only how to begin and end strong, but also how to create lasting empathy and wonder within the reader through description, dialogue, intimacy, desire, and surprise. Fox also provides a wide range of examples where these linchpin moments have been mastered by well-known authors as well as exercises one can apply to their own works-in-progress. He also strongly encourages readers to visit his website, Bookfox.com, for supplemental resources and course offerings. Both novice and seasoned writers alike will find something to take away from this craft book.
I received an advance copy of this book in exchange for an honest review.
I received an advance copy of this book in exchange for an honest review.
April 30, 2023
A nicely summarised lesson in writing critical moments. Whether those be moments of emotion, action or nuance, John gives us handpicked examples and breaks them down for us.
Written in an approachable and conversational manner rather than philosophical lecture-talk, readers can breeze through each chapter and extract the great advice sprinkled throughout.
I personally disagree with some things said in this book, some that seemed not to account for varied types of writer and writing habits.
Also, I felt there were times when the author seemed to be babbling on about unrelated events.
However, in 180 pages, John inspires us, makes us laugh, shows us why we feel certain emotions when reading different types of passages (and why we may not have felt anything) and delivers us motivation with a nice final chapter on top of his interesting and varied writing prompts at the end of each chapter.
Now, get writing and put these techniques into action!
Written in an approachable and conversational manner rather than philosophical lecture-talk, readers can breeze through each chapter and extract the great advice sprinkled throughout.
I personally disagree with some things said in this book, some that seemed not to account for varied types of writer and writing habits.
Also, I felt there were times when the author seemed to be babbling on about unrelated events.
However, in 180 pages, John inspires us, makes us laugh, shows us why we feel certain emotions when reading different types of passages (and why we may not have felt anything) and delivers us motivation with a nice final chapter on top of his interesting and varied writing prompts at the end of each chapter.
Now, get writing and put these techniques into action!
September 26, 2022
A massive thank you to John for reaching out and sending me a review copy for an honest review.
Normally, I don’t review non-fiction but as I am an aspiring author and have begun writing my debut fantasy novel when John reached out to me, I thought this would be the perfect way to learn from a skilled writer/editor on ways in which I could improve my writing. John’s book is focused on what he describes as ‘linchpin’ moments, those moments where a reader’s engagement is peaked and hooks them into continuing your book. These are the moments that readers remember in their hearts long after they’ve finished reading. The book gives practical tips on how to write these linchpin moments across many styles and genres to make them accessible and relevant for many authors.
John talks about the need to curate a writing life for yourself, surround yourself with reading, writing, constantly strive to be better and to learn from others, it takes time and dedication and hard work. John’s advice in this book comes from him studying thousands of books, reading their opening paragraphs, tracking their plots, and analysing their endings. This is sage advice backed up by a deep evaluation of good books. Like a science paper backed by years of scientific research. John can quote fifteen books for every piece of advice he gives and that’s how you know he’s knowledgeable and is someone worth listening to.
I like how at the end of each chapter John offers a series of suggested writing challenges, homework if you like, for the reader to go away and do that will enable them to apply the tips from the chapter and improve their writing. These practical suggestions are really helpful as they bridge the gap between reading about how to improve your writing and taking the steps towards actually implementing them, taking away any anxiety about the application. Each chapter also points you in the direction of further blog posts that can inform you further about a particular tip if you want to do further research.
I like how the book is divided into clear chapters so you can pick and choose which sections you read based on what you feel you need to work on and it makes it easy to dip back in and out of the advice. Each chapter is filled with little nuggets of advice backed up by examples to prove its value. This book will make you scrutinise your writing based on your self-perceived flaws. I very quickly realised that my character descriptions are cliched and it made me go back and revise them based on the advice and they improved dramatically. I love it when advice can spark creativity and this is exactly what this book will do for you. The book is interestingly also part memoir, where John informs us about his life as a writer and the lessons he’s learnt along his journey. It’s fascinating to see how writing has always been a ginormous part of John’s life and the effect meeting other writers has had on his writing. The way John ties his anecdotal moments with sage advice means this book is light and humorous which makes it far easier to read than other denser writing craft novels. I would highly recommend this book for writers who want their writing to have an edge, an advantage before querying. This book will give you the fuel you need to hone and sharpen the climax moments in your book that will impress agents, publishers and most importantly readers.
