Read for my independent study over Norse Mythology in young adult literature.
The world that Fred Tornager has created is so vibrant, not only with the illustrations but with the characters, themes, and actions of the story. It was an absolute joy to see all the character designs, and while the plot was pretty basic it allowed for more room for character moments to shine. This book felt much like an adventure through the world and its inhabitants than a plot-focused drama, and it’s all the better for it. And as the first book in a series, it does an amazing job of setting up the coming story and its characters.
Speaking of characters, I loved all the gods’ designs. They all have a beautiful stylistic mix of traditional and modern, which works perfectly for this story. Thor, for example, has all the bells and whistles of his Eddic counterpart but with the aesthetic of a modern-day biker. Odin and Heimdal are also standouts, but with Heimdal Tornager had much more creative freedom and it was so great to see him in presented so uniquely.
Unlike many modern interpretations of Loki, he’s not wholly evil. He’s very frank about his intentions, and he has good reason to be mad at the other gods. He’s tricky and seems to have something to hide, but that makes sense. Tornager’a treatment of Loki wasn’t anything outrageously new, but it was refreshing when compared to other modern interpretations.
I also loved the choice to make Heimdal and Loki foils by making them opposing elemental Jotun tribes; Loki has been associated by many with the element of fire, and while Heimdal isn’t specifically associated with water the two gods did have a rivalry in mythology. We know that they fought as otters once (perhaps it was Heimdall’s idea, thus the association with water?), but other than that we don’t know much about their relationship beyond the fact that there was one. Making them foils like this does a lot to fleshing out that relationship.
I love that Odin is portrayed with awe and power, but not with unnecessary respect. Odin treats Loki terribly, and Gunhild calls him out for it.
There are also very distinct queer themes in this book. Liv already knows about the prophecy of Ragnarok, and recounts it beautifully in chapter 7. But in chapter 8, Odin insists that it’s true, and both Liv and Gunhild refuse to accept it. Gunhild calls Odin stupid, and Liv says that it’s not fair to just let people die. Having just recounted the prophecy at the end of the previous chapter, this tells the audience that Liv knows how things are supposed to be — or, more accurately, how everyone accepts and expects things to be — but refuses to accept it because she knows it’s wrong. She doesn’t accept the norm that’s put in place by those in power, the gods. This is even more apparent when the note at the end of chapter 8 tells us that the gods set the standard for civilization. They create the binaries and the power structures. But Liv knows that just because someone in power says that a thing is true, it doesn’t mean that it is true or right.
Liv may feel so strongly about this because she is trans, which is revealed in the last chapter, but I think it’s particularly notable that that wasn’t brought up. The queer themes in this story don’t come as a result of the characters being queer, but from a source within the broader picture of the book.
Overall, a truly fantastic book full of vibrant characters and wonderful queer themes. I cannot recommend enough!