The nitty-gritty: A lively tale combining family drama and otherworldly fairies, I enjoyed Rowenna Miller's writing style and her take on the fae.
The Fairy Bargains of Prospect Hill was a surprise in many ways. I expected a whimsical historical fantasy, and yes, there are definite moments of whimsy. But the story also deals with some serious subjects, like spousal abuse and the consequences of marrying the wrong person. I also liked the way the author portrayed the fae, which was different from other fairy stories I’ve read. Overall, I thought this was a very good mix of family drama and magical elements, and you can’t beat the heartwarming ending.
The story takes place in the early 1920s. Alaine and Delphine are sisters, living on Prospect Hill, a large plot of land that has been in the family for decades. Alaine lives with her husband Jack and their daughter Emily, and her passion is running the family orchard. When the story begins, Delphine is about to be married to a rich man named Pierce Grafton, and Alaine is sad because her sister will be leaving her childhood home to move to the city, where Pierce runs a glassworks company with his father. Alaine can never imagine leaving Prospect Hill herself, a magical place where humans and fairies live in harmony with each other. As children, the girls were taught by their grandmother Lilibeth how to make fairy bargains, small favors granted by the fae in exchange for trinkets like a scrap of silk cloth or thread, or even something as mundane as parchment paper.
Lilibeth instilled in the girls that bargains are not to be made lightly, though, and she warned them of asking for too much. But the orchard isn’t doing well, and so Alaine decides to ask the fairies for a good harvest in order to avoid financial trouble. But after a successful bargain, Alaine sees other things that need fixing, and her bargains become bigger—and more dangerous. And when Delphine needs help, Alaine finds herself in a little too deep with the fae, tangled up in a bargain that can only bring heartache.
I was fascinated by the idea of fairy bargains, but it was hard to watch Alaine and Delphine become obsessed with getting their heart’s desire. Alaine makes a rather big bargain, for an exceptional crop of cherries and apples in order to save the business, but once she achieves that goal, she can’t stop herself from asking for more—and more. Bargaining is like a drug for her, and even when Jack starts noticing that she’s meddling with things she shouldn’t be, she keeps finding new ways to get what she wants. The reader knows what’s coming, it’s not really a big secret, but eventually the “ask” becomes way too big, and the fairy ends up tricking the girls and taking something precious to them. I wanted to yell at the sisters to stop making bargains, but of course we wouldn’t have a story if they did.
In the midst of all of the magical bargains, we follow Delphine as a new bride, trying to integrate herself into a new home and lifestyle. She’s hoping to make friends quickly and find a purpose in her marriage, but no one is thrilled with Pierce’s choice of a “country” wife, and they rudely snub her. Pierce is too caught up in his glassworks business and political aspirations to spend time with his new wife, so Delphine’s vision of a loving partnership begins to fade. When she makes some social mistakes, Pierce turns mean, and Delphine realizes she’s made a terrible mistake. Some scenes were tough to read, it was so frustrating to see how hard it was for women during the early 1900s. Pierce expects his wife to dedicate her life to his career, even though she longs to become an artist. And as for divorce, it was rare and scandalous at that time, and not something entered into lightly. I loved that Alaine’s life is completely different. She manages the family orchard and even becomes president of the local Agricultural Society, and luckily she has a caring husband who supports her interests.
And lest you think I’ve forgotten about the fairies, well never fear! It takes a while, but about two thirds into the story, the focus abruptly shifts to the realm of the fae, as one of the characters must cross over in order to, well, you’ll have to read the book to find out. We finally get to see the fairies on the other side of the bargains Alaine and Delphine have been making, and Miller infuses her fairy lore with some interesting ideas that I haven’t seen done before. Miller’s fairies are otherworldly and menacing, but there’s also a vulnerability and delicacy to them that I loved. This is the section where the tension really builds, as the stakes are considerably higher, and although I suspected we would get a happy ending, there were definitely some moments that tested that belief.
The author adds snippets of children’s rhymes and traditional fairy bargains at the beginning of each chapter, which was a perfect way to set the tone, adding that bit of whimsy I was talking about, although some of the rhymes also come across as slightly ominous. I also loved the ending, which brings everything full circle. This was my first book by Rowenna Miller, and I look forward to reading more of her work.
Big thanks to the publisher for providing a review copy.