Normally, I don’t review non-fiction but as I am an aspiring author and have begun writing my debut fantasy novel when John reached out to me, I thought this would be the perfect way to learn from a skilled writer/editor on ways in which I could improve my writing. John’s book is focused on what he describes as ‘linchpin’ moments, those moments where a reader’s engagement is peaked and hooks them into continuing your book. These are the moments that readers remember in their hearts long after they’ve finished reading. The book gives practical tips on how to write these linchpin moments across many styles and genres to make them accessible and relevant for many authors.
John talks about the need to curate a writing life for yourself, surround yourself with reading, writing, constantly strive to be better and to learn from others, it takes time and dedication and hard work. John’s advice in this book comes from him studying thousands of books, reading their opening paragraphs, tracking their plots, and analysing their endings. This is sage advice backed up by a deep evaluation of good books. Like a science paper backed by years of scientific research. John can quote fifteen books for every piece of advice he gives and that’s how you know he’s knowledgeable and is someone worth listening to.
I like how at the end of each chapter John offers a series of suggested writing challenges, homework if you like, for the reader to go away and do that will enable them to apply the tips from the chapter and improve their writing. These practical suggestions are really helpful as they bridge the gap between reading about how to improve your writing and taking the steps towards actually implementing them, taking away any anxiety about the application. Each chapter also points you in the direction of further blog posts that can inform you further about a particular tip if you want to do further research.
I like how the book is divided into clear chapters so you can pick and choose which sections you read based on what you feel you need to work on and it makes it easy to dip back in and out of the advice. Each chapter is filled with little nuggets of advice backed up by examples to prove its value. This book will make you scrutinise your writing based on your self-perceived flaws. I very quickly realised that my character descriptions are cliched and it made me go back and revise them based on the advice and they improved dramatically. I love it when advice can spark creativity and this is exactly what this book will do for you. The book is interestingly also part memoir, where John informs us about his life as a writer and the lessons he’s learnt along his journey. It’s fascinating to see how writing has always been a ginormous part of John’s life and the effect meeting other writers has had on his writing. The way John ties his anecdotal moments with sage advice means this book is light and humorous which makes it far easier to read than other denser writing craft novels. I would highly recommend this book for writers who want their writing to have an edge, an advantage before querying. This book will give you the fuel you need to hone and sharpen the climax moments in your book that will impress agents, publishers and most importantly readers.
November 3, 2022
Every reader picks up a book for their own reasons. For me, if I choose to read nonfiction, I'm largely looking to either be inspired or to learn something new. With The Linchpin Writer by John Matthew Fox, I am happy to say I experienced both.
Borrowing the concept of a linchpin, or the thing that holds everything else together, Fox focuses on those emotional anchor points that keep a reader from putting a book down. Every chapter highlights a different type of linchpin or section of a story. From first lines all the way to last ones, every part is covered. What truly sets The Linchpin Writer apart from other books I've read on writing though boils down to three main things: actualization, relevance, and tone.
Every chapter ends with an action step in the form of a challenge for you as a writer as well as an avenue for finding extra information on the topic. Yes, that information is from Fox's own website, but it's done in such a way that doesn't feel self-aggrandizing. And having been on that site to look around a bit, there truly is a wealth of knowledge to be found there.
I blame the author for why my reading list has suddenly doubled almost. Instead of pulling examples from classic literature or what seems to be a shortlist I've seen referenced in other works, the quotes used come from so many genres and are, for the most part, relatively recent. These samples don't just represent great descriptions or first lines as the case may be in certain sections. They reiterate the overarching point: linchpin moments in novels are important. Without the full context of the rest of the stories they were pulled from or the blurb on the cover, I felt compelled as a reader to add quite a few titles to the aforementioned list because of those linchpins.
