Daredevil, Vol. 4: El fin del Infierno

Daredevil by Chip Zdarsky #4

by Chip Zdarsky

¡El regreso del diablo de La Cocina del Infierno! Mientras Matt Murdock cambia de idea acerca de su alianza con Elektra, Kingpin planea también cambiar de idea acerca de ciertas alianzas que ha hecho. Pero el hogar del Diablo Guardián está al borde del colapso. El infierno se ha desatado en sus calles. En medio del caos, ha llegado el momento, después de todos estos meses de tribulación, de que Matt Murdock descubra el verdadero significado de lo que es ser Daredevil.

Genres: Comics, Marvel, Graphic Novels, Comic Book, Superheroes, Graphic Novels Comics, Fiction

112 pages, Paperback

First published October 13, 2020

About the author

Chip Zdarsky is a Canadian comic book artist and journalist. He was born Steve Murray but is known by his fan base as Chip Zdarsky, and occasionally Todd Diamond. He writes and illustrates an advice column called Extremely Bad Advice for the Canadian national newspaper National Post's The Ampersand, their pop culture section's online edition. He is also the creator of Prison Funnies and Monster Cops.

Source: Wikipedia.

Reviews

[A.J. · Rating 5 out of 5]

Kingpin’s departure from the underworld has left it in complete chaos, as the Owl and Hammerhead use that mayhem to continue to stir trouble in Hell’s Kitchen. And this trouble is slowly driving Hell’s Kitchen headfirst into a full-blown war, unless Daredevil has something to say about it….

This is the volume I’ve been waiting for since I started reading this book, and holy shit did it deliver. I said in my review of the last volume that I felt this series was building towards something big that wasn’t Devil’s Reign, and that’s exactly what this was. Zdarsky is great at delivering satisfying payoffs to all the little threads he’s set up during this run, and this volume is the best showcase of that talent since his Spidey run. And I’m loving everything he’s been doing with Daredevil and Kingpin’s character this run. It’s been a solid buildup to the inevitable Devil’s Reign, and I get more excited for it the closer I get.

The art in this volume is also the best from the entire run so far, with Jorge Fornés drawing the first 3 issues and Marco Checchetto coming back to handle the last two. Fornés and Checchetto are both incredible artists in their own unique ways, and Zdarsky uses them to perfection in each of their respective issues. No spoilers, but Fornés handles most of the build-up and the quieter character moments, while Checchetto handles the bombastic action set-piece that had been set up perfectly by Fornés. And they both end up delivering in a truly stunning fashion. It even kinda makes me wish they were both the main artists for this book.

This is probably my favorite Daredevil run ever so far, and I can’t wait to see what Zdarsky and co. have in store for us in these other volumes. Recommended to anyone who enjoys the character and the creators involved. This is a fucking incredible ongoing that seems to have the legs to go on for a while. I just hope it can maintain this level of quality the whole way through.

[Scott · Rating 4 out of 5]

"My name is Matt Murdock. When I was a kid, God gave me a gift. He took my sight, but he gave me the world. Every sound,, every smell, every texture - he made me feel everything. I dressed as the devil and used these gifts to be a blunt instrument . . . " -- Matt 'Daredevil' Murdock

Like I said in the previous volume's review, I'm running out of original-sounding praise to give this mini-series. To give credit where it's due - writer Zdarsky and company have done consistently great work in maintaining a suspenseful and involving storyline, along with the always-solid illustrations by artists Checchetto and Fornes. In the latest developments, Daredevil pulls a slick 'Robin Hood' act to steal billions from the unsettling Stromwyn siblings (those felonious power brokers, still sporting their near-constant malevolent grins - ugh!) and then diverts this cash windfall into his beloved but always-ailing Hell's Kitchen neighborhood. Of course, with this being a Daredevil story the joy lasts for barely one afternoon . . . and then hell literally rains down on said community in the form of an invasion by a quartet of hired-gun - courtesy of the Stromwyns, of course - super-villains. There's also a child kidnapping (though not my favorite of plot devices - it's an easy 'go-to' to manufacture drama - but it works here) and some surprise appearances during the incredibly violent and 'all bets are off' finale chapters - a truly hellish montage of fire, explosions, beatdowns, and shoot-outs.

