At five years old, Kristal Brent Zook sat on the steps of a Venice Beach, California, motel trying to make sense of her white father’s abandonment, which left her feeling unworthy of a man’s love and of white protection. Raised by her working-class African American mother and grandmother, Zook was taught not to count on anyone, especially men. Men leave. Men disappoint. In adulthood she became a feminist, activist, and “race woman” journalist in New York City. Despite her professional success, something was missing. Coming to terms with her identity was a constant challenge.
The Girl in the Yellow Poncho is Zook’s coming-of-age tale about what it means to be biracial in America. Throughout, she grapples with in-betweenness, childhood sexual assault, economic insecurity, and multiple generations of alcoholism and substance abuse on both the black and white sides of her family. Her story is one of strong black women—herself, her cousin, her mother, and her grandmother—and the generational cycles of oppression and survival that seemingly define their lives.
Setting out on an inner journey that takes her across oceans and continents, Zook tells the story of a little girl who never gives up on love, even long after it seems to have been destroyed. In the end she triumphs, reconciling with her father and mother to create the family of her dreams through forgiveness and sheer force of will. A testament to the power of settling into one’s own authentic identify, this book tells a story of a daughter’s lifelong yearning, a mother’s rediscovery of lost love, and the profound power of atonement and faith to heal a broken family.
The phrase “intergenerational trauma” in and of itself is slowly (but surely) starting to make its way through popular vernacular/lexicon within - or, perhaps, because of - an ongoing societal shift and movement towards contextualizing the things, systems, and people, that have formed the root causes of more individual traumas. This book introduces the concept to readers who may not be familiar with it - but, most importantly, it mingles it with invaluable cultural analyses of race and gender that Zook excellently supplements with the necessary research and expertise pertinent to them. It is, at once, a unique story of resilience and a thought-provoking look at some examples of racism, misogyny/misogynoir, and other systems of oppression manifesting on more interpersonal levels, as facilitated by their omnipresence on a much-larger scale.
What a diametrically opposed emotional issue for Belle de Costa Green ( The Personal Librarian) and Kristal Zook, a century later. It doesn’t necessarily make a difference which side of the color barrier one is on as a child— The scars are still the same when one of reaches adulthood. They all need to be resolved.
A raw and vulnerable memoir about navigating what it means to be mixed-race, living without then trying to build a relationship with an absent father, and healing from generational trauma. Frankly, this book didn’t always click with me, but I still sincerely admire the author for pouring her heart and soul onto the page as she did. It’s very earnest.
I liked this book and enjoyed Kristal's story. I, myself, being a biracial Black and White woman, I related to many of her life experiences. I was so happy when she went back and completed her dissertation and PhD. As she mentioned, the dropout rate is fairly high for doctorate programs. A degree well earned from a bright lady!
This book is a story of trauma and healing, strength and vulnerability, growing into one’s best self and so much more, all in such gorgeous prose — it moved me in so many ways.
Excellently written & flowed very easily. I read it very quickly as I was curious as to what would come next. I have read 2 other books by this author & I like her writing style.