The tone of the writing is both conversational and engaging. Personal anecdotes connect and support the various points the author makes without ever feeling like too much. Fox often reminds me of a coach with the approach he takes, inspiring other writers by sharing both successes and failures. He never diminishes the sheer effort that good writing takes, but he does offer strategies that can help hone effort toward something substantial.
I recommend The Linchpin Writer to anyone interested in making sure what they write packs an emotional punch. Readers won't always remember every point of a plot or every action a character takes. But almost everyone will remember how a piece of writing makes them feel.
Borrowing the concept of a linchpin, or the thing that holds everything else together, Fox focuses on those emotional anchor points that keep a reader from putting a book down. Every chapter highlights a different type of linchpin or section of a story. From first lines all the way to last ones, every part is covered. What truly sets The Linchpin Writer apart from other books I've read on writing though boils down to three main things: actualization, relevance, and tone.
Every chapter ends with an action step in the form of a challenge for you as a writer as well as an avenue for finding extra information on the topic. Yes, that information is from Fox's own website, but it's done in such a way that doesn't feel self-aggrandizing. And having been on that site to look around a bit, there truly is a wealth of knowledge to be found there.
I blame the author for why my reading list has suddenly doubled almost. Instead of pulling examples from classic literature or what seems to be a shortlist I've seen referenced in other works, the quotes used come from so many genres and are, for the most part, relatively recent. These samples don't just represent great descriptions or first lines as the case may be in certain sections. They reiterate the overarching point: linchpin moments in novels are important. Without the full context of the rest of the stories they were pulled from or the blurb on the cover, I felt compelled as a reader to add quite a few titles to the aforementioned list because of those linchpins.
The tone of the writing is both conversational and engaging. Personal anecdotes connect and support the various points the author makes without ever feeling like too much. Fox often reminds me of a coach with the approach he takes, inspiring other writers by sharing both successes and failures. He never diminishes the sheer effort that good writing takes, but he does offer strategies that can help hone effort toward something substantial.
I recommend The Linchpin Writer to anyone interested in making sure what they write packs an emotional punch. Readers won't always remember every point of a plot or every action a character takes. But almost everyone will remember how a piece of writing makes them feel.
November 29, 2022
The Linchpin Writer: Crafting your novels key moments - John Matthew Fox
Linchpin moments are where the reader decides whether to abandon the book or keep reading (the beginning, the end of a chapter). These are the moments when you have a climax (surprise, main climax, emotional climax) and in this book the author teaches you how to nail these.
I am not a writer, but what I am is an avid reader and this book really engaged me as to why I love certain books. It was insightful and useful and should I ever choose to write a book will be helpful. There were several tips and hints that stand out from this book. The first is to read the first paragraph of a few books in your genre, what stands out, does it hook you in? This is the first lynchpin and it really made me think, what catches you as you read, what will make you keep reading on. There are a few books I’ve DNF’d after the first paragraph, when I’ve just thought it’s not for me.
Secondly -Dialogue, what is the characters first line? It is usually significant- this made me deep dive back into many of my shelves books to read first lines and it tells you tons about that characters trajectory in a nutshell.
Thirdly -Situations give emotions to the reader, don’t name it, there are micro emotions on every page, strive for wonder, you know as a reader what that feels like, it’s rare, it’s intangible and individual but it is there in books and it can be written.
I could go on with this but there’s so much to take in and with exercises to do, it is one of those books that you will constantly refer back to.
It has an easy to read style, is simple and has great tips for budding and not so budding writers. There are lots of examples to illustrate his points using well known authors work which is helpful, and as the true scientist I am, I do like evidence to back up a theory! It has made me read with new eyes, this is a break down of how books work on us as readers. I’m not convinced that I will ever write a book but I think also it will make me a better reader and who knows maybe one day I will write!