[Dan · Rating 5 out of 5]

While Matt and Elektra play Robin Hood and rob the Stromwyns, Hammerhead and The Owl are making moves in Hell's Kitchen. When they butt heads, will there be anything left of Hell's Kitchen to fight over?

In this volume, Daredevil is reborn, or Born Again (get it?) as a crime fighter. After a caper with Electra, Hell's Kitchen heats up and it's up to Matt, Cole North, and a handful of Hell's Kitchen's denizens to keep what's theirs. I was so engrossed in this story that I didn't even notice the shift from Jorge Fornes to Marco Checchetto on art. Both them paint a dark, gritty picture of Hell's Kitchen.

Anyway, Zdarsky continues his hot streak on this one. He makes Stilt-Man seem credible, writes a great Bullseye, and even brings an old villainess back into the picture. All the shit hits all the fans at the end and I wasn't completely sure Daredevil would actually walk out. I mean, logically I knew he would but there was still a heaping helping of uncertainty. The last page of the penultimate issue in this trade made me grin from ear to ear. If I had one gripe about this trade, it's that the final battle seemed a little rushed but I prefer that to dragging it out over another issue.

In the age of decompression, Chip Zdarsky has managed a complete tear down and rebuild of Daredevil in under two years and is easily a top tier Daredevil creator. Five out of five billy clubs.

[Chad · Rating 5 out of 5]

I wasn't aware of how much of a expert juggler Zdarsky was until this Daredevil run. He masterfully balances multiple plot threads, weaving characters in and out, creating this masterpiece run on a character known for its masterful runs. It's every bit on par with where Bendis, Brubaker, and Miller have taken Daredevil in the past. This is bar none, the best comic Marvel is publishing right now.

[Paul · Rating 5 out of 5]

The next time somebody asks me why I'm such a big fan of Daredevil (or mocks me for it; it's happened) I'm going to give them a copy of this book. Absolutely breathtaking.

(Not literally give them a copy, before you all start queuing up for your free books...)

[Jim Ef · Rating 4 out of 5]

7.3/10
Daredevil and Elektra in order to help the situation in Hell's kitchen, decide to steal from the very rich and powerful but not so nice Stromwyns siblings. The siblings in return decide to bring hell in Hell's kitchen. A huge battle involving super-villains takes place, can our heroes save the day?

[Mark · Rating 3 out of 5]

This is what you get from not being a regular reader of the various superheroes, while I have always enjoyed Daredevil I have not always kept up with his later antics.
That said this 4th volume in a new run of Daredevil puts Matthew Murdoch back in Hells Kitchen and the power struggle who can be called king of said quarter.
It shows the Return of a bunch of legendary thugs who’ve come to destroy the quarter and find that the title Daredevil is no longer carried by its legendary owner but by the people as well. But they find the original hero back on his turf and nothing will stop him to protect his people.
Matt Murdock aka Daredevil has come home.

Impressive drawing and a well written script, why three stars?- Daredevil feels like the comeback kid once too often.

[James DeSantis · Rating 5 out of 5]

Holy shit...That's it. Chip has done it. This is a classic before even being called a classic. I haven't had this much love for Daredevil since I finished the Bendis/Brubaker run but this is just blowing me away.

Matt helps elektra do some dirty work. In fact, he believes it is to rob very rich people and put the money into the accounts of small businesses and people in need. But of course she has other ideas. This part of the story is so important because when the rich get things taken from them they aren't very happy. So what do they do? Send Bullseye and a bunch of other villains to fuck up Hell's Kitchen. While that is happening Cole has decided he has had ENOUGH of this cowardly shit and ask the cops if they really want to be cops or just useless fucks. Kidnapping of kids, churches being attacked, Kingpin deciding he must do the unthinkable...ALL of this comes to a head as the final two issues of this volume are so amazing I would argue issue 20 is perfection in comic book form.

And see that's just it. Chip gets it. He writes Matt SO fucking well. A character who always battles himself on what to do and what is the RIGHT thing to do. He writes the villains as they should be, pricks with too much money and power. He writes side characters with concern for their friend in a mask. He just writes everything so goddamn well that this is the accumulation of his run so far.

But let me talk about the art cause holy fucking shit is it just as good. The last two issues in particular are mesmerizing. The full display of destruction and scale of fighting is insane. I dunno if I ever seen it in a Daredevil comic but it blew me away. Like watching a movie the way it looked.

