This book had so much promise, and for the first few hundred pages I raved about it for everyone because I loved the ethical dilemma she painted with the Pulse and how far technology has come and Oh did a great job of portraying both sides of the argument.
However, I have more negative than positive things to say about this novel. I felt as though there were many aspects which felt disconnected; for example, I couldn’t understand what Dreamtime was doing in the novel. It was a fascinating concept but it really felt as though it belonged in another novel. She tries to tackle Nox addiction, but it’s so thrown away that I couldn’t really understand why it was so important or why we had to care so deeply about it. When so much of the novel hinges on Dreamtime, I wish she had spent more time trying to elaborate on how it truly affects people, but even then, the novel feels more about Dreamtime than it does about anything else.
I also felt that a little over halfway through, once Orpheus is imprisoned, the story felt a little woolly and meandering, which made the novel drag, especially when it’s not a short read to begin with. I also felt when she introduced Silo Six, she forgot all of her important ethical questions and portrayed Silo Six as all good and the Panopticon as all bad and it felt like quite a juvenile attempt to explore meaningful issues.
Perhaps my biggest problem with the novel was the characters. They all felt so flat, and Moremi and Orpheus unfortunately don’t escape this fate. I didn’t care about either of them, and didn’t feel as though they had their own agency and the story just happened to them. I wished we had explored Moremi’s mental illness better and more thoroughly as it felt, again, disjointed from the story and the novel felt as though it was saying that she was fixed as soon as she found Orpheus.
I found the love story so forced and couldn’t really believe how they’d discovered such a strong bond over a month. We rarely get to see them interact with each other and we get told many things about them rather than seeing them for ourselves.
The side characters offer so little to the plot, and have almost 0 personality that I think the novel could have been fine without them. Zeba adds nothing, Halima even less so. And Moremi’s mother? I couldn’t tell you the first thing about her because she barely even in the novel and her death is a huge catalyst moving forward. I felt as though Oh tried so hard to build up this horrific world that her characters fell by the wayside and ultimately her entire story suffered for it.
The world, overall, I thought was interesting. It isn’t too disimilar to our own and there are haunting moments where it feels like looking into a mirror because you can see that the way society is going, we might very well make those same decisions.
Overall, this novel is not bad, but unfortunately, it’s not very good either. It has good moments, and the ethical conundrums Oh presents do leave you scratching your head and if someone you know reads the book, I’m sure it’ll spark a lively debate. However, I didn’t feel as though it came nearly as close to the magnitude and intricate story telling as her first novel, “Do You Dream of Terra Two?” did.