‘You cannot save the world with your book, but you can reach your tribe: those who know you, those who live around you, those who care about your topic. If you have limited expectations—if you truly understand what Gandhi called your “insignificance”—then you are free to write what you are meant to write, and reach who you are meant to reach.’
Linchpin moments are where the reader decides whether to abandon the book or keep reading (the beginning, the end of a chapter). These are the moments when you have a climax (surprise, main climax, emotional climax) and in this book the author teaches you how to nail these.
I am not a writer, but what I am is an avid reader and this book really engaged me as to why I love certain books. It was insightful and useful and should I ever choose to write a book will be helpful. There were several tips and hints that stand out from this book. The first is to read the first paragraph of a few books in your genre, what stands out, does it hook you in? This is the first lynchpin and it really made me think, what catches you as you read, what will make you keep reading on. There are a few books I’ve DNF’d after the first paragraph, when I’ve just thought it’s not for me.
Secondly -Dialogue, what is the characters first line? It is usually significant- this made me deep dive back into many of my shelves books to read first lines and it tells you tons about that characters trajectory in a nutshell.
Thirdly -Situations give emotions to the reader, don’t name it, there are micro emotions on every page, strive for wonder, you know as a reader what that feels like, it’s rare, it’s intangible and individual but it is there in books and it can be written.
I could go on with this but there’s so much to take in and with exercises to do, it is one of those books that you will constantly refer back to.
It has an easy to read style, is simple and has great tips for budding and not so budding writers. There are lots of examples to illustrate his points using well known authors work which is helpful, and as the true scientist I am, I do like evidence to back up a theory! It has made me read with new eyes, this is a break down of how books work on us as readers. I’m not convinced that I will ever write a book but I think also it will make me a better reader and who knows maybe one day I will write!
‘You cannot save the world with your book, but you can reach your tribe: those who know you, those who live around you, those who care about your topic. If you have limited expectations—if you truly understand what Gandhi called your “insignificance”—then you are free to write what you are meant to write, and reach who you are meant to reach.’
February 8, 2023
The Linchpin Writer Crafting Your Novel's Key Moments by John Matthew Fox is required reading if you are an author, are thinking about being a fiction writer or just simply want to take your storytelling skills to the next level. The book is positioned around “linchpin moments” like the start or end of a chapter or a climax. Opportunities when readers decide to keep reading or biff a book. “If you flub up these pivotal moments,” says Fox “there is no amount of literary resuscitation that can bring your book back to life.” John Fox is no stranger to the book world. As an editor and author, he knows what makes good linchpin moments through his work with hundreds of authors, his voracious reading appetite and his help to some fifteen million writers through his blog Bookfox which he began in 2006 (TheJohnFox.com). Readers will appreciate his personal stories and experiences that encourage your own voice rather than taking a prescribed step-by-step approach to write.
The Linchpin Writer Crafting Your Novel's Key Moments provides readers with how-to advice, illustrating concepts with different genres and famous literary giants like Margaret Atwood and Gabriel Garcia Marquez. Tackling topics from famous firsts, like what to do when you first introduce your character or when they take their first words, to finding an ending or killing your characters, each section in the book takes the writer-reader on an emotional learning journey. I loved reading this book. It felt like Fox was my own trusted advisor using his “literary alchemy” to help me reveal the voice within. “What’s the moment when you became a writer?” His book will encourage you to work harder, be open to possibilities and raise your awareness to find a sense of wonder in everyday life. His writing challenges at the end of each section will let you test what you are learning. Practice, after all, will make you a better writer. I wish I had read The Linchpin Writer before I wrote my first book. There is so much I would do differently, starting with the opening paragraph. I know I will be a better writer after reading this book and learning how to nail linchpin moments. If you want to write better fiction, buckle in. The Linchpin Writer by John Matthew Fox is the ticket that will help your writing take off.