I am truly blown away by this volume. I mean volume 1-3 were excellent but this is top level god-tier shit. 5 out of motherfucking 5.

[Subham · Rating 4 out of 5]

(heavy spoilers here) Through Hell continues, Matt and Elektra team up to take money from the Stromwyns and distribute to the poor. They are angry and to deal with it they wanna destroy Hells Kitchen and when the property values are lower drive the value up and ergo continue that trend. Matt has an interesting face off against them in a party. Also he battles some new hand ninjas gone "for hire" named The Drifters. Matt and Elektra rekindle that old flame. Meanwhile Fisk has been scared badly. And Hells Kitchen is becoming a warzone and in one of the greatest battles, 5 villains for hire descend to destroy Hells Kitchen: Bullseye, Crossbones, Stilt-Man, Rhino and Bullet! Also The Owl joins in and in of the greatest panels, they are destroying everything no matter what, in his absence People take up to become Daredevil and fight them, and seeing this Matt steps up and fights them all and knocks them down, the way he takes down Stilt-Man is epic and then that face off with Bullseye showing him who the *real boss* is just *chefs kiss*. And the art by Chechetto is superb and well done and just shows Matt at his best. And also Typhoid Mary and where she has been is wow. The duo of Kingpin and Daredevil fighting together is another good highlight and shows the intersection of the journey of these two men. Both fight for Hell's Kitchen, their city and won't let it rot. Its a really good read and so many plot lines over the last volume intersect here and make it worthwhile while paying off a lot of easter eggs and promises set earlier.

[Rod Brown · Rating 3 out of 5]

It's all out war in Hell's Kitchen as all the machinations of the previous volumes comes crashing into a big violent mid-season finale of sorts. I don't think all the story beats were earned or made sense, but it's easy to get caught up in the momentum as various threads start to weave together and characters cast aside previous doubts in favor of taking action.

Lots of Easter eggs and callbacks for longtime readers like me.

[Chris Lemmerman · Rating 5 out of 5]

This volume is actually the continuation of Through Hell, which began in the previous book.

Saying that the story comes to a head would be an understatement - Zdarsky brings things to a boil and then lets the water spill everywhere as war erupts in Hells Kitchen, with Daredevil and the Kingpin trapped in the middle. There are at least two big plot twists you'll never see coming, and the return of a few fan favourite Daredevil villains to boot along the way.

Zdarsky really knows what he's doing on this title. He's deconstructing Daredevil in a way that no other writer has managed, and yet keeps everything from getting too grim and dark by balancing it with superhero action and even some mafia politics as the Kingpin, the Owl, and the Stromwyn Twins snipe at each other in the only ways they know how.

Of course, the book looks gorgeous as well - with Jorge Fornes and Marco Checchetto on art, you'd be hard pressed to find a better art team. Their styles are wildly different, and yet perfectly suited for the type of story that Zdarsky throws their way; Fornes gets the introspective stuff, while Checchetto gets the bombastic action sequences that round out the story.

Four volumes in, and Daredevil looks to be set for another stellar run - long may Zdarsky reign.

[Marco · Rating 4 out of 5]

"Remember who you are. Remember your training. You're Matt Murdock. You're Daredevil. And out of infinite possibilities, there's only one way this is going to go. My way."

[Peter Looles · Rating 5 out of 5]

"Daredevil by Chip Zdarsky Vol. 4: End of Hell"

