I think I finally understand my main issue with Fables, aside from the uneven writing, pacing, and tone. In this series, Willingham uses centuries-old characters from folklore and fairy tales. The characters exist in the modern age but their characterization feels arbitrary most of the time. Cinderella is a James Bond-type spy. Okay, cool, but take away her name and there's no real indication that she's Cinderella. Snow White is the leader and matriarch or sorts to the fables in Fabletown and the farm. But I can't see much in how she acts that suggests she's the same person from the fairy tale. Again, take away her name and she could be anyone. I'm far from an expert on fairy tales, but it doesn't seem to me like Willingham has a great grasp on the original stories and their characters. Compare to Sandman and Lucifer, two other Vertigo fantasy epics that use characters from religion and mythology and similarly place them in the modern day. The way Gaiman and Carey write those characters makes them feel like the same ones from those myths and legends. You can tell from how they write that they deeply understand the characters’ origins. But I can't say the same for Willingham. The Fables cast feel like entirely new characters who share the names of existing characters from fairy tales, with surface level, obvious suggestions of their background. Halfway through the series, I'm still not sold on their characterization.
That said, I'm going to keep reading because a) I'm a completist, b) I'm halfway done, and c) there are bits of the series that interest me, like Flycatcher, the Homelands, Frau Totenkinder, and Bigby and Snow's family.
So in this volume, the war finally happens, and also ends. It's a little rushed and underwhelming, especially coming after the epic, nine-issue Flycatcher arc. It's like Willingham realized he got there late and had to wrap it up quickly. Meh. There are some good moments, and Buckingham’s art wows, but this culmination could have been far better after all the buildup.
I was more interested in "The Dark Ages” storyline, which follows the fables after the war and sees them contending with a new threat to Fabletown. A new status quo emerges. The stuff with Boy Blue is very affecting, especially his scenes with Rose Red, and I like the Mowgli side story. I’m curious where Willingham is going to take the story in the remaining 70 issues. It kind of seemed like it reached its natural conclusion with the war.