The Linchpin Writer Crafting Your Novel's Key Moments provides readers with how-to advice, illustrating concepts with different genres and famous literary giants like Margaret Atwood and Gabriel Garcia Marquez. Tackling topics from famous firsts, like what to do when you first introduce your character or when they take their first words, to finding an ending or killing your characters, each section in the book takes the writer-reader on an emotional learning journey. I loved reading this book. It felt like Fox was my own trusted advisor using his “literary alchemy” to help me reveal the voice within. “What’s the moment when you became a writer?” His book will encourage you to work harder, be open to possibilities and raise your awareness to find a sense of wonder in everyday life. His writing challenges at the end of each section will let you test what you are learning. Practice, after all, will make you a better writer. I wish I had read The Linchpin Writer before I wrote my first book. There is so much I would do differently, starting with the opening paragraph. I know I will be a better writer after reading this book and learning how to nail linchpin moments. If you want to write better fiction, buckle in. The Linchpin Writer by John Matthew Fox is the ticket that will help your writing take off.
January 1, 2023
I received an e-book copy from the author as part of the Library Thing Early Reviewers program. From previous experience with free e-books, I expected a bunch of blog posts thrown together, and imagined one or two possible insights at best. However, I liked the cover and hoped the writing would be as sharp. I am happy to say I like almost everything about this book. I like how the metaphor and theme are illustrated on the cover, clearly explained right at the beginning of the book, and continued through out. This is a craft book for people who think they have read all of the craft books. It’s inspiring, has fresh ideas, and makes you want to get to work. It lays out a writing rule, and then instantly shows examples of impressive ways to break it. It offers useful “Writing Challenges” at the end of each chapter to get you reading as a writer, and applying what you learn. I really like the approach to character description which I find challenging. He even brought up the game of Clue (which I had recently bought a modernized version of at the thrift store) when talking about surprise and mystery. I don’t like that he uses Google as a verb, instructing the reader to search certain phrases to find things on his website, when he could just as easily directed the reader to his blog and stated which category to click. The blog is well designed and full of interesting posts. The only reason to tell people to Google things is because he believes it will improve his SEO (listing position on the Google search engine). I feel like it cheapens the merits of the book itself. Which brings me to the only other thing I didn’t like about the book which was that it was too obvious that the book was trying to sell online classes and direct traffic to the website instead of the other way around. Overall, I highly recommend this book to absolutely everyone. It’s an inspiring craft book for writers and a great read for everyone.
October 18, 2022
There are moments in our stories that can make or break them.
These are “linchpin” moments, and in a world deluged with tomes on craft, John Matthew Fox has brought a new angle and fresh insights to the writing conversation.
The Linchpin Writer is divided into three main sections: firsts (paragraphs, description, dialogue), emotions (sorrow, wonder, desire), and endings (chapter, story, character). Each chapter concludes with actionable advice and prompts, and to expand on the ideas, Fox offers a clear pathway to the resources on his blog, where we can take an even deeper dive into the subject matter.
There are insights aplenty for both the neophyte and the seasoned professional, and along with the analysis and breakdown of what works and what doesn’t, Fox proffers stories of his travels and some of the high and low points of his career to deepen the insights and encourage writers to stay the course.
You won’t find detailed instructions on world-building or character development. That’s already been done by hundreds of other writers in thousands of other books, and that’s not the purpose of The Linchpin Writer, anyway, which is precisely what makes it a welcome addition to any bookshelf.
With its excellent guidance on nailing key moments in your novel, clear and concise explanations for each topic, and encouraging tone, The Linchpin Writer is exactly what we writers need: nothing more, nothing less.
The linchpin moment of Fox’s book just might be the final sentence, which is a swift sock to the gut to anyone who calls themselves a writer. But I won’t spoil it here. I’d simply encourage you to pick up a copy of The Linchpin Writer, read it, and answer for yourself.
*I was gifted an ARC of this book to review, but this in no way swayed my opinion of it: an easy 5/5 stars for any writer at whatever point of the journey they might be on.