Daredevil visits Fisk at the hospital to find out if the Stromwyns were the ones who were responsible for his condition. Hammerhead kills some people in Hell's Kitchen and it sparks a fight between him and Isabella. Daredevil and Elektra break in the Stromwyns' building and they still billions of dollars from them and give them to charity. Daredevil angrily finds out that Elektra kept one billion for herself. She says it's to start something big, but that doesn't help Matt to stop being angry. Cole North finally decides to stop trying to bring down superheroes like Daredevil and Spiderman and he focuses in bringing down the Owl. Joey, the guy Matt is a parole officer for, the one who's brother got killed from Daredevil learned in a previous volume that Matt is Daredevil and he told his mother, who has forgiven him. The money Matt and Elektra stole have gone to every business owner in Hell's Kitchen, in order to help them in these tough times. Isabella has her guys kill Hammerhead. The Owl has his guys kidnap Mindy's daughter (Isabella's granddaughter). At the same time Matt talks with the Stromwyns and he learns that the only reason they did everything they did to Hell's Kitchen is for money, to buy the real estate. Cole makes a speech and he motivates many cops to go find the kidnapped child. With the help of Daredevil they find her and take her to safety. Meanwhile her father tries to take down the Owl who eventually kills him to make his mother, Isabella, retire from crime. The Stromwyns bring Bullseye with some more criminals in Hell's Kitchen to destroy it. While they do that, the media bury it. Fisk tries to bring help to stop it, but he's unable to do so. Many people dressed like Daredevil try to help. Matt wears for the first time in a while the Daredevil mask, to try to protect his neighborhood. Typhoid Marry is back to protect her church. The Owl comes to fight against Hell's Kitchen, but Fisk comes to fight for it.
This volume was truly great. It feels like all three previous volumes were building up to this volume and especially the fight at the end. The writing in this volume is great. All the characters are very relatable and rounded. There's a lot of action, but it's written in such a way that it doesn't bore me. That's probably because the series devoted a lot of time to help us understand the characters and connect with them, so when they fight, we actually care for them. I think that the main themes of this volume are forgiven and understanding. Some moments were a bit too much (like when the mother of that guy Daredevil killed forgives him), but most of the time these themes are embedded very well in the story. A case like that is Cole's whole story in the series so far. Since the first issue he had tremendous growth. He finally understands Daredevil, he forgives him for his actions and he eventually wants to help him. Another very important idea of this series and especially of volumes 3 and 4 is finding a reason to fight for. I believe that this is more apparent in this volume than anywhere else and especially in the final epic battle. Many different characters team-up to save Hell's Kitchen, everyone for his own, personal reason. Also, it's great to see in this final battle how Daredevil is presented as an idea. Daredevil isn't Matt Murdock any more, Daredevil is the saviour of Hell's Kitchen and everyone can be him.

[Craig · Rating 5 out of 5]

What can I say that others haven't? This is an excellent run of comics and it constantly amazes me how good a writer Zdarsky has become. The artwork is also excellent throughout.

[Shaun Stanley · Rating 4 out of 5]

Daredevil Vol. 4 End of Hell collects issues 16-20 of the Marvel Comics series written Chip Zdarsky and art by Jorge Fornés and Marco Checchetto.

Daredevil and Elektra team up on a heist to steal millions from The Stromwyns, a wealthy family that is planning on purchasing and rezoning Hell’s Kitchen to build a new sports stadium, and funnel the money to local Hell’s Kitchen businesses and charities. After realizing who was behind the heist, the Stromwyns set their eyes on burning Hell’s Kitchen to the ground by sending in mercenaries including Rhino, Stiltman, and Bullseye.

The first major showdown between Daredevil, Kingpin, and The Stromwyns leads to an epic battle for Hell’s Kitchen. But this only the first salvo in a war for Hell’s Kitchen so I am very excited to see how this all plays out.

[Rory Wilding · Rating 5 out of 5]

Marvel heroes are often known for having a distinct flaw and that is certainly true of Daredevil. Not so much his blindness – though he does question why God would take away his sight – but his addiction to danger through his dual role as lawyer and vigilante, there are the signature internal monologues where he thinks about his own demons. As a Catholic, Matt Murdock has always been looking for redemption, especially at the start of Chip Zdarsky’s run, where he took the life of another and thus gives up being Daredevil.

Throughout this current run, Murdock has been trying to do good for Hell’s Kitchen without becoming Daredevil and yet through his rekindled alliance with Elektra, the sense of danger keeps coming back, for better or worse. Elektra has always been a divisive character, but Zdarsky writes her really well through her relationship with Matt where she is a mentor, as well as a partner in both crime and intimacy.

During the first issue, Matt and Elektra go Robin Hood as they sneak into the Stromwyns’s office building to hack into their digital finances. Proving to be the new David Mazzuchelli, Jorge Fornés fits well into the gritty world of Daredevil where shadows are everywhere and ninjas can be hired for top security. Considering that much of the narrative is done through dialogue and captions, Fornés always illustrates his environments with such vastness. One panel, in particular, that dominates most of the page, where the black-clad Murdock sits on the top of a building and just listens, whilst you read Zdarsky’s captions from top to bottom as you delve into the mindscape of Matt Murdock.

