I am a big fan of retellings, and Persephone and Hades's story is one of my favorites, so I was very excited to get an eARC in exchange for an honest review. I wanted to love this book, but the story did not capture me at all, unfortunately. The pacing was slow and lacked significant and constant plot progression. I found the ending infuriating, but that was because the book ended with a trope that I hate, so that's more of a personal nitpick. I was not fond of the main characters (and most of the supporting characters), and there was a distinct lack of romance considering the genre. There was plenty of sex and characters being in love, but I felt like the romance, the falling-in-love phase, was lacking, and this was not an insta-love, fast-burn romance.
My favorite part was the world and society Shore created. Despite being influenced by Greek myths, the world was unique and convoluted, with its own mythology, all-powerful deities, and language. I applaud authors who take the time to develop their worlds so thoroughly. However, Shore dropped the reader into her world with little to no explanation about anything, which was a confusing way to start a book. I had to do a bit of rereading at first to acclimate myself to the world and writing. There was a character guide, but I would have preferred a language guide and/or a breakdown of the holidays and festivals that featured prominently.
I was really bothered by the inconsistent timeline because certain scenes and plot points dragged on, while some scenes I was more interested in were glossed over. Each chapter ended on a cliffhanger, but not all chapters resolved the preceding cliffhanger. Instead, chapters skipped forward by days, and cliffhangers were resolved with brief flashbacks. The timeline jumped ahead at the oddest places! Additionally, the main villain and nefarious plot for Isla felt like an afterthought overshadowed by the drama between Allysteir, Isla, and the God of Death. Had the romance been more nuanced and separated from the other conflict, I don’t think focusing on it would have been so all-consuming. However, since the villain's involvement was the catalyst of Isla offering herself to Allysteir and the God of Death, I thought the two plots would intermingle more since they were so involved. There lacked a balance between the relationship progression and handling the threats against Isla, which lessened Isla’s triumph at the end against her would-be killers since it almost felt like an afterthought to Isla’s primary worry about her role as Queen.
I wasn't fond of the main characters. Isla was seen as this strong, badass, feminist heroine by other characters, and the writing reinforced this perspective, but I didn't see it. Isla's actions were very predictable, she was outspoken and confident, but I couldn't see her as a boundary-pushing, strong heroine. She read like a series of tropes instead of a unique, strong female heroine. Most of Isla's actions were self-serving, which she eventually acknowledged, and her initial motivation for self-preservation was understandable. But, I didn’t feel like her motivations ever changed, and she never really evolved as a person. Even though she said she was going through this metamorphosis phase after experiencing hardships, she never really changed or adapted; her (already high) confidence increased, and she used her powers more.
Allysteir was not much better, I liked him at first, but halfway through the book, he doubled down on making naive decisions and became even more tedious and brooding. It never felt like Allysteir and Isla had much chemistry, nor did Isla’s and the God of Death’s romance feel real. Isla deducted that to live, she needed to appeal to the God of Death by not giving him what he wanted. Great plan, but then suddenly they're in love?! I wanted more romance! Since Isla essentially falls for a shadow spirit, and there were only a few instances of direct communication, it was hard to see their relationship progress and thus hard to believe. The elimination of romance just made the whole story very dry, and I didn’t feel like rooting for them like I usually do for most main couples. I liked Fanny and her ending, but her delightful and surprisingly strong character was not enough to keep me interested.
Maybe I read too many dark smutty romances, but I expected a lot more dark smut from this book than I got. The sex scenes had too much flowery purple prose and not enough dirty details for me, and there were fewer explicit sex scenes than I expected based on the writing. I liked Franny and Isla’s relationship, but it was unbalanced. At one point (if I interpreted this right), Franny tells Isla she’s not a lesbian but likes sex with Isla because Isla loves it, and Franny loves making Isla happy. So I assumed Franny could be demisexual. Yet, the author never acknowledged this possibility or Fanny much outside of the relationship with and actions regarding Isla, which I thought was a missed opportunity.
I was excited to read the Bride of the Corpse King, but I could not get into this book. I would be willing to try another of the author's books because they come up with excellent ideas, but I don’t think their writing style is for me and the sex scenes were highly disappointing. If you like books with slow development, time jumps, flat but consistent characters, good sexy times, and a huge cliffhanger ending, then you’ll like this book.