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NOTRE HIKARI CLUB
Entre complots, trahisons et ambition dévorante, découvrez la formation du Litchi Hikari Club !Le Litchi Hikari Club n’est pas un gentil cercle d’amateurs de fruits exotiques, mais un groupe de jeunes garçons sanguinaires prônant la jeunesse et la perfection esthétique. Après l’adaptation en manga de la pièce de théâtre du Tokyo Grand Guignol, Usamaru Furuya imagine une histoire où les personnages du Litchi Hikari Club sont encore écoliers… De quelle manière Zéra parviendra-t-il à renverser l’autorité de Tamiya ? Comment les membres du Litchi Hikari Club se sont-ils enlisés dans cette situation tragique ?Usamaru Furuya explore le versant obscur d’une jeunesse décadente en quête de perfection esthétique. Les écoliers ne reculeront devant rien pour mener à bien leur mission : la création d’un robot chargé de leur trouver la fille parfaite.
- GenresManga
200 pages, Paperback
Published November 2, 2017
About the author
Usamaru Furuya
101 books183 followersUsamaru Furuya (古屋兎丸) is a Japanese manga creator from Tokyo. His production covers a variety of art styles and genres, such as horror, humour, slice-of-life, erotica, sci-fi, always with a personal surrealistic touch. Society oppression and the human condition are common themes in his body of work.
Furuya showed an interest in comics making since elementary school. He graduated from Tama Art University, where he had studied sculpture and oil painting.
His manga career started in the alternative magazine 'Garo', in which he published a series of one-page comics called Palepoli (1994-1995). He then worked on Short Cuts (1996-1999), a gag manga serialised in the mainstream magazine 'Weekly Young Sunday'. Other short stories from the same period were collected in the books Garden (2000) and Plastic Girl (2000).
Over the years Furuya has created work for a number of manga magazines, underground and mainstream. Among his series available in one or more Western languages are: the dystopian The Music of Marie (2000-2001); the surreal horror Lychee Light Club (2005-2006), loosely based on a play by Norimizu Ameya; the post-apocalyptic 51 Ways to Save Her (2006-2007); Genkaku Picasso (2008-2010); No Longer Human (2009-2011), adaptation of a novel by Osamu Dazai; Amane Gymnasium (2017-2020).
Furuya showed an interest in comics making since elementary school. He graduated from Tama Art University, where he had studied sculpture and oil painting.
His manga career started in the alternative magazine 'Garo', in which he published a series of one-page comics called Palepoli (1994-1995). He then worked on Short Cuts (1996-1999), a gag manga serialised in the mainstream magazine 'Weekly Young Sunday'. Other short stories from the same period were collected in the books Garden (2000) and Plastic Girl (2000).
Over the years Furuya has created work for a number of manga magazines, underground and mainstream. Among his series available in one or more Western languages are: the dystopian The Music of Marie (2000-2001); the surreal horror Lychee Light Club (2005-2006), loosely based on a play by Norimizu Ameya; the post-apocalyptic 51 Ways to Save Her (2006-2007); Genkaku Picasso (2008-2010); No Longer Human (2009-2011), adaptation of a novel by Osamu Dazai; Amane Gymnasium (2017-2020).
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