More so than other Marvel superhero comic, Daredevil has always explored crime and corruption as our flawed hero, along with other inhabitants, good and bad, trying to resolve or just adjust to the surroundings. A gang war is building in Hell’s Kitchen as Hammerhead, the Owl and the Libris family are at each other’s throats, and how does Matt, Detective Cole North and even Mayor Wilson Fisk are trying to prevent this inevitable war. Very much a crime epic, Zdarsky does not hold back on the consequences of one’s actions with some unexpected deaths along the way.

Issue #18 leads to one of the intense sequences in the run where Mindy Libris’ daughter gets kidnapped and despite the police being ordered to stay away from Hell’s Kitchen, that won’t stop the masked vigilante and the detective to team up and save a child. It is a truly fist-pumping moment, especially when their destination that takes place in a traffic jam during a rainy night, stunningly drawn by Fornés. Although I’m excited to see what he does with the twelve-issue Rorschach comic with Tom King, this seems like the artist will take a break from Daredevil, which is sad.

However, this does not negate Marco Checchetto, who is doing excellent work as the book’s regular artist as he draws the last two issues here, where all hell breaks loose in the streets of Hell’s Kitchen. Hired by the Stromwyns, five supervillains are hired to cause mayhem and so the people of Hell’s Kitchen fight back, some of which wearing their own Daredevil mask to symbolise a form of rebellion. Considering the recent actions that Matt made as Daredevil, he realises the people are carrying his own burden, even though they shouldn’t have to, leading to a recreation of the iconic Born Again splash page.

Through Checchetto’s artwork, New York has always a stunning combination of detail and vibrancy, but what happens when it comes Hell’s Kitchen becomes a war zone? Being the most action-heavy that the run has ever been, this feels the culmination that the creators have been building towards with multiple characters entering the war zone, presenting alliances and revelations that are unexpected. With villains like Bullseye, Rhino and even Stilt-Man, Checchetto draw them as menacing figures that revel in the carnage.

Twenty issues, Chip Zdarsky continues to do his best work with a run that is an instant classic. Ending on a huge cliffhanger, Zdarsky’s Daredevil is always changing things up, so it’s exciting to see where it goes next.

[Khurram · Rating 5 out of 5]

I loved this book. This Daredevil series has everything relationships, adventure, and lots of action. The artwork differs from issue to issue, but it fits. The story is incredible.

Elektra and Matt successfully ripped off the Stromwyns, and Detective North blatantly ignored their directive yo not police Hell Kitchen. They will not just take this on the chin. There is also a huge gang war brewing. That is getting very personal very quickly. However, Kitchen might have more defenders than people think.

Everything is done extremely well in this book. Nothing is rushed. Even Matt/Daredevil's recovery is paced out. Characters don't just change alliances. I saw the change over the books. Secrets are revealed, and just when I thought it was over another switch.

[Mike · Rating 5 out of 5]

This art is beautiful.

Do I lead a review of this Zdarsky run with that? Is that missing the point?

When does the art transcend the writing?

Wow, I need to keep an eye out for Jorge Forbes for sure, coloured by Nolan Woodard...

Hell, they made the series artists (Marco Checchetto and Mattia Iacono) look like they were standing still.

Oh, did that mean I didn’t enjoy the story? Yeah, this “Reborn” homage was pretty dammed exciting. Page-Turner, far more compelling than most of the books I read these days. And nice little punchline on the last page.

[Blindzider · Rating 4 out of 5]

Phenomenal. I don't know how he did it but Zdarsky managed bring DD back to basics while still making it feel fresh and new. He's bonded Matt with his faith again, balanced his mind, and clarified what his role is. The last two issues are jaw dropping with the chaos and hysteria going on. It also contains a surprise that I didn't see coming.

Fornes' art is excellent. It has the same feel as Maleev or even David Aja. It's fine, and works really well for the non-action scenes, people talking. Checchetto's art is still a feast for the eyes. His sharp clean lines with Iacono's coloring make the images just burst off the pages.

[Robert · Rating 5 out of 5]

Devilishly good run continues

[Carlex · Rating 4 out of 5]

Three and a half stars.

[Dakota Morgan · Rating 3 out of 5]

I understand that Chip Zdarsky's aim is to have Daredevil and Kingpin reject their pasts, then suffer the consequences. It just feels like he's going about it in a fairly ham-fisted way. Daredevil doesn't want to be Daredevil anymore - so it's no surprise when a paramilitary force descends on Hell's Kitchen and the ol' devil is forced back into action.