These are “linchpin” moments, and in a world deluged with tomes on craft, John Matthew Fox has brought a new angle and fresh insights to the writing conversation.
The Linchpin Writer is divided into three main sections: firsts (paragraphs, description, dialogue), emotions (sorrow, wonder, desire), and endings (chapter, story, character). Each chapter concludes with actionable advice and prompts, and to expand on the ideas, Fox offers a clear pathway to the resources on his blog, where we can take an even deeper dive into the subject matter.
There are insights aplenty for both the neophyte and the seasoned professional, and along with the analysis and breakdown of what works and what doesn’t, Fox proffers stories of his travels and some of the high and low points of his career to deepen the insights and encourage writers to stay the course.
You won’t find detailed instructions on world-building or character development. That’s already been done by hundreds of other writers in thousands of other books, and that’s not the purpose of The Linchpin Writer, anyway, which is precisely what makes it a welcome addition to any bookshelf.
With its excellent guidance on nailing key moments in your novel, clear and concise explanations for each topic, and encouraging tone, The Linchpin Writer is exactly what we writers need: nothing more, nothing less.
The linchpin moment of Fox’s book just might be the final sentence, which is a swift sock to the gut to anyone who calls themselves a writer. But I won’t spoil it here. I’d simply encourage you to pick up a copy of The Linchpin Writer, read it, and answer for yourself.
*I was gifted an ARC of this book to review, but this in no way swayed my opinion of it: an easy 5/5 stars for any writer at whatever point of the journey they might be on.
December 17, 2022
Recommended for writers and all you writer-wannabes!
The book discusses the importance of ‘linchpin’ moments, and what constitutes good ones. This is done through example, with the author reviewing excerpts from a wide variety of novels. The linchpin topics include the first paragraph, the main character’s first line of dialogue, emotions, sex scenes, death scenes etc. There are also writing assignments at the end of each section so that the reader can try to put to practice what has been learnt. Some chapters worked better than others. I found the section on chapter endings quite interesting, but I felt that the book ended on a low point, with its discussion of the ‘linchpin moment’ of the writer actually sitting down to write.
The author, (who earns a living through his online writing courses), also references his website as a resource for writing tools. His book has a chatty, personal tone and he frequently inserts his own life experiences, such as the challenges that he has faced as an author (who is often unsuccessful though persistent). These parts were the least helpful, but writer-readers may find them relatable and/or inspirational. I didn’t, but I am not a writer. However, I do like learning about the craft, (partly to better appreciate good writing) so I usually enjoy how-to-write books. In this case, I found some of the analyses quite interesting & I learned a few things, though I wasn’t always on the same page as the author. I recommend the book, but it won’t necessarily make you a brilliant author, (though one can always hope).
I won a free copy of this book (thanks to the author & publisher!) and am voluntarily providing an honest review.
The book discusses the importance of ‘linchpin’ moments, and what constitutes good ones. This is done through example, with the author reviewing excerpts from a wide variety of novels. The linchpin topics include the first paragraph, the main character’s first line of dialogue, emotions, sex scenes, death scenes etc. There are also writing assignments at the end of each section so that the reader can try to put to practice what has been learnt. Some chapters worked better than others. I found the section on chapter endings quite interesting, but I felt that the book ended on a low point, with its discussion of the ‘linchpin moment’ of the writer actually sitting down to write.
The author, (who earns a living through his online writing courses), also references his website as a resource for writing tools. His book has a chatty, personal tone and he frequently inserts his own life experiences, such as the challenges that he has faced as an author (who is often unsuccessful though persistent). These parts were the least helpful, but writer-readers may find them relatable and/or inspirational. I didn’t, but I am not a writer. However, I do like learning about the craft, (partly to better appreciate good writing) so I usually enjoy how-to-write books. In this case, I found some of the analyses quite interesting & I learned a few things, though I wasn’t always on the same page as the author. I recommend the book, but it won’t necessarily make you a brilliant author, (though one can always hope).