A paramilitary force? Really? Apparently, the Stromwyns have reduced the police presence in Hell's Kitchen to drive down property prices so that those properties can then be scooped up and resold at a profit. Sure! Billionaires gonna billionaire. But I think sending in Bullseye and Co. to murder civilians and demolish buildings is a tad over the top.

Whatever. The art and action are solid and I'm still fairly invested in Daredevil and Kingpin's arcs. Maybe the next volume will lose the unnecessary fireworks.

[Jan Potměšil]

Desperately needs more of the chubby crime lord!

[Jaye Berry · Rating 5 out of 5]

Please I beg y'all to stop changing the artist every couple of issues. At least it's the same ones back and forth (and I am happy to see the artist I loved from past volumes back... again) but it's so annoying. At least wait until the volume is over oh my god.

Both of the art styles in here were good though and I'm weirdly obsessed with Marco Checcetto's style. He draws everyone so crisp and the vibe is so fitting. I think the thing I like about his art the most is how he draws Matt?? He draws him so beautiful, no cap.

It's just strange because he has such a different style than Jorge Fornés so it makes it more jarring when it just randomly switches?? But enough ranting about that.

The story!! I love how the storyline in this run has been consistent and ongoing. It's been building and it just keeps going.

Matt and Elektra pull off a Robin Hood type beat where they steal billions from the villainous Stromwyn family and give it to the people of Hell's Kitchen. In revenge the Stromwyn's decide to rain hellfire on Hell's Kitchen by getting a team of super villains in to tear the neighborhood apart. In the middle of this, a child is kidnapped from one of the crime families.

What can I even say besides this was so good ugh. There were so many parts that were just so iconic. There was this one part that just went hard but a bunch of fake Daredevils start fighting back for their neighborhood. Matt joins the fight, pretty much dressed just like them with just a mask and normal clothes and Bullseye throws a knife at him and is like ugh is there no end to you fake Daredevils. Matt catches the knife and is like not fake, bitch and it was a slay. The cop, Cole, is working with Daredevil now and the partnership is great. Cole also called out the corrupt cops and those who aren't corrupt but might as well be for their inaction and I'm glad his character has finally come around.

There's a lot of destruction, explosions, and violence in the last couple of issues like it was just nonstop fighting. It was fine though and I finally liked how Daredevil mostly has his shit together. The action was drawn well and it was entertaining. There's some wild cameos from people I've never heard of before but go off.

Love it. Love Daredevil. Love this run.

[Laura Barnes · Rating 4 out of 5]

shaping up to be a great redemption arc for Matt Murdock. Not as jaw-dropping as the previous one, but MAN am i enjoying myself. i really hope this is gonna go where i think it's going, and that the story doesn't just reset back to the status quo when i get to the end of Zdarsky's run.

I'm glad it ended how it did. The story would feel kinda heartless if it didn't. Matt's been learning a lot, but now that he's put himself back together he has to address the past before he moves on.

[Mike · Rating 5 out of 5]

At first I thought this volume might slow down and take a more narrative focus. Although Matt's characterization continues to move forward enjoyably, this book also jammed in a bunch of action and really put Daredevil at the tip of the spear. I loved it.

[AJ Kallas · Rating 5 out of 5]

Wow!

[Adam M · Rating 5 out of 5]

"How Matt Murdoch Got His Groove Back"

This is a worthwhile run for DD fans who enjoy deep cuts, but I don't know that it would be a super easy place for new readers. I'm not saying new readers can't give this a whirl, but there may be a few lingering questions about some of the villains (one big reveal in particular in this volume) and some of the pathos.

This was an unexpectedly deep/rewarding run and I look forward to where Zdarsky takes it.

[Lucas Lima · Rating 4 out of 5]

The best volume, so far, on Zdarsky's run!

An all out war on Hell's Kitchen and Matt finally understand what being the Daredevil means. For him, and for the people of all the Kitchen.

Missing Checceto on all issues, but Jorge Fornes did a great job as well. Gonna try to keep up with the run.

[Sid · Rating 4 out of 5]

fuck yeah wilson fisk!! i guess? (that last issue truly is a work of art huh)