I won a free copy of this book (thanks to the author & publisher!) and am voluntarily providing an honest review.
November 7, 2023
"Your writing is also important because of the people who will read your book. Honestly, it doesn't matter the number of people who will read your book. Whether it's fifty or over a million, those were the lives you were destined to touch. Your book can bring healing, or laughter, or escapism, or freedom, or understanding. Your book can help someone escape from a depressing life into a world of your creation and, for a few hours or more, set them free from the bondage of their life."
This book gives writers advice on how to craft the most important parts of their books: first character descriptions, chapter endings, first dialogue, etc.
"Think about it: the last sentence of your first paragraph is the springboard from which you launch into the rest of your book. It's the very first break in the book, and thus the first chance readers have to stop reading. Don't let them."
Overall, I learned quite a bit from this book. While I could have done without some of the - rather lengthy - personal digressions of John Matthew Fox, I learned a lot of overall and would recommend this book to any writer.
"Once, a mentor asked me, "Are you doing everything you can to achieve your goals as a writer?" And I had to admit that my desire to become a writer was outweighing my actions. I could do more. And I did. Just like Suzanne. And now I pose the same question to you. Are you doing everything you can to achieve your goals?"
This book gives writers advice on how to craft the most important parts of their books: first character descriptions, chapter endings, first dialogue, etc.
"Think about it: the last sentence of your first paragraph is the springboard from which you launch into the rest of your book. It's the very first break in the book, and thus the first chance readers have to stop reading. Don't let them."
Overall, I learned quite a bit from this book. While I could have done without some of the - rather lengthy - personal digressions of John Matthew Fox, I learned a lot of overall and would recommend this book to any writer.
"Once, a mentor asked me, "Are you doing everything you can to achieve your goals as a writer?" And I had to admit that my desire to become a writer was outweighing my actions. I could do more. And I did. Just like Suzanne. And now I pose the same question to you. Are you doing everything you can to achieve your goals?"
This entire review has been hidden because of spoilers.
October 24, 2022
"But every writer must overcome their natural instinct to avoid conflict and make the conscious decision to wallow, to linger, and to dwell in a tragic, conflict-heavy moment."
This was my first "how to write a good novel" book. Now, I'm no pessimist, but I went into this expecting industry formulas for an ironclad plot, the true essentials for writing a great character, and written-in-stone stunts a writer can pull to trick readers into believing that they're a better author than they actually are. Seriously, I'm no pessimist, but that's all anyone ever talks about: How to write a book that sells.
And, of course, we all want to sell.
But "The Linchpin Writer" broke down the most difficult parts of the storytelling craft. The ones we all struggle with, regardless of talent. The ones we're all afraid of, regardless of success. The ones that not only make or break our books, but make or break us as artists. With intimate anecdotes from his own journey and a handful of raw exercises, the author teaches how to assemble those moments, not just into something that sells, but into something that makes you a better artist.
This book is gospel for all writers, but especially new ones like myself, who are still trying to navigate the depth of their own artistry. A big thanks to John and his team for sending me this ARC.
This was my first "how to write a good novel" book. Now, I'm no pessimist, but I went into this expecting industry formulas for an ironclad plot, the true essentials for writing a great character, and written-in-stone stunts a writer can pull to trick readers into believing that they're a better author than they actually are. Seriously, I'm no pessimist, but that's all anyone ever talks about: How to write a book that sells.
And, of course, we all want to sell.
But "The Linchpin Writer" broke down the most difficult parts of the storytelling craft. The ones we all struggle with, regardless of talent. The ones we're all afraid of, regardless of success. The ones that not only make or break our books, but make or break us as artists. With intimate anecdotes from his own journey and a handful of raw exercises, the author teaches how to assemble those moments, not just into something that sells, but into something that makes you a better artist.
This book is gospel for all writers, but especially new ones like myself, who are still trying to navigate the depth of their own artistry. A big thanks to John and his team for sending me this ARC.
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